Review: Showtime's 'Homeland' returns strongly for season 2
It's time to stop waiting for the other shoe to drop, quality-wise
Are you a fan of Homeland?
Sign up to get the latest updates instantly.
The early critical narrative about Showtime's "Homeland" was "Okay, this is a great pilot, but how do they make it work as a series?" Then it was, "Okay, it's great so far, but they're going to screw it up in the end, right?" By the end of the season, it was — mostly — "Well, that was a terrific finish, but what do they do for an encore?"
As "Homeland" — now the reigning Emmy winner for Outstanding Drama Series, and for the fantastic performances by Claire Danes and Damian Lewis — returns for its second season on Sunday night at 10, I think those of us who were satisfied all the way through the first season need to have a Coke and a smile and shut up already about the possibility that somewhere, at some point down the road, "Homeland" producers Alex Gansa and Howard Gordon might screw things up. Sure, they might, but you can say that about nearly every good or great show on television, and most of them did at some point. "The Sopranos" had Vito's trip to New Hampshire. "Deadwood" had the theater company. Many "Mad Men" fans will cite Megan Draper's prominence as one of the reasons "Homeland" won that Emmy and broke the "Mad Men" streak.
(*) This is the point at which I acknowledge that some fans of the show were decidedly not happy with the season 1 finale. I already went on at length about why I was okay with the malfunctioning vest, the convenient phone call, etc., in my finale review, so I won't rehash that here.
I don't want to say much about the new episodes here (I'll continue to review the show weekly), because a lot of the fun of "Homeland" comes from the surprises. I'll say that they have to do some work to get Carrie involved in the plot again after the events of last season (on yesterday's podcast, Dan rightly compared it to how CTU always kept bringing Jack Bauer out of retirement), but there are still moments where Danes, Lewis and Mandy Patinkin get to remind you of how brilliant they were a year ago, there's still that unbearable sense of tension and there's still a lot of moral ambiguity. It's still "Homeland," and it's good.
Back Sunday to discuss the premiere.
Alan Sepinwall may be reached at firstname.lastname@example.org