<p>&quot;Community&quot;&nbsp;creator Dan Harmon has a few regrets about &quot;Basic Rocket Science.&quot;</p>

"Community" creator Dan Harmon has a few regrets about "Basic Rocket Science."

Credit: NBC

TV link-blogging: 'Community,' Katie Couric & January Jones

What's happening in the world of TV while your correspondent is traveling?

I'm in LA for a few days to attend some meetings, conduct an interview or two, etc., and all that traveling (plus the summer TV season still getting out of first gear) means that posting will be light for much of this week. I'll still hit all the usual stuff ("Men of a Certain Age" tomorrow, "Deadwood" Thursday, "Doctor Who"(*) and the Sunday shows over the weekend, etc.), but other things may slip through the cracks.

(*) For those who've wondered about the lack of a "Doctor Who" review over the weekend (and who don't follow me on Twitter, where I already explained it), I decided to skip "The Almost People" for two reasons: 1)I didn't enjoy the episode very much, and 2)Because BBC America decided to take a week off for Memorial Day weekend while BBC in the UK did not, "The Almost People" review would have gone up after the mid-season finale had already aired in Britain, and keeping the discussion free of spoilers was going to be far more trouble than it was worth.

Since I have a few minutes before I have to head out into LA traffic, I figured I would do a little link-blogging this morning:

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<p>Piper Perabo in &quot;Covert Affairs&quot;&nbsp;and Tim DeKay and Matthew Bomer in &quot;White Collar.&quot;</p>

Piper Perabo in "Covert Affairs" and Tim DeKay and Matthew Bomer in "White Collar."

Credit: USA

Review: USA's 'White Collar' & 'Covert Affairs' return

One show makes a creative leap forward, while the other continues to coast

USA has built itself up into one of the biggest powers on cable - especially when it comes to original scripted drama - by keeping things light (both in tone and actual color palette) and offering up a seemingly endless supply of easy, breezy shows featuring attractive people in warm settings investigating mysteries of both the simple and ongoing variety. And if you just want a little eye candy, or something to turn your brain off in front of at the end of a tough day, USA's current roster has plenty to offer.

But of the three basic components in the formula of nearly every USA show since "Burn Notice" replaced "Monk" as the network flagship - colorful and/or likable heroes, entertaining standalone cases and an involving longer story arc - rarely will you find the same show successfully working all three at once. Really, the only one that carried this three-part harmony off for any significant length of time was "Burn Notice" itself, and that was essentially for one season (the show's second). The characters have stayed consistently engaging, but there have been plenty of periods where either the mythology has fallen flat or the cases of the week have seemed especially forgettable. On occasion, the show has struggled with both at the same time, and even the superhuman charm of Bruce Campbell and Jeffrey Donovan's facility for weird accents can only go so far. (Though I have a good feeling about the new season, given where the last one ended.)

Most of USA's other shows tend to understand that interesting characters matter - it's in the network slogan and everything - but they can be even more dicey when it comes to both the weekly and seasonal storytelling. Some shows eventually improve, while others get stuck in a rut after a while - a dichotomy neatly represented by tonight's return of "White Collar" at 9 and "Covert Affairs" at 10.

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Firewall & Iceberg Podcast, episode 77: 'Twin Peaks,' January Jones in 'X-Men,' 'Switched at Birth' & more

Firewall & Iceberg Podcast, episode 77: 'Twin Peaks,' January Jones in 'X-Men,' 'Switched at Birth' & more

Dan and Alan also answer your mail

The

This week's Firewall & Iceberg Podcast is a first of a sort: the first podcast recorded with Dan and me in the same room that didn't involve Comic-Con or TCA. I'm in LA for a couple of days on business, so Dan and I sat down to begin our summer rewind of "Twin Peaks," review ABC Family's "Switched at Birth," randomly segue into a discussion of January Jones' performance in "X-Men: First Class," and more. The run-down:

"Switched at Birth" -- 01:40 - 12:00
"X-Men: First Class" -- 12:00 - 19:40
Listener Mail: Showkillers -- 19:50 - 30:50
Listener Mail: Empty Cups -- 31:00 - 34:20
"Twin Peaks" Re-Watch -- 34:25 - 01:02:00
 
As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. Or you can always follow our RSS Feed, download the MP3 file or stream it on Dan's blog.
 
And as always, feel free to e-mail us at sepinwall@hitfix.com and/or dan@hitfix.com if you have questions you want answered on the show. Please put the word "podcast" in your subject line to make it easy to track them down amid the hundreds of random press releases we get every day.
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<p>Keir Gilchrist on &quot;United States of Tara.&quot;</p>

Keir Gilchrist on "United States of Tara."

Credit: Showtime

'United States of Tara' - 'Train Wreck': Get out while you still can

Bryce continues to torment the family at a tragic time

A review of tonight's "United States of Tara" coming up just as soon as Woody Allen works the register at FAO Schwartz...

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<p>Khal Drogo (Jason Momoa)&nbsp;in &quot;Game of Thrones.&quot;</p>

Khal Drogo (Jason Momoa) in "Game of Thrones."

Credit: HBO

'Game of Thrones' - 'The Pointy End': Family feud

George R.R. Martin scripts an episode setting up pieces for the closing chapters

A review of tonight's George R.R. Martin-scripted "Game of Thrones" coming up just as soon as I die with a song in my heart...

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<p>Nelson (Jon Seda) gets his Zulu on in the Mardi Gras episode of &quot;Treme.&quot;</p>

Nelson (Jon Seda) gets his Zulu on in the Mardi Gras episode of "Treme."

Credit: HBO

'Treme' - 'Carnival Time': Home cookin'

Another wild Mardi Gras day, but with some sadness, too

A review of tonight's "Treme" coming up just as soon as I break a tooth on some kind of plastic alien fetus...

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<p>Mireille Enos in &quot;The Killing.&quot;</p>

Mireille Enos in "The Killing."

Credit: AMC

'The Killing' - 'Missing': The long detour

The murder investigation takes a break for a week, and the show oddly improves as a result

A review of tonight's "The Killing" coming up just as soon as my password is "funyuns"...

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<p>Becky (Madison Burge) is back on the pageant circuit on &quot;Friday Night Lights.&quot;</p>

Becky (Madison Burge) is back on the pageant circuit on "Friday Night Lights."

Credit: NBC/DirecTV

'Friday Night Lights' - 'Fracture': Lies, damn lies and tiaras

It's getting ugly for the Lions and their friends and family in a riveting episode

(I originally posted this review back when "Friday Night Lights" was doing its exclusive DirecTV run. The comments from that period have been preserved. For the sake of people who are watching the episodes as they air on NBC, I will ask anyone commenting from this point forward to only discuss plot events up to the episode in question. Do not discuss, or even allude to, anything that has yet to air on NBC. Thank you.)

A quick review of tonight's "Friday Night Lights" coming up just as soon as I do a Samoan war dance...

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<p>Becki Newton and Krysten Ritter in the pilot for &quot;Love Bites.&quot;</p>

Becki Newton and Krysten Ritter in the pilot for "Love Bites."

Credit: NBC

'Love Bites' - 'Firsts': All you need is (Jennifer) Love (Hewitt)

The romantic anthology is a dead show walking, but what did everybody think?

It's always funny how quickly a show can go from a network's darling to a complete afterthought. A year ago, NBC was so high on "Love Bites," a romantic anthology series from "Sex and the City" writer Cindy Chupack, that it scheduled it on Thursdays at 10. Perhaps more importantly, network execs were so excited about it that they screened a large chunk of the pilot episode (the Greg Grunberg/Jennifer Love Hewitt one) at the upfront presentation. A network only tries something like that if they have overwhelming confidence in a show - ABC the year before showed the entire "Modern Family" pilot - and so someone, somewhere, was convinced the world was ready to love "Love Bites."

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<p>Tyler Posey is the new &quot;Teen Wolf.&quot;</p>

Tyler Posey is the new "Teen Wolf."

Credit: MTV

Review: MTV's 'Teen Wolf'

Mediocre horror story has little in common with the Michael J. Fox movie beyond the name

When it comes to remakes, I've always been of the belief that you're better off trying to update a movie or TV show that didn't really work than attempting to live up to a classic. Nobody needed new versions of "Psycho" or "The Manchurian Candidate," but there were promising ideas within the original "Ocean's 11" and "Battlestar Galactica" that just needed some 21st century creative types to properly explore.

So if I were to remake one of the two Michael J. Fox movies released in 1985, it sure as heck wouldn't be "Back to the Future," as there's almost no way to improve on that. (And which, as the uneven sequels suggested, was cinematic lightning in a bottle.)

"Teen Wolf," on the other hand? Well, if you were the exact right age and also spent a lot of time watching HBO in the afternoons, then you may have a lot of affection for Fox as a basketball-playing werewolf. But you can also probably admit that the original had a lot of room for improvement.

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