One of FXX's promos for the channel's upcoming premiere of every "The Simpsons" repeat ever — not to mention a new website/app called Simpsons World that will allow fans to watch any episode, or clip, at any time — features a post-apocalyptic America where the world has fallen apart because people are too busy watching old "Simpsons" scenes to do anything else.
As expected, FX has ordered a new season of "Fargo." And, as expected, it'll follow the "American Horror Story"/"True Detective" model of starting over from scratch.
A review of tonight's "The Leftovers" coming up just as soon as I stop copping you...
A review of tonight's "Masters of Sex" coming up just as soon as I look like I should be sitting on Edgar Bergen's knee...
From the moment FOX ordered "Gracepoint," a remake of the acclaimed British mystery series "Broadchurch" (which aired here last year on BBC America), featuring "Broadchurch" star David Tennant reprising his role with an American accent, the prevailing reaction I've heard has been one word:
FOX's "Gotham" is one of this fall's most intriguing pilots, but also one of its most confounding. On the one hand, it has the full weight of DC Comics behind it; an interesting cast that includes Benjamin McKenzie as a young Jim Gordon, Donal Logue as his cynical partner Harvey Bullock and Jada Pinkett Smith as local crime boss Fish Mooney; and a fascinating look created by director/producer Danny Cannon that evokes '70s cinema classics like "Dog Day Afternoon" and "The French Connection." On the other hand, it is a Batman show that is never going to actually feature Batman, since the story begins with the murder of Bruce Wayne's parents, with Bruce played by 13-year-old David Mazouz, while the show will feature origin stories for classic Batman villains like the Penguin (Robin Lord Taylor), the Riddler (Cory Michael Smith) and Catwoman (Camren Bicondova), making it a story heavily weighted towards the decay of Gotham, without any promise of true redemption so long as Bruce remains out of costume.
Saturday was an excellent night and a strange night to be a member of the Television Critics Association. On the one hand, we held our annual TCA Awards ceremony, filled with terrific winners giving terrific speeches. On the other, the power in the hotel (and the surrounding neighborhood) randomly went out late in the post-show reception, and then news broke that the great James Garner — who had won our Career Achievement award four years earlier — had died.
There have arguably been bigger stars in television history than the late James Garner, but none who ever made it look quite so easy.
"Breaking Bad," "True Detective," "The Good Wife," "Orange Is the New Black," "Veep" and "Louie" are among this year's Television Critics Association Awards winners, in a year when the TCA tried to share the wealth across an absurdly deep season in television.
"The criticism hurt, the lack of an Emmy nomination hurt, but we're going to come back strong and try to get back to the mountaintop."
This was "Homeland" co-creator Alex Gansa, appearing with his fellow writers Alexander Cary and Meredith Stiehm at a press tour panel designed to preview the Showtime drama's fourth season (which debuts October 5), but that spent a lot of time revisiting a lot of the complaints about season 3.