<p>Tina Majorino</p>
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Tina Majorino

Watch: Tina Majorino talks 'Napoleon Dynamite'

How was Comic-Con and what's new with Deb in animated form?
"Napoleon Dynamite" was a key transitional point in Tina Majorino's career, ending a hiatus between her time as as the child star of "Andre" and "Waterworld" and her later, young adult work on "Veronica Mars," "Big Love" and "Bones."
 
Majorino is returning to the world of "Napoleon Dynamite" this spring in FOX animated form, as viewers are reintroduced to her liger-loving Deb.
 
Check out my interview -- conducted in September, along with most of these pesky FOX video interviews -- with Majorino, which touched on the cast's then-recent visit to San Diego's Comic-Con, the influence of comedy veteran Mike Scully on the series and how Deb has changed in her animated incarnation.
 
"Napoleon Dynamite" premieres on FOX on Sunday, Jan. 15.
 
<p>&nbsp;Ricky Gervais</p>
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 Ricky Gervais

Credit: HBO

Press Tour: Ricky Gervais has his Golden Globes targets ready

'Life's Too Short' star-creator is returning to host because we said he wouldn't
Members of the Television Critics Association have grown accustomed to Ricky Gervais visiting us via satellite from Across the Pond, but on Friday (January 13) morning, reporters were treated to Gervais in the flesh. 
 
Gervais was able to drop by the TCA press tour panel for his new HBO comedy "Life's Too Short" because he's already in Los Angeles. As you may have heard, the "Office" and "Extras" creator is preparing for his third tour of duty as host of the Golden Globe and for his third tour of duty as lightning rod for trumped up Hollywood controversy.
 
"I wasn't going to do it a third time, but then I kept reading reports, press saying 'You'll never be invited back.' So I did it to annoy them," Gervais told reporters, many of whom probably wrote similar reports.
 
Asked if he was nervous about Sunday's telecast, Gervais cracked that he hadn't been nervous previously, but he is now. 
 
"What's the worst that could happen? I end my career once a week, if you read the press," Gervais cracked. "I only do things that can end my career. That's my fun. That's my extreme sport."
 
It's obvious, though, that he doesn't especially care about reviews of his performances or the possibility of irritating more sensitive members of the entertainment community. I can surmise that conclusion because, well, Gervais says so.
 
"If you get final edit, which i do and I demand... nothing else matters, and you're bulletproof. If I'm happy with my performance. I'm a considerate comedian. I don't view comedy as your conscience taking a day off... I stand by it, like I did every joke I did last year. And I don't care what people think," Gervais said.
 
And it's equally obvious that even some of the most seemingly irate of Gervais' celebrity targets were merely playing offended on previous Golden Globes nights. Johnny Depp, for example, appears as himself on "Life's Too Short," lampooning his own degree of feigned irritation.
 
"I said, 'Sorry about the Golden Globes, do you want to get your own back?'" Gervais said of his via-text pitch to Depp.
 
When a critic mentioned that bets were being taken in some circles on which stars will be Gervais' targets on Sunday -- and also asked a preview -- the cheeky host seemed simultaneously amused and bemused.
 
"I have specific targets, yeah. I've written the gags. But 'targets' isn't a word I'd use. 'Subjects.' Why are they betting on who I'll - what sort of a bet is that? Really? Ugh! I'm going to do a monologue about the year, and then introduce six or seven people throughout the show like I did last year," Gervais said. 
 
He continued, "But I've got nothing against any of those people in the room. I've worked with many of them, I like many of them, I admire most of them. They're just gags. I'm not trying to hurt anyone's feelings or give them a bad night or undermine the moral fabric of America. I'm a comedia. I'd rather they laugh than gasp, but I cherish the gasps along with the laughs. I don't know. I think that everyone took it well. I don't know who was really outraged last year. Everyone I spoke to... was cool with it. If someone says, "I'm outraged," then there was outrage. What did I say that was so outrageous? Oh, yeah, I just remembered..."
 
As always, you can check out HitFix on Sunday night for full Golden Globes coverage.
 
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Watch: Geoff Stults talks 'The Finder'

How is his new character like Magnum meets Fletch?
After its introduction last spring as a backdoor pilot in an episode of "Bones," FOX's "The Finder" has undergone a bit of an overhaul, with new characters and new dynamics.
 
One thing that remains in place is Geoff Stults, tapping into a rarely utilized goofball vein to play preternaturally gifted war vet Walter. It's not that the "Happy Town" and "October Road" veteran had never done comedy before, but there's a welcome looseness to Stults' "Finder" performance.
 
Some of that looseness pops up in the interview I did with Stults back in September, in which we talk about his "Magnum meets Fletch" interpretation of the title character, the changes from the original pilot and working opposite an even taller co-star in Michael Clarke Duncan.
 
"The Finder" premieres on Thursday (Jan. 12) night on FOX. 
 
Check out the interview...
 
<p>CBS Entertainment President Nina Tassler</p>
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CBS Entertainment President Nina Tassler

Credit: CBS

Press Tour '12 Live-Blog: CBS Executive Session with Nina Tassler

CBS is still on top. Are there any questions to be asked?

PASADENA - Welcome, friends, to the executive session that was never supposed to take place.

CBS originally scheduled its winter Television Critics Association press tour day without an executive session with Entertainment President Nina Tassler, breaking with TCA tradition and protocol.

TCA members were unhappy.

CBS decided to schedule a brief and last-second executive session with Tassler.

I don't mean to suggest causality between those last two sentences. I'm sure it's totally coincidental.

It is true, though, that CBS has been TV's most-watched network for almost the entire duration for my time on this job, which means that the network doesn't have the same number of failures or big gambles as the other networks and that can mean controversy-free executive sessions, which aren't necessarily high in drama

But perhaps this morning will be different. Click through....

8:29 a.m. We almost didn't get this panel, but instead it's been scheduled for a very early-morning slot and it promises to only be a truncated 20 minutes. 

8:32 a.m. "You spoke, we listened," Tassler says, regarding the previous absence of executive session. She explains that this is a forum that makes her nervous. It's unclear what to make of that, since she's been doing this with us for years. She begins by trumpeting the success that CBS has had this past year and whatnot. "It really wasn't a sign of disrespect," she swears.

8:34 a.m. CBS has no announcements at all this morning. "We are very proud of the success this year," Tassler says, before praising the "Two and a Half Men" rebooting, plus the addition of Elisabeth Shue to "CSI." She keeps calling Shue "Lisa," which I guess is how she's known to friends. 

8:35 a.m. Tassler knows her SEO keywords and she makes sure to thank Tim Tebow, who gave CBS a huge ratings bump this past weekend. Anyway, though, CBS is up year-to-year and CBS is No.1 in everything that matters to CBS. So there you go!

8:37 a.m. Tassler is still giving her opening statement, meaning that we're going to have only 13 minutes of questions for her.

8:37 a.m. "We do hear from a lot of viewers about the overruns, but that means we have a very passionate and engaged audience," Tassler says of the fall NFL impact on "The Good Wife." She still feels that the shift to Sunday was a very good move and that the audience is upscale and engaged and that "Good Wife" fits well on Sunday.

8:39 a.m. Tassler praises that writers and cast of "NCIS" for showing continued growth after all of these years, praising "the balance in tone, style." She says the show is in its "later years," but I think she just means "later" rather than "earlier." 

8:40 a.m. What's up with "The 22"? "Everything is fine and it's probably going to have a later spring launch," she says, noting that the police drama was pushed to later in spring because of the strength of the fall. Yes. Just like "Miami Medical" and "Chaos."

8:40 a.m. Is the network taking a hands-off approach to "2 Broke Girls," since it's a hit? "We have a really great working relationship with Michael [Patrick King]," Tassler says, adding that it's the network's policy to try to give showrunners the chance to find their shows. She uses "Big Bang Theory" as her example of a show that dimensionalized characters gradually. Asked for her opinion on the diner scenes, Nina says "They're equal opportunity offenders," but again mentions dimensionalizing characters.

8:43 a.m. Is CBS looking for more competition reality? With "Survivor" and "The Amazing Race," CBS is in good shape, but the network has a heavy development slate. The network doesn't want to follow the same path the other networks are following, emphasizing shows with a greater "narrative drive."

8:44 a.m. Does Tassler think NBC is making a mistake by scheduling "The Voice" against CBS' comedies? "I don't know what that matchup is going to do," Tassler says, but she notes that a lot of people are watching TV, so everybody should still be able to get maximum exposure.

8:45 a.m. Regarding development, Tassler says that "relevance" is a major goal, trying to find characters who are relatable to audiences. The key, naturally, is "strong storytelling." She says, "Audiences need to engage with characters," calling TV "an intimate medium." She says that the network tries to present flawed characters who are on their own personal journeys, but also have a core morality. The goal is to produce shows that aren't there just for a good pilot, but for the 100th or 200th episodes. She wants showrunners who feel their shows personally. She references Jonah Nolan ("Person of Interest") as a showrunner who felt his show deeply.

8:48 a.m. Social media is important to CBS.

8:48 a.m. What challenges is CBS having programming 8:30 on Thursday? "Looking for a show that is a companion isn't limited to just another multi-camera show. It could be a single-camera show," Tassler says. But "The Big Bang Theory" is a big hit and they're dedicated to finding a companion for it. Poor "Rules of Engagement."

8:49 a.m. What happened with "The Talk"? Shows in their first season go through changes and Tassler compares those changes to changes on a sitcom or drama. "We saw an opportunity moving forward into the next season and we took advantage of it," Tassler says, though she adds that unlike on a scripted show, you don't need to give explanation for those changes. She says that there may be continued evolution over time. "It's sorta par for the course," Tassler adds, praising the content and the "spirited" discussion.

8:52 a.m. What is CBS' summer ideology? "We're being very aggressive. We have a number of shows in development in the unscripted space that we have early triggers on," Tassler promises, though she also says that CBS' hit shows will repeat all summer, because that's what CBS does. The network's summer strategy is keeping the audience engaged and happy. 

8:54 a.m. Is "Person of Interest" doing well? Tassler says it's performing "very well" and the network is "extremely pleased" with the show, but nobody's making any decisions about anything so far. "There's a lot of talk about 'Person of Interest,'" Tassler says. She says, not surprisingly, that everybody has realized that the Taraji P. Henson character has been "too peripheral." Geez. Why did that take so long to figure out? They're planning on bringing the Carter character into "the superhero cave" a bit earlier than originally planned. "We feel that that was a key ingredient to really letting the show build and expand," Tassler says.

8:57 a.m. Could "Smash" lead CBS to get into the musical business? And are there ever nights Tassler feels like the Monday comedies are too lewd, collectively? "We don't bring people in for a mass meeting about that quality of the shows," Tassler says. "They're a little risque, but the characters are... living truthfully within their relative situations," she says. Tassler adds that because there's ratings growth for the shows, they're resonating [and therefore above charges of crudeness?] . Everything that happens on the comedies happens within the bounds of their standards and practices. As for "Smash"? "I'm a big 'Glee' watcher. I hope it does well for them. I think it's important that in all of our respective jobs that we continue to explore," Tassler says. Did the critic forget that "Viva Laughlin" was just a few seasons ago? 

 

That's all, folks...

<p>James Van Der Beek and Krysten Ritter</p>
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James Van Der Beek and Krysten Ritter

Credit: Chris Pizzello/AP

Press Tour: James Van Der Beek reflects on playing James Van Der Beek in ABC's 'Apartment 23'

'Dawson's Creek' star has found a way to laugh at himself
Although he'll always be best known as Dawson Leery (or maybe as Mox from "Varsity Blues"), James Van Der Beek has never shied from showing other sides of his personality, whether he was going dark for "Criminal Minds" or "The Rules of Engagement" or engaging in shades of self-parody for "Standing Still" or a series of FunnyorDie videos.
 
On ABC's cumbersomely censored "Don't Trust the B---- in Apartment 23," Van Der Beek takes his winking screen persona to a logical extreme playing none other than James Van Der Beek, platonic best friend of Krysten Ritter's Chloe, the "b----" of the title.
 
At Tuesday's (January 10) Television Critics Association press tour panel for the April comedy,  the show's producers explained that they didn't really have a second choice for the role -- or a second choice for Chloe's celebrity pal -- if things hadn't worked out with Van Der Beek.
 
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<p>ABC Entertainment President Paul Lee</p>
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ABC Entertainment President Paul Lee

Credit: ABC

Press Tour '12 Live-Blog: ABC Executive Session with Paul Lee

Expect 'Work It,' 'Cougar Town' and 'Desperate Housewives' chatter

Will ABC have anything controversial or exciting to talk about at Tuesday (January 10) morning's Television Critics Association press tour panel?

Only one way to find out...

Click through for the full live-blog...

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<p>&nbsp;Kat McPhee</p>
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 Kat McPhee

Listen: Firewall & Iceberg Podcast No. 111

Dan and Alan talk TCA press tour and review 'Rob,' 'Chelsea' and more

The

Happy Monday, Boys & Girls! It's time for another installment of the Firewall & Iceberg Podcast, recorded with both Firewall and Iceberg sitting in the same hotel room in Pasadena.
 
WOO!
 
Unfortunately, as always seems to happen when we record in the same place, this podcast is a little quiet. I can't explain why.
 
Also unfortunately, I've got a head cold and there are a handful of times during the podcast that I simply wasn't able to be dainty and ladylike about blowing my nose.
 
Sorry.
 
Anyway, we talk a lot about press tour. And we review a slew of new shows, including comedic abominations "Rob" and "Chelsea" and the less-offensive "The Finder" and "Alcatraz."
 
Lots to talk about...
 
Here's this week's breakdown...
TCA Press Tour (00:00 - 31:15)
"Are You There, Chelsea?" (31:15 - 36:40)
"Rob" (36:45 - 41:50)
"The Finder" (43:10 - 50:20)
"Napoleon Dynamite" (50:20 - 55:40)
"Alcatraz" (55:45 - 01:05:00)

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

<p>&quot;The Nine Lives of Chloe King&quot;</p>
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"The Nine Lives of Chloe King"

Credit: ABC Family

Press Tour: 'Nine Lives of Chloe King' TV movie on the verge of development

Also, what's up with the 32 episode 'Switched at Birth' season?
ABC Family President Michael Riley took the Television Critics Association press tour stage on Monday (January 8) morning to talk about a fantastic summer for for his network, a summer that saw the launch of one major dramatic hit ("Switched at Birth") and at least one other dramatic success ("The Lying Game").
 
Naturally, I started the Q&A portion of the panel by asking about the summer's lone clear failure, "The Nine Lives of Chloe King."
 
I found "Chloe King" to be a properly frothy piece of summer counter-programming and many viewers agreed, but compared to "Switched at Birth" and "The Lying Game," the ratings weren't there and after only 10 episodes, "Chloe King" was cancelled. The pill was especially difficult to swallow, because the 10th episode of "Chloe King," what ended up being the series finale, contained at least a half-dozen cliffhangers and concluded with a daunting percentage of the main cast either seemingly dead, possibly dead or in some form of indeterminate limbo.
 
Regarding the cancelation, Riley said, "We never talk about canceling shows at ABC Family. We always make sure we air all of our productions, because for us, it's very much a long-term view. Obviously, we love all of our shows and 'Chloe King' is such a great example of just an amazing show. We loved the cast. We loved the writing in that show. For us, it was about making some decisions and we had to choose between what we thought was resonating stronger with the audience."
 
But wait! There's hope!
 
Riley added, "One of the things about 'Chloe King' is we loved and are on the verge of putting a movie into development, so us, we always look at the intellectual property that we're capitalizing on and making sure there's opportunities for even more storytelling."
 
Would that possible TV movie pick up immediately after the infuriatingly open-ended finale?
 
Riley said, "We are just looking at it in development now, so the hope is that it will obviously, we're just putting it into development, so the idea is very much to capitalize on the storytelling that's already been in place."
 
So that's "on the verge of in-development," y'all. That's not the same as "in development" and it's also not the same as the formal ordering of a telefilm, so don't necessarily get too, too excited. But at least it's cause for guarded optimism.
 
Meanwhile, on an unrelated side note, a reader asked me last week why "Switched at Birth" received an unweildy back-22 order, bringing its first season to 32 episodes spread into three segments. What was the reason for the larger-than-normal order?
 
Riley explained, "For us, as we greenlight shows, traditionally we'll open up the first season with 10 episodes and from there, in the event it's a success, we'll look to continue to increase those episodes. For us, e absolutely loved 'Switched at Birth' and wanted to get as many episodes as possible on air as quickly as possible, so really it's much more about loving a show and getting as much content as we can before everybody goes on hiatus."
 
So there you go.
<p>The &quot;American Idol&quot; team</p>
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The "American Idol" team

Credit: FOX

Press Tour '12 Live-Blog: 'American Idol'

Steven, J-Lo, Randy, Ryan and the 'Idol' team check in

Buckle in, boys and girls. It's time to hear from the "American Idol" team about why this year's crop of singers is the best crop ever and why "Idol" will continue to be TV's most popular show. 

Click through for the full live-blog, in which we may learn what the "Performance Challenge" episode is all about...

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<p>This was Kevin Reilly at last July's TCA press tour. He still looks like this.</p>
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This was Kevin Reilly at last July's TCA press tour. He still looks like this.

Credit: FOX

Press Tour '12 Live-Blog: FOX Executive Session with Kevin Reilly

Expect 'Terra Nova,' 'Fringe' and 'House' buzz from FOX's entertainment chief

Our FOX TCA Day began with a "Touch" panel which was really about "24" and "Heroes."

Then we moved on to "Alcatraz," which was really a panel about "Lost."

Now? It's time for FOX Entertainment President Kevin Reilly, who I assume will only be asked about his time running NBC.

Click through...

11:08 a.m. Kevin Reilly begins his panel by announcing that he's actually going to be watching the Falcons-Giants game on his phone throughout. Sepinwall looks jealous.

11:09 a.m. FOX is going to be debuting a Saturday "alternative animated" late-night block. Like Adult Swim only on FOX.

11:11 a.m. The animation announcement successfully preempted our question stream, keeping our initial questions from relating to "Fringe," "House" or "Terra Nova." Very tricky, FOX.

11:14 a.m. Interestingly, the digital chatter is still going. This is pretty impressive.

11:14 a.m. Finally our first fresh question. We're talking "House." "I think we've just been avoiding it. To be honest with you, it's hard to imagine the network without 'House,'" Reilly says. They've agreed to put off a decision until after the first of the year and they haven't had said meeting about the fate of the show yet. "Honestly, we simply haven't made the decision," Reilly insists. "Should this be the last season, it's not going to be an unceremonious  finish," Reilly says, adding that he hopes it's a decision they'll make it together.

11:16 a.m. "It could and that'll be their business," Reilly says on the possibility of "House" moving to NBC if FOX decides not to move forward. 

11:17 a.m. "We've done a good job of avoiding some of these big decisions until after the session," Reilly says of the future of "Terra Nova." He said, "It was an exciting bet to take" and he insists that "Terra Nova" worked and that "a distinct audience" stuck with the show and enjoyed it. "The fact is, if this is all we produced, we made money off it, the studio made money off it, the audience enjoyed it," Reilly swears.  He has focus group evidence that the show has a family audience. "I love the cast. I love some of the episodes. I love some of the ideas that were there," Reilly says, while also admitting that creatively, the show was "hunting." The problem is that FOX has fewer holes in its lineup. "It does need to get back into production over the next month," he hints.

11:20 a.m. Reilly is "thrilled" with "The X Factor" and the boost it gave FOX fall. "It's its own show. It's its own energy. It's its own spectacle," Reilly says, promising that there are changes coming, but Reilly doesn't know what they will be. Reilly wants to note that the hosting gig on a show like this is harder than meets the eye. "Whether Steve's the guy or not, it comes under the heading of 'growth in general,'" Reilly says.

11:21 a.m. And what about Ryan Seacrest's future on "Idol." "It's very hard to imagine the show without Ryan," Reilly says, calling this "a tough negotiation.

11:22 a.m. "That time has come and gone," Reilly says of the possibility of a "House" spinoff, but he notes that FOX isn't in such a desperate place that they need to keep the show alive in some form. 

11:23 a.m. Does Reilly have any concerns about market oversaturation regarding music talent shows? "I expect 'Idol' will be down this season," Reilly says, but he tells us not to read anything into that, emphasizing that it's just an 11-year-old show and shows like that drop. "There have been many 'Idol' stories that have been filed prematurely," Reilly says. He adds that until the audience gets bored, audiences aren't tired of the shows. "When the audience is bored, we'll know it's over," Reilly says. "There's no magic number, but you'll watch the trend line and you'll know."

11:26 a.m. Reilly thinks that "Dance" is still a creative tentpole for FOX's summer. "We wanted to get a few more shows on over the summer," Reilly explains, promising that audiences will like the new "So You Think You Can Dance" format.

11:28 a.m. RETRANS QUESTION! This is where I will nap during each executive session. 

11:29 a.m. What's up with "Allen Gregory"? "We will not be making any more 'Allen Gregorys,'" Reilly says, though he adds that FOX is hoping to make more shows with Jonah Hill. With "The Simpsons" reupping and a "Flintstones" reboot upcoming, FOX isn't worried about the occasional animation failure and he predicts that "Bob's Burgers" will go to "the next level" this season.

11:30 a.m. Did FOX blunder by benching "New Girl" for October? "I don't like ever taking a show off, but the reality is that in general, shows need to take hiatus during their life cycle." Reilly says. "We took a hit and 'Glee' took a hit," Reilly admits, while acknowledging that "Glee" is down double-digits this season. He says, though, that there's ample time for audiences to rediscover "New Girl" and "we're off to a hell of a start." He adds, "I'm really proud of the show" and refuses to apologize for the benching. "It's part of the high class problem we have."

11:33 a.m. Time for "Fringe" questions! "'Fringe' has been a point of pride. I share the passion for the show that the fans have," Reilly says. "It's vastly improved our Friday night," he adds. "The hesitation in my voice is that it's an expensive show. We lose a lot of money on that show," he says, while adding that FOX is not in the business of losing money. "Please don't start the letter-writing campaign. I can't take it," Reilly says, while adding that it's a decision they're going to have to make down the road and that discussions really haven't started.

11:36 a.m. Reilly likes FOX's NFL deal.

11:36 a.m. "Glee" spinoff talk? There will not be a "Glee" spinoff, but Ryan Murphy and company have an idea for how to follow the characters who are graduating within the show and he promises a cool end-of-season and fall. So "No 'Glee' spinoff. Trust in Ryan Murphy." Can you do that?

11:38 a.m. How is Reilly feeling about "I Hate My Teenage Daughter" and multi-cam comedy? Reilly is also determined to get back into the multi-cam game. "I Hate My Teenage Daughter" has six or seven episodes remaining and he swears that they'll air. He thinks that multi-cam comedies work best in pairs and they're hard to crack, but he points to CBS for evidence that audiences want to see them. "Think back: Not everybody in this room loved 'Big Bang Theory' when it first came on," Reilly says. "Don't pile on the shows so quickly when they're just hanging out there. I know some of them are just excruciatingly bad, but they're hard," Reilly says. 

That's it for Kevin Reilly, sports fans.