What's Alan writing? A new book called 'The Revolution Was Televised'
A look back at TV dramas from 'Sopranos' through 'Breaking Bad' will go on sale around Thanksgiving
Here's the logo for my new book, "The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever."
Over the last year and change, you may have noticed an occasional mysterious allusion to some project I was working on but wasn't ready to discuss. Well, today I am very proud to announce that it's my new book, "The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever."
The book tells the story of this new golden age of drama we're lucky enough to be experiencing, through the prism of a dozen shows from the last 15 years: in chapter order, "Oz," "The Sopranos," "The Wire," "Deadwood," "The Shield," "Lost," "Buffy the Vampire Slayer," "24," "Battlestar Galactica," "Friday Night Lights," "Mad Men" and "Breaking Bad." It's a mix of critical analysis and history, featuring interviews — the great majority of them new — with the creators of these shows and other key people who worked on them. Each chapter discusses both the greatness of that particular show and the way it contributed to this creative revolution. (The Shield, for instance, ended HBO's monopoly on this kind of show.) I've got David Chase discussing the end of The Sopranos (not explaining it, mind you, but discussing why he chose to do it that way), Damon Lindelof on the Lost origin story, David Milch on the beginning and end of Deadwood, and a whole lot more.
I'm self-publishing the book for a variety of reasons, one of which is that so many of the biggest accomplishments of my career happened because I was doing something entirely on my own, whether it was the old "NYPD Blue" fan site or the original version of this blog. The mechanisms for self-publishing — in this case, there will be a paperback, as well as editions for Kindle, Nook and possibly some other eBook readers — have become so streamlined that I wanted to take a crack at it this way.
Barring something strange (like, say, another superstorm), the book should be available to order by the week of Thanksgiving, and I think it will make an excellent holiday gift for the TV fan in your life.
UPDATE: The Kindle edition wound up going on sale ahead of schedule, and so did the Nook version. The paperback is also on sale, as are versions for iBooks and Kobo.
I've set up a website about the book, at AlanSepinwall.com, which still has some tweaks to be made, but has a FAQ that should answer more questions you may have (like why I chose these 12 shows and not others), a collection of links to my previous writing about these shows, as well as a sign-up form for an email list if you want to be reminded the day the book goes on sale, since you can't pre-order the book. (I'll also be doing another post here on that day, discussing it on social media, and have some other things in the works in terms of spreading the word.) If you want to know something that's not there, ask in the comments or feel free to email me, as always, at sepinwall@hitfix.com
I'm very excited about this. I always knew I didn't want "Stop Being a Hater and Learn to Love The O.C." to be the only line on my bibliography, and "The Revolution Was Televised" touches on a lot of what's made this such a special time to do what I get to do for a living. I hope you like it. And while we wait for it to be released, here's a look at the cover, courtesy of Jeroen ten Berge:

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November 8, 2012 at 5:29PM EST Reply to CommentGoing right on my Christmas list. Way to go, Alan!
Paul F
November 8, 2012 at 5:29PM EST Reply to CommentExcellent! I look forward to reading it.
Mark
November 8, 2012 at 5:29PM EST Reply to CommentYou include Lost in that list of amazing shows, despite the clusterfuck it became in the final seasons when the writers' incompetency became apparent? Heh.
RD LOST may not have lived up its lofty expectations, but there is no doubt that it had an impact on how dramas were made and consumed. And doing that on a Network channel, rather than Cable, makes it all the more spectacular.
November 8, 2012 at 5:32PM ESTMark You're right. HBO for instance, would never have a show that relied cheaply on cliffhangers for six years, and whose writers were so terrible at their jobs that they incorporated mysteries in it that they had no intention/ability to answer.
November 8, 2012 at 5:36PM ESTOther Mark Regardless of what you think about its quality, it was unquestionably historic, for all the reasons RD said, and because it was the first show that exploded in the digital/online/social media/podcast community. Never before had fans spent so many years of a show speculating those mysteries, ill-concieved as they may have been. Of course it has a place in this book.
November 8, 2012 at 5:44PM ESTvelocityknown You're being deliberately ignorant to what Lost meant for network television dramas. And your opinion on the final seasons is exactly that: an opinion. As there are still many who loved the final seasons and still enjoyed the finale.
November 8, 2012 at 5:45PM ESTMark Yeah, I know it has a place in this book, given how much of a huge online following it had as you mention, with people constantly coming up with theories, even analysing screenshots each episode. But I still disagree with referring to it as a part of the golden age of TV drama, especially given how the other shows mentioned are more worthy of the title.
November 8, 2012 at 5:54PM ESTVelocity: As I said, I wasn't refuting its significance as a television show, nor did I ever dispute its presence in this book. I also know what an opinion is. But if you can't be objective and see that the writers made it up as they went along (whether you consider this a hindrance is irrelevant), then well, you're not being objective.
sepinwall Mark, I talk a lot about how some people were unhappy with the ending, and also about how a bunch of the other shows in the book (Breaking Bad, to name one) made most of the story up as they went along.
November 8, 2012 at 5:59PM ESTOther Mark The man himself! Congratulations Alan.
November 8, 2012 at 6:04PM ESTMark Ah yeah, I recall Gilligan saying they the writing team does so. I imagine this is the case for several other shows that I look forward to reading about in the book.
November 8, 2012 at 6:20PM ESTI did forget to mention the difference with Lost being that Gilligan and co. for example did not dig themselves into holes by doing so, like Cuse and Lindelof did, where improvising the show's main draw (at least after around season 4, where characters took a backseat), the mysteries of the island, had a very negative effect in the long-run. I remember Lindelof laughably insisting the show was always about the characters, but after the first couple of seaons (the first was my personal favorite), I think if you were to ask if they were interested in say, Jin's character development - despite it being executed very well - or Jacob, I think we all know what the anser would be.
On a more related note, well done on the book. Look forward to it.
HISLOCAL Don't forget the landmark crossover w/ "Couples Therapy", featuring Horace and his 17-year-old wife.
November 9, 2012 at 12:03PM ESTRD
November 8, 2012 at 5:30PM EST Reply to CommentAwesome! Can't wait to read it.
exiledjerseyite
November 8, 2012 at 5:31PM EST Reply to CommentExcellent! Something to read when I should be working on my final projects for this semester. Congratulations, Alan. :)
jonnyfive
November 8, 2012 at 5:34PM EST Reply to CommentHow dare you self-publish! I am going to only pay you 30% and donate the rest to a publishing company! (Kidding of course, I think its a great idea and I will be in for one)
Paolo
November 8, 2012 at 5:34PM EST Reply to Commenthonestly, you pretty much had my money at the end of the first paragraph. This is going to be SWEET
Dan
November 8, 2012 at 5:36PM EST Reply to CommentCongrats Alan!!!! Looking forward to reading it.
Genevieve
November 8, 2012 at 5:40PM EST Reply to CommentThat sounds great! Look forward to reading it.
Cindy
November 8, 2012 at 5:40PM EST Reply to CommentVery exciting! Congrats Alan!!
Great holiday gift
Dennis
November 8, 2012 at 5:43PM EST Reply to CommentCan't wait! How'd you choose the gun on the cover?
sepinwall Simple: Jeroen put a picture of a gun on the cover, and I said, "That looks cool, Jeroen."
November 8, 2012 at 6:12PM ESTDennis Pretty sure it's a Beretta 92fs which Boyd Crowder used in Season 2. Guess it wasn't intentional ;)
November 8, 2012 at 6:14PM ESTKyle Rovinsky
November 8, 2012 at 5:44PM EST Reply to CommentWill there be ad nauseaum comments about The Wire? Or jokes about Lance/Landry? Or Landry as serial killer? Or how about funny references to possible two-character spinoffs? Do you reflect on these shows as they are or how you wish they were?
Ronnie J Dio How about unquestioned man-love of all things David Milch? I mean, where's John from Cincinnati and Luck?
November 9, 2012 at 3:49PM ESTMarsha
November 8, 2012 at 5:49PM EST Reply to CommentCongratulations, Alan! Can't wait to read it.
D
November 8, 2012 at 5:49PM EST Reply to CommentIt will be good - certainly not "Stop Being a Hater and Learn to Love The O.C." good - but still, I'm looking forward to.
sepinwall Really, what could be better than Stop Being a Hater? I'm not even hoping to top that one.
November 8, 2012 at 6:06PM ESTRD Would an OC fan who hated everything about Season 3, still enjoy the book? Johnny as absolutely terrible.
November 8, 2012 at 6:15PM ESTneverthehero @RD I just looked up the book. It came out before even the second season aired. So safe to say, it just talks about first season and things related.
November 8, 2012 at 7:16PM ESTNoHoGreg
November 8, 2012 at 5:52PM EST Reply to CommentAlan, will I be able to buy/read it at google play?
sepinwall As this is the first I've heard of Google Play, I would assume not. There will be a paperback through Amazon, Kindle, Nook, plus all the Smashwords-friendly eReaders (iBook, Sony, etc.)
November 8, 2012 at 6:01PM ESTKenya Do you have any timeline on the iBook version? I would prefer to buy that over the Kindle version unless the wait will be more than a week or so.
November 9, 2012 at 11:48AM ESTsepinwall Kenya, I'm not entirely sure. The file has been uploaded to the Smashwords store, and they in turn are supposed to send it out ASAP to iBook, etc., but I've been told that can take a week or two for some reason. It will absolutely be out by Thanksgiving week, which was the target date for the whole thing. The Kindle process wound up being much faster than anticipated.
November 9, 2012 at 11:52AM ESTMaggie
November 8, 2012 at 5:54PM EST Reply to CommentAwesome! Congrats, Alan. I'll be sure to get a copy. Love your thoughtful writing. Hope the book does really well for you!
albatross
November 8, 2012 at 6:08PM EST Reply to CommentWhat's a book?
Ed It's one of those things you read on your iPad.
November 14, 2012 at 11:16AM ESTArtemis
November 8, 2012 at 6:08PM EST Reply to CommentWonderful news Alan - congratulations! I can't wait to read it.
Mike
November 8, 2012 at 6:19PM EST Reply to Commenthow much does this ish cost?
MJ
November 8, 2012 at 6:23PM EST Reply to CommentStop Being a Hater and Learn to the Fact That Nothing Will Top The OC Book on Your Résumé.
Congrats. This is going to be awesome. I think I speak for most commenters when I say your writing is the perfect companion piece to our watching. Having it in book form will be that much better.
But seriously, you changed the game with The OC book. It may never be topped. Epic show, epic book.
An elephant
November 8, 2012 at 6:25PM EST Reply to CommentVery cool; I still have to watch a few of those shows, but once I do I'll be sure to purchase it.
No Six Feet Under, though? Considering it's one of the big dramas that got HBO rolling, I'd have thought that that'd be one of the shows worth including.
sepinwall Read the FAQ, Elephant. 6FU's absence is explained there. And you can safely cherrypick the chapters of the shows you've seen and wait to read the others later. I think Sopranos is the only show that keeps coming up in other chapters.
November 8, 2012 at 6:33PM ESTRobin Good to know, as I've not seen some of the shows mentioned either.
November 9, 2012 at 1:35PM ESTCongratulations Alan.
Ed Alan:
November 14, 2012 at 11:19AM ESTWould you consider a Volume II that would cover shows that were not necessarily ground-breaking, but later became culturally relevant?
jaroslavhasek
November 8, 2012 at 6:36PM EST Reply to Commentprobably should have left out Buffy and just done 2 chapters on BSG.
Mark Have you ever watched Buffy? I highly doubt that you've given it a chance if you think it wasn't a a significantly important - and brilliant - show that warrants an inclusion in the book.
November 8, 2012 at 6:58PM ESTnk99 Buffy has every right to be included - it was just as well-written and uncompromising in its particular creative vision as the other shows listed here, except it did it in the context of what was superficially a teen show about vampires, shown on a very minor network where it was in constant danger of cancellation.
November 8, 2012 at 8:18PM ESTMary No.
November 8, 2012 at 10:48PM ESTjaroslavhasek i watched every episode of Buffy netflix. i enjoyed firefly and astonishing x-men and i read about how great buffy was. i didnt enjoy it. a few episodes a season were alright. wildly overrated.
November 9, 2012 at 1:10AM ESTalso 99% if the music was garbage. especially the dumb all singing episode.
but hey, mileages vary, right bros?
Ron Swamson I've never watched Buffy and never will. It's a girl show.
November 9, 2012 at 3:52PM ESTsara20 Not saying the show didn't have flaws (the whole first season, to be honest) but there's a reason why Buffy the Vampire Slayer was so critically acclaimed. I remember at one time it was by far the most praised show on TV, and yet nobody was watching it because of these preconceptions that it was for teenage girls - and now it often seems to just get whitewashed from the history of the medium. Nice to see it being given some credit here, because it really was like nothing else on network TV at that time, and I definitely think it helped to push the boundaries. You only need to look at the shows that its writers have gone onto since - Firefly, Battlestar Galactica, Lost, Mad Men...etc.
November 9, 2012 at 7:15PM ESTTom @Ron Swamson, William the Bloody disagrees.
November 12, 2012 at 1:00AM ESTalbatross @Ron Swamson-
November 14, 2012 at 11:48AM ESTYou should at least watch the bacon-wrapped shrimp episode.
amg
November 8, 2012 at 6:39PM EST Reply to CommentWow, I have no idea how you have not only been writing as much as you post each week, but more; you are superhuman!
(Congrats!)
OldDarth
November 8, 2012 at 6:40PM EST Reply to CommentVery cool! Best wishes with the book.
Great to hear you are doing an ebook version!!
Grubi
November 8, 2012 at 6:50PM EST Reply to CommentAlan, just wanted to let you know that the first paragraph on the website you linked to only describes 11 of the shows you will be discussing, but the next paragraph says that you mentioned 12. You left out Lost.
Matthew
November 8, 2012 at 7:02PM EST Reply to CommentThis is great, and I can easily say I will be getting this the day it comes out.
Really glad you chose to write about Oz, it may have went way off the rails in the later seasons, but it is clearly influential to HBO and cable series. Glad that someone(especially you) is finally going to talk about it.
Kinda sad The West Wing isn't on there, but can't argue against any of The Shows you chose.
Matthew I have yet to watch the Sopranos, but I have watched pretty much everything else from HBO, Deadwood, Wire, etc.
November 9, 2012 at 6:57PM ESTAnd I know that Oz came out a few years before The Sopranos, and from what I hear about it, I think it is clear that Oz is not as good, but I do feel like Oz was a precursor to it, and all the other Cable Dramas.
While you say it is more of a bottle show(Though it is at it's most "Standaloneish" during the 1st season), it did do long story arcs in play throughout its run, the main one being Beecher vs Schillinger. And if Oz wasn't successful, who knows, maybe The Sopranos or The Wire don't happen, because HBO won't take a chance on them, and that certainly changes the way TV is now.
Like you said though, Oz did drop a lot of plots. I don't think that is due to it being more of a bottle show, but because the people who ran the show were basically trying something totally brand new, and didn't know what they were really working with at the time, so it was more trial and error(The Aging pills being the biggest Error of them All!)
Even though I haven't seen The Sopranos yet. From what I hear from critics and have read up on it, and from seeing the other HBO shows, this is what I at least like to theorize. Oz introduced TV to the long form storytelling show, The Sopranos made it great, and The Wire perfected it. Three distinct steps of the long form TV show, and all on the same network.
Matthew I have yet to watch the Sopranos, but I have watched pretty much everything else from HBO, Deadwood, Wire, etc.
November 9, 2012 at 6:57PM ESTAnd I know that Oz came out a few years before The Sopranos, and from what I hear about it, I think it is clear that Oz is not as good, but I do feel like Oz was a precursor to it, and all the other Cable Dramas.
While you say it is more of a bottle show(Though it is at it's most "Standaloneish" during the 1st season), it did do long story arcs in play throughout its run, the main one being Beecher vs Schillinger. And if Oz wasn't successful, who knows, maybe The Sopranos or The Wire don't happen, because HBO won't take a chance on them, and that certainly changes the way TV is now.
Like you said though, Oz did drop a lot of plots. I don't think that is due to it being more of a bottle show, but because the people who ran the show were basically trying something totally brand new, and didn't know what they were really working with at the time, so it was more trial and error(The Aging pills being the biggest Error of them All!)
Even though I haven't seen The Sopranos yet. From what I hear from critics and have read up on it, and from seeing the other HBO shows, this is what I at least like to theorize. Oz introduced TV to the long form storytelling show, The Sopranos made it great, and The Wire perfected it. Three distinct steps of the long form TV show, and all on the same network.
JJ
November 8, 2012 at 7:03PM EST Reply to CommentAwesome! Congrats. Can't wait to pick it up.
neverthehero
November 8, 2012 at 7:09PM EST Reply to CommentIf the e-reader version of it is successful, would it be possible to just put out single chapters? For the shows that you had to leave out?
Meg
November 8, 2012 at 7:26PM EST Reply to CommentExcellent, I am looking forward to reading it!
Sareeta
November 8, 2012 at 7:36PM EST Reply to CommentGood for you, Alan, I can't wait to read it. I, too, am glad you included Oz. I watched it many years after it ended, but clearly remember it being ground-breaking and controversial.
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