Review: 'Justified' - 'Get Drew': Support your local Shelby
Good guys and bad guys alike close in on their target
Ava (Joelle Carter) and Boyd (Walton Goggins) have a decision to make on "Justified."
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A review of tonight's "Justified" coming up just as soon as I threaten to sing showtunes...
"I know we're on the run and all, but I ain't never felt so free." -Ellen May
The mystery phase of "Justified" season 4 is over, which is probably for the best. The show never really gave us a compelling alternative to Shelby(*) as Drew Thompson, and in fact had done such an iffy job of explaining why Drew mattered to so many people that I've been repeatedly asked about it each week in the comments, via email, on Twitter, by smoke signals, etc.
(*) In my notes, I found myself still referring to the character as Shelby, which is how I've known him since season 2. Curious, I asked Graham Yost how the scripts after last week's referred to the character, and he said the writers ultimately made the same decision for the same reason, although "occasionally I would see a writer give dialogue to SHELBY, then, later in the scene, call him DREW.")
That phase of the season is over, though, now, and we begin this new free-for-all stage with Art doing an entertaining rundown of all the "badass shit" Shelby has pulled over the years — and, therefore, why the Marshals, Boyd, Theo Tonin and company are all hot on his trail — before we get to see all the interested parties make their play for the guy in the sheriff's uniform.
"Get Drew" is a pretty textbook piece-mover episode, there to get all the players in position for Raylan to make his "We just have to figure out how to get out of Harlan alive" declaration in the closing seconds. But as piece-movers go, it's an awful lot of fun.
For starters, with Shelby's true identity revealed, Jim Beaver gets a lot more to play, particularly in the struggle between the Drew who just wants to get the hell out of town and the Shelby who's taken a shine to Ellen May and wants to protect her. She's so damaged that she still thinks Ava has her best interests at heart until the final moments, and finds a life as a fugitive with Shelby an improvement over her current state.
Also, Shelby's quest for sanctuary brings back a face I had given up on seeing this season. Limehouse is of course the man who would be tasked with protecting Ava, and the place Shelby might take Ellen May when all other options are exhausted. I'm glad to see Mykelti Williamson continue to be a part of this world, even when Limehouse has been absent for the great bulk of the season. (And we'll see how long he stays involved this time, or if Ellen May is quickly rescued/purchased from Noble's Holler next week, with Limehouse waving goodbye and returning to his hogs.)
Limehouse's return also signals what I'm assuming will be the full cast complement for most, if not all, of the remaining three episodes. Rachel's been gone for weeks, Tim was absent much of the early part of the season, and Art has appeared sporadically, but they're all there trapped in Harlan with Raylan and Shelby, for what feels like it could be a riff on "The Professionals," or "The Gauntlet" or my beloved "Midnight Run," or any other tale of a small force trying to get out of very hostile enemy territory with something (or someone) valuable. I'm looking forward to seeing these four — plus Shelby, because you know at some point he's going to wind up with a gun in his hand again — having to deal with Boyd, Colton, Johnny, Nicky Augustine, etc. (And I'll be curious to see whether this attempted escape takes up just a single episode, or whether the next three episodes all take place over a few hours' time.)
Even though we know where our heroes are and what they want to do, there are a lot of other uncertainties heading into the final lap. Will Wynn actually run away to Canada?(**) Will Boyd and Ava stay and try to explain things to Nicky, or will they hitch a ride to the great white north on the Wynn-ebago? Who might try to purchase Ellen May's freedom, if only to mess with Ava? Where exactly do Johnny's loyalties stand, other than to himself? Does Colton's ability to avoid giving Shelby a suicide-by-MP mean he's finally gotten his act together, and that Tim can feel righteous when he shoots him? And when and how will Constable Bob's go bag figure into things?
(**) And, if so, can I amend last week's request for a "Wynn Duffy Reacts to Unexpected Things" web series to involve him reacting to Canadian culture? Possibly co-starring the McKenzie Brothers?
Fun times all around. And now I have the urge for some soul food.
What did everybody else think?
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Next 124 CommentsJim
March 12, 2013 at 11:14PM EST Reply to CommentWhy don't the Marshalls' get helicopter to pick him up like Tonin's men were going to do?
DB Cooper Yeah, I think we're going to have to suspend some major disbelief over the next few weeks. Inopportune cell phone outages, super-fast deployment of heretofore unseen death squads, and über-public high noon ambushes - see them all soon, on Justified!
March 13, 2013 at 1:02AM ESTdom Do you think the Marshals, while in Harlan, just happen to have a helicopter ready to go at a moment's notice?
March 13, 2013 at 3:48AM ESTJim I think the Marshals, state police or Lexington police would have a helicopter that could get them out of there pretty quickly. Also, they could have just left that moment before Boyd and others figure out a plan.
March 13, 2013 at 7:35AM ESTDavid True, but I think the locals and staties have their own set of agendas. We've already seen that the FBI had Tonin moles in its mix, and that Tonin has enough sway with local law enforcement and judges to get them to sever their ties with Boyd's Cloverhill friends.
March 13, 2013 at 2:24PM ESTDarkdoug Law Enforcement in general is stretched mighty thin in that region, which was pointed out in the very first season, explaining why the Marshall's Office in general and Raylan in particular do so many different things and get involved in so much mayhem (though a lot of that, of course, is Raylan's own personal issues).
March 13, 2013 at 8:22PM ESTAs David notes the different organizations have their on agendas and Art indicated at the beginning that they want to do this one themselves for bragging rights. Not much of a bragging rights claim if you got a tip, drove to a field and then called for another agency to give you an airlift out.
Would this happen in real life? Hell no. But there's a reason we watch TV. A lot of commentators on this blog, and even Alan at times, seem to operate under the delusion that everyone always goes for the high-percentage, logical, rational and "smart" move most of the time. The reality is that people do things for all sorts of reasons, regardless of whether or not it's the safest or most prudent choice.
More than once on the show, it has been implied, if not outright stated, that Art, Tim & Rachel are a bit messed up in their own self-destructive little ways, if not to the degree Raylan is. The pilot episode itself, where they stayed behind to get in a gunfight to cover Raylan established that none of the foursome are the sorts to shy away from a gunfight from time to time, no matter how they might roll their eyes at the frequency of Raylan's incidents.
These four guys did not join the US Marshall service because the transit or traffic cops were full up and they were hankering for a government health plan and pension. Whatever the day to day realities of paperwork and uneventful prisoner transports their job might entail, they still have a big poster in their office harkening back to the glamorous image of the US Marshalls in the Old West. None of the legendary heroes they shoot the shit about would have backed down because the going got tough (in their minds), and neither are they. They are going to walk Drew out of Harlan, maybe with a bit of a wide stance, but that's only because of the giant sets of brass balls hanging between their legs.
Long story short, the guy who gave that line at the beginning of the show about how awesome Drew Thompson is (which, IMO, is the single best speech in the entire four season run of "Justified"), is not going to end his last big case calling in the cavalry to finish his job.
DB Cooper The Marshalls may be cowboys, but they're sure as hell not suicidal.
March 13, 2013 at 11:22PM ESTLike I said, there's suspension of disbelief, and then there's nonsense. I'm fine with the idea that a known criminal semi-mastermind can freely travel the hills of Eastern Kentucky in an RV.
But that sort of thing is balanced by the fact that Raylan never wins a fistfight, or that they finally acknowledged that Raylan has to spent half his working hours commuting from Lexington to Harlan.
We bordered on nonsense with the Hillbilly Illuminati. Now we've seen Mike O'Malley and the small of napalm in the morning. When henchmen start appearing out of nowhere, it's going to detract - to a degree - from my enjoyment of the show.
HISLOCAL It does seem a little silly that the Marshals couldn't arrange for a helicopter. BUT, maybe they'll explain that away next week ("you have to book them in 4-hour blocks!! I'm not paying for that!!").
March 14, 2013 at 8:33AM ESTjoel Oh for christ sakes, let's be real. The Marshalls have Drew Thompson under arrest. They could easily call any agency to get them out and they'd still get credit for the collar. They don't need to keep him for special interrogation, as a bargaining chip, or as some sort of secret witness in a criminal case. The idea that they'll have to shoot their way out of Dodge is pretty damn silly, but it's even sillier that they can't presumably seek assistance with getting this important a fugitive out safely. They are officers of the Justice Dept of the US Govt. We're not talking about Bo and Luke Duke vs Sheriff Roscoe Coltraine here.
March 15, 2013 at 12:45AM ESTZEKE
March 12, 2013 at 11:18PM EST Reply to Comment"Balls!" - nice Bobby Singer moment there.
Marcos I thought the exact same thing.
March 13, 2013 at 12:39AM ESTMike Oakenshield Biggest laugh of the episode for me. I miss Bobby Singer.
March 13, 2013 at 4:03PM ESTCaren
March 12, 2013 at 11:19PM EST Reply to CommentThe level of awesomeness in Rachel's first scene with Raylan made it my favorite of the whole episode. WOW. Even by Rachel/Tim standards, that was great.
Michael
March 12, 2013 at 11:22PM EST Reply to CommentI'm calling it now, and have been saying it for weeks, that Ellen May is Drew's daughter.
ideemo that would certainly come out of nowhere! with....who....
March 13, 2013 at 12:48AM ESTMichael Would it come out of nowhere? Why would he rescue her from Colton? To take Boyd down? Why risk putting his neck out there.
March 13, 2013 at 8:01AM ESTPlus, there are plenty of parallels between the characters; she's younger than he is, he got weepy when she was talking about freedom, they've both witnessed murders perpetrated by crime bosses.
As for, with who?
I dunno, anyone. She was put for adoption, the mother doesn't matter.
Andy I was going to mention the same thing - didn't the hint at such a few episodes ago when the timeframe of Shelby's wife leaving him matched up with Ellen May's mother leaving her?
March 13, 2013 at 11:50AM ESTcattt Drew cares about Ellen May, but I think that she's not related. It's just the writers way of showing that Drew/Shelby isn't a lowlife criminal like the Crowder and Tonin crews.
March 13, 2013 at 6:57PM ESTideemo Ava tells Boyd when he's looking for Ellen May and Shelby that Ellen May's father is locked up. I really think he might just be in love with her.
March 13, 2013 at 8:15PM ESTMichael Or that's her adoptive father.
March 13, 2013 at 10:31PM ESTHISLOCAL I think the mangy dog on the side of the road was all the metaphor you need. He just sees her as a charity case and took her under his wing.
March 14, 2013 at 8:36AM ESTchas i think he sees her as the daughter he could have had. that in her he has realized what all he gave up when he faked his death years ago.
March 14, 2013 at 2:29PM ESTJonas.Left Reply to comment...
March 14, 2013 at 4:55PM ESTJonas.Left Sorry.
March 14, 2013 at 5:06PM ESTHISLOCAL I took the image of the dog as the exact opposite. I think Shelby saw that dog walking alone in the dark as the fate that awaited himself. I think he genuinely cares about Ellen May and considers her presence in his life as something that enriches him as much as his presence in hers benefits her.
As to her being his literal daughter, I don't think so. I also hope not, because it diminisbes the moral choice he made to protect her and undercuts the idea that Drew Thompson's false identity became his true self. Shelby finally rebelling against Boyd is the only reason I really came to like him.
Nick Christie
March 12, 2013 at 11:46PM EST Reply to CommentMy comment on tonight's Justified coming up after I tell Raylan that I have that same pair of panties...
Nick Christie Also, I'm prettier than her and I can do shit they haven't even thought up names for yet.
March 13, 2013 at 12:12AM ESTprettok
March 12, 2013 at 11:52PM EST Reply to CommentWhen will Boyd ever learn to oversee his Detroit-prisoner-exchanges personally.
Fuzzbrain Also why in the world would he trust Colton for the task, after the botched attempt to get rid of Ellen May?
March 13, 2013 at 7:50AM ESTJobin00 What if Tonin's men just killed Boyd during the exchange? Makes sense he would a lacky.
March 13, 2013 at 10:01AM ESTFuzzbrain Maybe Boyd was hoping they would kill Colton. Still, if all that money was going to be exchanged in the field--Boyd would surely want to be there. Of course it ended up just being a plot device so the Feds could race in without Shelby being able to escape again; plus a setup for next week's episode.
March 13, 2013 at 10:24AM ESTprettok
March 12, 2013 at 11:55PM EST Reply to CommentAnd how did Limehouse know to ask Boyd for 300 grand, exactly the same amount he took off the Illuminati three days earlier.
Headslapper Market forces.
March 13, 2013 at 6:57AM ESTDavid Maybe he can exchange Ellen May for a DQ franchise.
March 13, 2013 at 2:26PM ESTalbatross Probably the same way he found out about Drew.
March 13, 2013 at 4:59PM ESTHISLOCAL Or they discussed the figure before Boyd physically packed it up and drove up there.
March 14, 2013 at 8:37AM ESTjoel Plot device. Just look the other way, nothing to see here.
March 15, 2013 at 12:47AM ESTM.A.Peel
March 13, 2013 at 12:12AM EST Reply to CommentOne might think that Yost and the writers are working Alan's "just as soon as" tag into the scripts. That show tune line begged to be headlined here. . .
LR
March 13, 2013 at 12:57AM EST Reply to CommentLast season was uneven, but good.
This season has been awesome. Right behind season 2.
Justified has settled into a patter of excellence, not always A+ like say the Wire, but always on the A range like the Shield.
The Drew plot has paid off handsomely. I cannot wait for what looks like an epic episode coming out.
Elevation Tonight was great, but I think Quarles and Limehouse give Season 3 the edge over this year.
March 13, 2013 at 2:49AM ESTLMS Don't know if you meant to say "pattern of excellence" but I think "patter of excellence' is spot on. Season 4 snappy patter is achieving an all-time high.
March 13, 2013 at 1:36PM ESTeddie willers The patter often gives me a little marshal stiffy.
March 14, 2013 at 1:30AM ESTHISLOCAL I think the overfilled plotlines and the action and "hell yeah" moments are why I like this show so much. It might not be as meticulously plotted as The Wire, but you don't always want Tolstoy, y'know?
March 14, 2013 at 8:41AM ESTThe Wire = aged filet mignon & pinot noir
Justified = $0.50 wing night & pitchers of bud light
There's certainly room for both in my life!!
DB Cooper
March 13, 2013 at 1:03AM EST Reply to CommentI loved that Boyd called Raylan on his two favorite activities, shooting people and being an asshole.
Slam Typical Elmore Leonard character. Good guy ? Bad guy ? ....
March 13, 2013 at 2:14PM ESTDB Cooper
March 13, 2013 at 1:04AM EST Reply to CommentGreat post title, BTW.
DB Cooper
March 13, 2013 at 1:11AM EST Reply to Comment"...just as soon as I'm blanking hillbilly blanks for money."
bearcouch
March 13, 2013 at 1:58AM EST Reply to CommentFinally, some more Rachel! She pairs well with Raylan.
Jake
March 13, 2013 at 2:28AM EST Reply to CommentI couldn't make out what Raylan said in the second part of his line after "I watch a lot of books on tape ..." Anybody catch that?
Jonathan It was something like "I get Zen," I believe, like practicing meditation.
March 13, 2013 at 2:50AM ESTTheFatFilmGuy
March 13, 2013 at 2:37AM EST Reply to CommentDamn it Alan! Now all I can think about is how much I want to see the "Wynn Duffy Reacts To Unexpected Things" web series. In fact FX could make that a half hour sitcom, pair it with It's Always Sunny... and I would be hooked.
Oaktown Girl Well, there's still plenty of time left this season for ol' Wynn Duffy to have someone's brains splattered all over him one more time. Even if at this point it'd just be the writers winking at us for their own amusement, still worth it for the classic Wynn Reaction shot.
March 13, 2013 at 3:24PM ESTRev. Slappy
March 13, 2013 at 2:41AM EST Reply to Comment"Serrano's got the disks!"
briguyx
March 13, 2013 at 3:11AM EST Reply to CommentDrew could always fly them out of Harlan...
DB Cooper Oh, I bet that's it.
March 13, 2013 at 12:50PM ESTghostofmags
March 13, 2013 at 6:14AM EST Reply to CommentConstable Bob's go bag figured in last week, when he opened fire on the Clover Hill assholes.
On a second note, with some of her comments tonight, I hope they aren't shipping Rachel and Raylan because that's just...wrong.
HISLOCAL I'm still waiting for Constable Bob to turn someone into beef stew w/ that knife of his.
March 14, 2013 at 8:43AM ESTDavid
March 13, 2013 at 8:48AM EST Reply to CommentI think this episode showed how special this season could have been if they'd either avoided the mystery aspect of the first 9 episodes or at least executed it more effectively. If they'd have let us in on Shelby-as-Drew from the beginning, everything that is happening right now would have a lot more meaning. To use a gymnastics metaphor for some reason, it looks like they are going to stick the landing, but the routine has been shit.
prettok Doing it that way would have made the show`s heroes, Raylan and Boyd look like imbeciles for nine whole weeks. Not a good idea if you want to maintain audience sympathy.
March 13, 2013 at 4:36PM ESTDavid I'm not sure that necessarily would have needed to have been the case with some good writing. Anyway, I still think that's preferable to the confusion and apathy most viewers have felt towards that story line.
March 13, 2013 at 4:40PM ESTJonas.Left Most Columbo stories let the audience know who the killer was from the beginning and built tension by having them interact with the hero trying to uncover their guilt. It was a formula that worked for decades.
March 14, 2013 at 2:48PM ESTChampSkins
March 13, 2013 at 9:29AM EST Reply to CommentCouple things... First, Limehouse knowing that Shelby was Drew right off the bat - AWESOME. Of course he knew that.
Secondly, I really cannot figure out if I like this episode. I loved the first part of the season, but I just can't figure out if I liked this episode and where we are potentially going for the rest of the season. Anyone else with me on that or am I crazy?
rcade
March 13, 2013 at 9:49AM EST Reply to CommentI thought it was weak storytelling for Boyd to have Colton deliver Drew Thompson alone to the dropoff point. Colton is a screw-up who Boyd doesn't trust, but he's going to count on him to handle that?
apearlma What happens if Theo's man has orders to shoot the delivery person? This is Theo's man who the only relationship that Boyd has with him is that he's talked with him on the phone. Why not send the scared military policeman to do a prisoner transfer - if you can't trust him for that, there's no reason whatsoever to trust him for anything.
March 13, 2013 at 10:13AM ESTAnd he didn't screw it up...
MarioD Boyd doesn't want to get caught harboring a known fugitive. Or killed by Theo's guys once they don't need him anymore (since he's been a bit obnoxious to them). It would be silly to think the the criminal mastermind does all the dirty work.
March 13, 2013 at 10:15AM EST
Well, I think the writers knew that would be decision second-guessed, so they worked in the speech Boyd gave him about "Can you be that guy I knew in Kuwait?"
March 13, 2013 at 11:39AM ESTrcade There needed to be some dialogue between Boyd and either Ava or Johnny explaining why he asked Colton to deliver Drew, and it needed to be motivated by more than trust.
March 13, 2013 at 10:04PM ESTLMS Boyd is 100% invested in being the Boss of the Holler. He can't run his own errands or it looks like he doesn't have posse. And Johnny's the wrong one for this. Nobody left with a speaking part but Colt.
March 14, 2013 at 2:01AM ESTamylavi
March 13, 2013 at 10:12AM EST Reply to CommentCan someone tell me why Ava is safe hiding at Noble's Hollar with Limehouse? Do their families go way back? Does this have more to do with Boyd & the Crosder clan than with Ava, per se?
beep It has to do with Limehouse's history of offering shelter to battered white women. I think he might have let Ava stay there before she killed her husband.
March 13, 2013 at 10:46AM ESTprettok Limehouse and Ava are old friends (as Boyd points out). Limehouse gives her refuge in exchange for information. She probably told him that Shelby was Drew. (Before she knew Shelby was about to suddenly show up in the Holler)
March 13, 2013 at 4:41PM ESTJeff
March 13, 2013 at 11:15AM EST Reply to CommentAny reason you stopped reviewing Shamless? I ask because this has been, by far, the best season.
Labeasy I agree Shameless has been terrific. I think he does review some episodes but just occasionally.
March 13, 2013 at 1:33PM ESTSlam Emma Rossum is great, but I'm sorry, that show is SO DARK. It literally depresses me a little bit.
March 13, 2013 at 3:05PM ESTsepinwall I've never reviewed Shameless weekly. I love the show but prefer to check in on it periodically.
March 13, 2013 at 3:56PM ESTcraig_rowe
March 13, 2013 at 11:41AM EST Reply to CommentMaybe I forgot something ... going back to the first episode where Arlo hired the kids to steal that bag in the wall. What prompted Arlo's sudden need for it? Did he just want money in an attempt to blackmail Drew?
prettok More like he was going to finally cash in the info to the feds in exchange for not dying in prison. He needed the bag to prove that his info was authentic before he gave it up.
March 13, 2013 at 4:45PM EST
Okay, that sounds right. But I thought he was refusing to cooperate? And, wouldn't he have just told the feds where it was hidden instead of staging the robbery of Helen's place. Crap ... getting confused.
March 13, 2013 at 4:52PM ESTHISLOCAL Raylan was in the process of selling the house. Maybe Arlo couldn't let go of the bag with the rest of the stuff, for whatever reason?
March 14, 2013 at 8:47AM EST
Ah yes! That was it ...
March 14, 2013 at 8:59AM ESTRachel E
March 13, 2013 at 11:50AM EST Reply to CommentI find it interesting how news of Arlo's death is slowly coming out. Raylan seems to be enjoying keeping that to himself. I'm struggling a bit on with the timeline on the show. I know that Alan thinks things are happening quickly over a week or two. Assuming Raylan did take his day off to identify the body and make funeral arrangements, is it too soon within the show's timeframe for there to have been an obit and a service? Or do we think that Raylan is skipping those normal acts of memorializing the dead? Personally, I'm hoping they haven't happened yet and we have those moments to look forward to after the whirlwind of getting Drew and the marshalls to some kind of safety
Slam Great obervation. Raylan loved it when he realized Boyd didn't know Arlo was dead. I think that's going to be an issue these last couple of episodes.
March 13, 2013 at 3:09PM ESTThere's always been the idea that Boyd was more of a son than Raylan, and it's an unspoken issue between those two.
HISLOCAL Seems reasonable to me that Raylan would skip the obituary and services. Who would they be for? It would just attract ne'er-do-wells (or people who Arlo owed money to, who would now come after Raylan, etc.)
March 14, 2013 at 8:49AM ESTdebbie
March 13, 2013 at 12:06PM EST Reply to CommentI love when Rachel admits she only puts up with Raylans shit because he is HOT. And Art's rundown about just how assume Drew THompson is, was comedy gold.
Which one of our characters will never leave Harlan alive. I'm making book on Ava. But I fear for Art.
debbie Duh...I meant awesome...
March 13, 2013 at 12:07PM ESTSlam She said "you're aloof ... and I put up with it because you get your shit done, and you're easy on the eyes"
March 13, 2013 at 2:56PM ESTGreat line.
DB Cooper
March 13, 2013 at 12:50PM EST Reply to CommentIf Mike O'Malley can get a helicopter on short notice, so can the United States Marshalls.
HISLOCAL The only way it makes sense is if the nearest helicopter would take several hours to get there, and in the meantime Tonin's guys are closing in on them. I don't know how fast helicopters fly, but it seems like there would be one within an hour's flying time. Maybe they'll explain next week.
March 14, 2013 at 8:51AM ESTjoel A typical helicopter employed by any law enforcement can do 150-200 MPH at top speed. Kentucky isn't that big, so unless it's flying in from Florida...
March 15, 2013 at 12:52AM ESTDougMac
March 13, 2013 at 1:19PM EST Reply to CommentI know there was a lot of fun stuff, but no love yet for the Boyd and Raylan back and forth. (Paraphrasing) "You should have been an outlaw. You could still shoot people and be an @$$hole, two of your favorite pastimes. "
Siythe
March 13, 2013 at 1:23PM EST Reply to CommentThere’s something depressing about the way they keep coming back to the idea of Raylan getting a promotion off of the Drew Thompson case after he’s torched his career so thoroughly. It just feeds back into the sense that there really are no consequences for Raylan, whatever his actions, beyond a stern talking to by the person he’s crapped on the most that week. Oh I know I’m supposed to just roll with it when it comes to things like that in Justified but I do think the very real consequences to his job due to his own actions were part of what made season 2 what it was.
Darkdoug I think it might be a really awesome arc for next season to see Raylan promoted way over his head (or at least outside of his personal "shooting people & being an @$$hole" comfort zone). As for the logistics of the writers, one of their favorite character notes seems to be Raylan's self-destructive tendencies. You can only play with that so much, however, before losing the dramatic tension, because there are never consequences to his shenanigans, or else ruining the status quo of the TV show. Raylan the US Marshall is a known quantity that people tune in to watch. Raylan the fired ex-Marshall, private investigator/bounty hunter? Maybe not. But if they promote him to the head of the Lexington office (and maybe bring in a kind of Raylan Jr to give him the same sorts of headaches he gives Art), they can get a good half or full season's worth of arcs with Raylan trying to be an in-the-office boss, and struggling with the choice of leading from the rear or diving in and doing the job himself. It wouldn't have to be actionless - for an old fart who yells at Raylan for going off half-cocked so much, Art sees a considerable share of action, and a less laissez-faire chief like Raylan would do even more. And eventually, Raylan's typical style of problem-management would get him demoted again (with his subordinate clone maybe getting killed when a Raylan-esque episode has the sort of consequences Our Hero manages to duck routinely), despite maybe Raylan demonstrating an aptitude for his new job and/or a liking for it.
March 13, 2013 at 8:39PM ESTRather than an example of ducking the consequences yet again, Raylan getting a promotion for catching Drew could actually end up being a vehicle for the writers to show all those consequences, without ruining the format of the show. (In my vision of next season Art still shows up to chew the fat with his old deputies and maybe rag on the new boss a bunch, and be a source of advice and maybe a professional conscience - kind of like Kelso did for Cox on the last season of Scrubs [pre-Med School, I mean]).
Siythe It's an interesting idea of how to deal with Chief Deputy Raylan. The biggest problem I can see is that time and again the writers have shown they are incapable of dealing with a cast as big as they have now, never mind a new guy on top of that. I'll admit though that it would be fun to see Boss Raylan get more and more frustrated as Black Marshall and Sniper Marshall ignore his every order the same way he ignores Art.
March 13, 2013 at 9:28PM ESTI suspect though that the show is even more wedded to the status quo than you think. As unbelievable as Raylan's promotion would feel to me what stops me worrying about it is that I think it's been mentioned one to many times to actually happen. Like a cop on his last day before retirement no good can come of him talking about it so much.
Or maybe I'm still bitter about the lack of fallout for his actions in season 2. My own vision of season 3 was Raylan becoming the a Sheriff in Harlan after being tossed out of the Marshall's. He'd have saved a massive amount in audiobooks and none of the best parts of the show would have been sacrificed. Yes Black Marshall and Sniper Marshall would have had to go but Art could still have shown up every so often on Marshall business. Everything else is all Hillbilly fun and games that requires me to keep ignoring how silly it is for a marshal to be operating in so local an area.
*sigh* Just roll with it, it's always easier if you just roll with it.
Darkdoug Yeah, I hear ya. After each of the last two Castle season finales I came up with awesome ways the show could move in a new direction from the "game changing" events of the episode, only for them to hit the reset button by episode 2, if not sooner. I keep expecting better from cable, but I'm not holding my breath. I'm not really expecting Raylan to get the promotion, I'm just trying to show that it IS possible to keep things going, stay true to the characters, setting and dynamics, and change things up from time to time. Your idea about the Harlan sheriff is good too, and a neat variation on the Old West Gunfighter thing with Raylan.
March 14, 2013 at 1:47AM ESTIn the show's defense, saving the girl and wrapping up the Bennett crime family, eliminating a crooked cop and Raylan getting seriously wounded, without killing anyone, all probably did a lot to dial back Art's degree of pissed-off. Art himself seems to have gone a little off-book in bringing the rescue force to bail out Raylan, since he couldn't really live with letting Raylan's own nature solve Art's little personnel problem as he had previously intimated he was willing to wait for. Had the climax not worked out as it did, I imagine Raylan might have lingered in the doghouse, but I think at this point, they've accepted him as the cute puppy that's GOING to track mud into the house. But he always fetches the paper so good, they just roll their eyes and keep their mouths shut about it. And it isn't like he's all that unique in the Lexington office, as Art pointed out earlier this season, grumbling about his subordinates to his would-be successor.
I guess
debbie
March 13, 2013 at 1:51PM EST Reply to CommentAlan....Has Justified been renewed for next year? Will Yost and Co. get the 6 seasons they hope for?
Eric It's a sizable hit by FX standards and is increasing viewership each season. It'll keep getting renewed until Yost or circumstance shuts it down, most likely.
March 13, 2013 at 9:50PM EST- 1
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