Fact is stranger than fiction in this tale of a missing kid and an opportunistic con-man
Bart Layton's "The Imposter" is a gripping true-crime documentary that removes a key element of the mystery from the equation with its title.
In 1994, 13-year-old Nicholas Barclay went missing in San Antonio. More than three years later, a young man surfaced in a remote village in Spain, claiming to be Nicholas. Overjoyed, the Barclay family welcomed Nicholas back into their life, ignoring or accepting that in his missing years, Nicholas had gone through a series of traumatizing events that transformed him into a different person.
The young man who returned from Spain was not, in fact, Nicholas Barclay.
Layton isn't interested in taking the audience on an "Is He or Isn't He?" journey. The movie is called "The Imposter" and the movie has barely begun before the interview subject with the thick French accent, dark eyes and ethnically ambiguous olive skin begins his explanation of how he came to be confused with a much younger American boy with blonde hair, blue eyes and a light complexion.
And what an explanation it is.
There have been and will be documentaries at this Sundance Film Festival that espouse more admirable messages or that exhibit more confident artistry than "The Imposter" does, but it's hard to imagine any film, narrative or doc, unspooling a more gripping, twisted yarn.
Imagine "F For Fake" mixed in with a bit of "The Talented Mr. Ripley," only theoretically all true and you have a good sense of the appeal of "The Imposter."