What did everybody think of ABC's new evil Nazi clock drama?
I posted my review of ABC's "Zero Hour" yesterday. Now it's your turn. What did everybody else think of the evil Nazi clock drama? Was it too crazy for you? Not crazy enough? Did you think Anthony Edwards was well-cast, or would you have preferred someone less straight-laced? Would you, like me, be happy to have the entire series narrated by the German clockmaker? Are you eager to learn more about these Rosicrucians and the baby with the eyes? Did the final revelation at pilot's end scare you or make you laugh? And will you watch again?
Have at it. Also... CLOCKS!
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Tonight's "Community" haunted house episode (I reviewed it here) concluded with the surprise appearance of a very special guest, whom I was able to interview earlier today about their cameo, and another project they're currently involved in. That guest star's identity, and our conversation, coming up just as soon as I set my shrink ray to Daddy Issues...
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'Grey's Anatomy' creator doesn't feel much changed between seasons of her new series
Last week, in praising this season of "Scandal," I complimented the show's creator Shonda Rhimes for pivoting directly into the craziness of the show in its second season.
But when I spoke to Rhimes earlier this week, she disagreed with the idea that there had been any significant change at all — that the only difference between seasons has been the length of them, and that seven episodes last spring wasn't enough to do things right.
Last week, the show concluded its first major arc of season 2, in which our every more morally ambiguous heroine Olivia Pope found out who had attempted to murder President Fitzgerald Grant, while Fitz in turn found out that Olivia and several other allies had conspired to rig the election in his favor — and, as a result, spurned Olivia to go back to his crazy wife Mellie.
The series kicks off the second big movement of the season tonight at 10, and I spoke with Rhimes about the changes (or lack thereof) in the new season, where the story will go from here (in the vaguest possible terms), why Olivia and Fitz should not be compared to any of the couples from Rhimes' "Grey's Anatomy," and more.
Margo Martindale and Derek Luke turn up for the strongest episode yet
Dan and Alan also review Beyonce's HBO documentary, discuss the dire state of NBC and ask: who gets to end a show?
Travel has impacted the Firewall & Iceberg Podcast schedule of late. Dan was in London earlier this week, so you get a Wednesday show, and I'll be on vacation next week, which means no show at all. But in this one, we discuss "Zero Hour," "Cult," Beyonce, "Scandal," Super Bowl showcases and more. The lineup:
And as always, feel free to e-mail us questions for the podcast.
Anthony Edwards series embraces the crazy, but only occasionally
- Critic's Rating C
- Readers' Rating A-
Truly terrible television can be a work of art unto itself. Much as we can love the emotional wallop of "Friday Night Lights," the warmth of "The Cosby Show" or the intricate humor of "Arrested Development," it's possible to feel a great deal of affection for transcendently bad TV like "Pink Lady and Jeff" or "The Secret Diary of Desmond Pfeiffer." Those were bad shows, but they were almost epic in their badness, and that's preferable to the great middle in which a lot of TV exists.
I will say this for ABC's "Zero Hour," which debuts tomorrow night at 8: it will never, ever, be confused with quality, and I'm not even sure I want to watch another episode after the pilot, but there are moments where it is — intentionally or not — more fun than all but a handful of new shows to debut this season. Long after I've forgotten "Made in Jersey," "Deception" or even a reasonably good show like "Ben and Kate," I'm going to remember the bugnuts absurdity of "Zero Hour," the greatest show ever made about evil Nazi clocks. If anything, I wish it were dumber more often.
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