A review of tonight's "Justified" coming up just as soon as I can sense a disturbance in the Force...
A review of last night's "How I Met Your Mother" coming up just as soon as my breath reeks of shredded carrots and deceit...
I posted my review of NBC's "Smash" on Friday, and a number of you weighed in on the show, having already watched it online. But I imagine some of you didn't get to see it until tonight's official premiere, and I'm curious what you guys thought of it. Did you like the songs, whether original or covers? (And once the songs shift into fantasy mode, would you prefer they stayed that way until the end, rather than toggling back and forth?) Do you have a favorite between Katharine McPhee and Megan Hilty? Did you find the "Happy Birthday, Mr. President" number sexy or disturbing? (Several women I know who watched it initially thought something very bad was going to happen to Karen in that apartment.) And, most importantly, do you intend to keep watching?
Though I didn't love the show, I find it interesting enough that I'm going to attempt some kind of weekly coverage. Some reviews may be longer than others, but there will at least be a venue for discussion of each episode. (No idea if NBC will be sending more out in advance past the first four; if not, don't expect posts until Tuesday morning sometime.)
In the meantime, have at it.
The Super Bowl has ended, and since Dan and I couldn't agree on an acceptable wager, the Firewall & Iceberg Podcast is the same as it ever was. We don't dwell on the game very much, but we do talk for a while about the underwhelming crop of commercials, before transitioning into reviews of NBC's "Smash" and ABC's "The River," and then a smattering of listener mail.
At first blush, horror is a genre that wouldn't seem to lend itself well to television. So much of what makes a scary story effective in a darkened movie theater shouldn't necessarily apply to a weekly series. You can maintain a sense of dread, or willingly suspend your disbelief about why the damn fools won't get out of the haunted house already, for two hours, but week after week for years? That's tougher.
But horror has had some past success on the small screen ("The X-Files," for instance, took more of its stylistic cues from horror than science-fiction), and we're in a mini-boom right now with AMC's "The Walking Dead" and FX's "American Horror Story." You can argue with how successfully each of those shows has tried to tell their ongoing stories — and even the "AHS" producers recognized they couldn't keep their story going past a single season, and will start over from scratch with a new idea and characters — but these are very big hits for their respective channels, and "Walking Dead" has a long-running comic book series to draw stories from for years to come.
And now comes "The River," the new ABC found-footage horror series from "Paranormal Activity" creator Oren Peli, which is debuting tomorrow night at 9. I watched the pilot months ago, was impressed by the level of suspense maintained throughout, yet wondered how on earth it would work as an ongoing series.
And having seen four additional hours since then (one of which will air after the pilot tomorrow night), I'm pleased to tell you that —for now, at least — it does work.
"Cougar Town" returns to ABC a week from tomorrow, at 8:30 p.m. on Valentine's Day. On the one hand, this is good news for a show that's been absent a long time. On the other, it has an extremely incompatible lead-in from "Last Man Standing," and it's been off the air so long (9 months since the last episode aired) that all but the real die-hard fans may have forgotten it exists, and — worst of all — it's still fighting the perception created by that off-putting title and the show's early episodes, neither of which remotely represent what the series became.
A review of tonight's "Luck" coming up just as soon as I hear a voice from inside my pants...
FX has extended its deal for "Sons of Anarchy" through the show's sixth season, while creator Kurt Sutter has extended his own deal through what everyone assumes will be the show's seventh and final year.