I know I've thought it and said it and probably even written it, but there's something vaguely condescending about the notion that the "Sharknado" franchise is somehow review-proof or review-immune or however you'd prefer to view it.
Just because something is designed to be a guilty pleasure doesn't mean that it can't achieve its goals with more or less craft.
And just because something isn't necessarily meant to be taken seriously doesn't mean that those aspirations can't be achieved with more or less success.
Because the desire to be taken seriously or viewed as legitimate is hardly an argument to be reviewed or acknowledged in the case of utter ineptitude.
For example, look at CBS' "Under the Dome." It has a literary pedigree, some respectable creative auspices, a cast of familiar TV faces, a position of some prominence in CBS' lineup and a reputation as a summertime success, even if that reputation hasn't been supported by recent ratings.
And "Under the Dome" is awful. It's as inert and inept a show as there is on TV, a showcase for shoddy effects, leaden pacing, dead-ended plotting and a slew of performances that run the full gamut from wooden to petrified wooden.
No matter the patina of frivolity that coats Wednesday's (July 30) premiere of "Sharknado 2: The Second One," there's almost no level on which this Syfy original movie is inferior.
Unlike "Under the Dome," "Sharknado 2" has a sense of playfulness that infuses its variably successful effects shots, its sometimes stumbling momentum and its unflagging commitment to delivering ridiculously audacious set-pieces. And unlike "Under the Dome," every one of the actors on-screen in "Sharknado" clearly wants to be there and even if that's because they're aware they couldn't be doing anything else, why is that so bad?
This isn't to say that "Sharknado 2" is some great piece of made-for-TV art. In improving its empirical quality, the sequel has absolutely lost some of its ephemeral charm. But it's absolutely a thing that is capable of being evaluated objectively, as more than just an "It is what it is" or an "If you liked the first one you'll like this one" level.
So let's do that, eh?