Take Me To The Pilots '12: ABC's '666 Park Avenue'
The supernatural meets real estate porn in ABC's newest guilty pleasure
Terry O'Quinn and Vanessa Williams of "666 Park Avenue"
[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]
Show:"666 Park Avenue" (ABC)
The Pitch: "Rosemary's Luxury Apartment Complex" or "Don't Trust the Demons in 666 Park Avenue" or "Dirty Satanic Money." Take your pick, really.
Quick Response: ABC's "666 Park Avenue" isn't a great pilot and it's unlikely to become a particularly good show, but it has a reasonably high quotient of proficiently handled goofiness and, at least for the first 44 minutes, I was content to giggle along with the derivative lunacy. On one hand, there's something to be said for mystery, mythology and obfuscation, but TV audience have been burnt so many times recently by TV shows that promise answers, but never get the chance to get out of the gate. With "666 Park Avenue" we establish within seconds that Terry O'Quinn and Vanessa Williams own a ritz Manhattan apartment and also possess a skillset of powers that almost certainly come either directly or variably indirectly from Satan or his Mexican Non-Union Equivalent [Either El Diablo or Senor Satano, I suppose]. It's "Needful Things" with Manhattan rent control and you don't waste time trying to get to the meat of the narrative. O'Quinn is, in particular, having a fantastic time with the lack of subterfuge. If he isn't twirling his mustache, it's only because creator Dan Wilcox wanted to leave some manifestations of malevolence to unfold in subsequent episodes. From Rachael Taylor to Dave Annable to Mercedes Masohn to Robert Buckley, the supporting cast is just full of actors and actresses whose strengths and limitations are perfectly designed for what is basically a real estate porn-driven supernatural soap opera. They all look terrific, but none of them is being asked to upstage the interior and exterior design, which get the true star treatment from pilot director Alex Graves. The address is the A-lister here and it's treated with every bit of the subtlety as its numeric associations imply. The "666 Park Avenue" pilot isn't full of genuine scares, but there are creepy things afoot. I guess my biggest reservation before crowning this as the season's best new guilty pleasure is that too much of what transpires will be familiar to anybody who has seen "Rosemary's Baby" or any of the countless films that have aped it over the years ["Devil's Advocate" would be a clear influence if "Devil's Advocate" weren't just a rehash of "Rosemary's Baby" itself]. The pilot is a *little* crazy, but I want it to be absolutely berserker. I want "666 Park Avenue" to follow the "Vampire Diaries" formula of eight-to-10 jaw-dropping surprises every episode. I want everything that transpires to make me go, "Did they really just do THAT?" as opposed to "Well sure. Of course that happened. Not bad." Even NBC's "Revolution," which I probably liked less than "666 Park Avenue" overall, had more moments that surprised me.
Desire To Watch Again: I think "666 Park Avenue" makes for a very compatible night of ABC programming with "Once Upon a Time" and "Revenge" and I'll say, without hesitation, that I preferred this pilot to last fall's "Revenge" pilot. It lacks the self-seriousness and literary pretense that irked me when "Revenge" rolled out. This is probably trash TV, but I think it ought to be fun trash and barring a real drop from the pilot, I'm assuming this'll be a Season Pass for me.
Take Me To The Pilots '12: NBC's 'Chicago Fire'
Take Me To The Pilots '12: FOX's 'Ben and Kate'
Take Me To The Pilots '12: CBS' 'Elementary'
Take Me To The Pilots '12: The CW's 'Arrow'
Take Me To The Pilots '12: ABC's 'The Neighbors'
Take Me To The Pilots '12: NBC's 'Revolution'
All of last year's Take Me To The Pilots entries
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Login or create a HitFix account Login SignupJames
July 8, 2012 at 5:42AM EST Reply to CommentYeah but Revenge is a great show proving that shows can get more interesting after their pilots.
dan James - I pretty strongly disagree regarding "Revenge," but there's no reason why "666 Park Avenue" can't also get more interesting. In theory.
July 8, 2012 at 1:45PM EST-Daniel
Marcus
July 8, 2012 at 2:41PM EST Reply to CommentRevenge's literary pretense is actually the campiest the show gets. Everyone I know who watches gets a kick out of Emily's monologues because they're soooooo dramatic. The best part is waiting for her to say the episode title during one of them.
dan Marcus - As always, one man's camp is another man's trash, I suppose. I've never found the show's leaden approach to Emily's character or to the voiceover to be especially amenable to camp, personally...
July 8, 2012 at 2:45PM EST-Daniel
luisl
July 8, 2012 at 4:49PM EST Reply to CommentI'll probably skip it and if I read some good critics from the next episodes I might give it a chance but I doubt it.
Also, not really a fan of OUAT and Revenge.
Sareeta
July 8, 2012 at 5:29PM EST Reply to CommentI started watching Revenge a little past the halfway point (they had some kind of catch up episode on demand, which I wish the networks would do more often with their long TV seasons) and ended up really liking it. I thought the trailer for "666" show was fun. I think this role is perfect for Terry O'Quinn and this turns into a stable TV series for him.