A quick review of last night's "How I Met Your Mother" coming up just as soon as I go to the office Tu B'Shevat pajammie jam...
Will Forte makes an unfortunate return appearance in an episode as cartoonish as his character
The former 007 turns in one of the show's best guest performances ever, as Chuck tries to clear his mom's name
A review of tonight's "Chuck" - the strongest episode of season four - coming up just as soon as I parachute out of a plane on a wild horse...
Firewall & Iceberg Podcast, episode 44: 'Boardwalk Empire,' 'Chuck,' 'Modern Family,' '30 for 30' and more
Alan and Dan check in on some of their favorite shows, as well as one current series that's falling out of favor for them
It's check-in time on this Firewall & Iceberg Podcast. With no new series to review, Dan and I instead offer mid-season opinions on shows we love ("Boardwalk Empire") and shows we're finding a bit more problematic ("Modern Family"). The rundown:
As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. Or you can always follow our RSS Feed, download the MP3 file or stream it on Dan's blog.
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More than 5 million viewers watch the zombie apocalypse series' debut
"All this arty-farty (stuff) aside," "The Walking Dead" writer/producer/director Frank Darabont told me back in the summer, "it’s really fun to see zombies in a show."
More than 5 million people agreed with Darabont on Sunday night, making "The Walking Dead" premiere (you can read my review of it here) the biggest hit in AMC history, and one of the bigger hits on cable, period.
FOX to premiere Shawn Ryan-produced cop drama in February
Last week, I talked to Shawn Ryan about how FOX changed the name of his upcoming cop drama from "Ride-Along" to "The Chicago Code." And with the finalized title came FOX's ability to start promoting the show, which they did frequently during yesterday's NFL and World Series coverage. "The Chicago Code" (and, as mentioned previously, I quite liked the pilot) is now set to debut in February, Mondays after "House." Here's the teaser that aired yesterday.
Frank Darabont writes and directs a haunting pilot to the zombie apocalypse series
In which Nucky and Jimmy reveal the scars that made them the men they are today
A review of tonight's "Boardwalk Empire" coming up just as soon as I make Junior Beach Patrol...
Zombie apocalyptic series gets off to a strong start thanks to Frank Darabont, then sags a bit
When you ask the creative team behind AMC’s “The Walking Dead,” which debuts Sunday night at 10, what differentiates their series from every other filmed zombie story, they’ll point to the fact that it is a series - that, like the Robert Kirkman comic books that inspired it, it is an ongoing, never-ending nightmare, as opposed to two hours of scares and out.
But an ongoing nightmare requires ongoing viewers, and therefore a show that stays strong as it goes along, if not one that gets better and better over time, and I’m not sold that “The Walking Dead” is that kind of show.
A documentary crew comes to Seattle Grace as part of the show's ongoing grief cycle
I haven't written about "Grey's Anatomy" this season, sticking to my belief that I enjoy the show more when I don't have to review it, and can therefore focus on the parts I enjoy and ignore the parts that I don't. That said, the Good "Grey's/Bad "Grey's" ratio has been overwhelmingly positive this year, as the show has done a very strong job depicting the aftermath of the shooting spree from the season finale, leaving very little time for the elements of the show I often find annoying. A lot of series might pull a stunt like that and then forget about it a few episodes later, or leave only a few characters traumatized by it, but here the shooting continues to have ripple effects on everyone.
Last night's episode used a documentary format that shows try from time to time. It can be incredibly effective (the black and white "M*A*S*H" episodes) or a distracting gimmick (the live "ER" episode, which was two stunts in one). This was one of the good uses of the device, as it was essentially still a "Grey's Anatomy" episode, but with the ability to go back and forth in time to show the patients and doctors in the time before and after the day being covered. Some good moments for everyone (Avery trapped with the crashing patient was a highlight, as was the entire Karev story), and the right mix of good and bad outcomes.
What did everybody think of the episode, and the season to date?
The McPoyles return for a wild Halloween spin on "Rashomon"
Last night's "It's Always Sunny in Philadelphia" was the episode that FX screened for the crowd at Comic-Con back in July, and it's easy to understand why. The "Rashomon" gimmick, so tired on so many other shows, felt fresh and appropriately ridiculous when all the perspectives come from these very selfish, very stupid people. The costumes were great and misunderstood (like Charlie getting confused about the nature of the Phantom of the Opera), the McPoyles returned after a too-long absence, and this was one of the few shows in TV history where Dennis being the father seemed entirely possible. Many shows try to work around female castmembers getting pregnant; here, they've embraced it, and I look forward to seeing what disturbing things these people believe about pregnancy and childcare as the storyline continues.
What did everybody else think? And how have you felt about the season so far?