Cannes Film Festival 2013

Press Tour 2013 Live-Blog: FX Executive Session with John Landgraf

Will there be any 'Powers' updates, perhaps? Nope!

<p>John Landgraf</p>

John Landgraf

Credit: FX

FX President and General Manager John Landgraf doesn't really have that much to answer for as he takes the stage on Wednesday (Jan.9) at the Television Critics Association press tour.

There haven't been any abrupt cancellations. "Louie" and "American Horror Story" won Emmys. "Sons of Anarchy" keeps setting ratings highs. Etc.

Yes, "Louie" is taking a year off, but that's not Landgraf's fault...

So click through to follow what transpires...

Press Tour 2013 Live-Blog: FOX Executive Session with Kevin Reilly

Expect 'Idol,' 'Mob Doctor' and 'Following' violence questions

<p>Kevin Reilly</p>

Kevin Reilly

Credit: FOX

After two busy panels for "The Following" and "American Idol," it's time for the TCA press tour to meet with FOX Entertainment Chairman Kevin Reilly. FOX is down steeply year-to-year, so we'll see how heated things get about failures like "The Mob Doctor" and the relative disappointment of the rebooted "The X Factor." 

Click through for the full live-blog...

11:59 a.m. Reilly begins by admitted that FOX limped at the end of last year. And he hopes for better this year.

12:00 p.m. The first question is about "Bones" and whether it will be renewed. There's a renewal notice sitting in front of each of us. So this is awkward.

12:00 p.m. "There is more choice, more quality more breadth of quality," Reilly says of the TV landscape after saying that he wants us to continue to ask questions about the ratings system. There are so many opportunities and ways to watch and marathon TV. He's particularly bitter about people who chose to marathon "Breaking Bad" during FOX premiere week. He notes that there are  a lot of shows that can attract niche viewership, but FOX is in "a hit driven business" and he notes that FOX is suffering from not developing a hit this past year.

12:03 p.m. Kevin Reilly thinks the Britney Spears experiment went "very, very well" and that "people remain fascinated with her and always will be." He notes that "maybe some people were waiting for more drastic" behavior, but he calls "The X Factor" "a better show" in its second season. "She tucked in really nicely on that bench," Reilly says, but he refuses to say whether or not Britney is going to return. He says that FOX is on board with Britney returning, but Simon Cowell has been on vacation.

12:05 p.m. "You have to absorb everything. We're in the culture business," Reilly says of how FOX has been impacted by tragedies in Connecticut and Colorado. "We both reflect society and at times we try to drive it." He says that "I think you can't be reactionary and I think you can't make a direct linkage," but admits that it's on his mind. Regarding people who say that the level of violence has grown excessive, Reilly says that he's just a part of a large media landscape. "It's a more complex conversation. I think it trivializes to link it to television or broadcast television specifically," he says, but he says, again, that these things are on his mind. "The conversation is a complex one and a broad one," he deflects.

 

12:07 p.m. The reporter who asked about "Bones" apologizes for the goof early. Reilly is very accommodating "Look at my fall," Reilly says amiably. 

12:08 p.m. "I think there have been more violent shows on television," Reilly says of "The Following," saying that we may care more about this one because of its quality. He says they haven't had to fight over anything with the Standards department. "Before there was cable, FOX was cable," Reilly says, recalling the days when FOX was "the edge of what was bold." He reminds us that they aren't just competing with network shows anymore, since "The Walking Dead" is TV's most watched show anywhere among young viewers. "We must match the intensity, otherwise we're going to be a pale comparison," Reilly says.

12:10 p.m. Reilly says, however, that competing with cable isn't just about violence and intensity, though when you're doing a thriller, you have to compete on that level. He notes that FOX has lots of different things, including upbeat comedies, popular family shows and broader shows. However, when putting on a thriller... Yeah. Reilly flashes back to 1993 when he was on the road doing focus groups. At that time, "NYPD Blue" was being marketed around its pushing of content barriers. He remembers being in Kansas City and meeting a little old lady, who says she loved "NYPD Blue." He found this notable and I'm not sure why. "Part of what we do on television is provide escapism. Escapism comes in many forms," Reilly says, claiming that escapism, fantasy and witnessing our biggest fears all count as "escapism." "When we are doing a thriller and we're doing a cop story, you have to compete on that level of intensity," he closes.

12:13 p.m. Are the standards for television different for "intensity"? "Intensity is a vague thing to measure. That's a subjective measurement. We do take it into account," Reilly says, claiming that they're marketing this particular show to a particular audience and "at a certain point the audience selects and they know what they're getting and what they're not getting." He says that comedies self-select similarly.

12:15 p.m. FOX is not going to air the episodes of "In Living Color" that they shot. "It just didn't seem like it was going to reinvent the next chapter," he says. Boo. I did a set visit and interviewed the whole new cast. Regarding "Goodwin Games," Reilly admits to disappointment with how the Tuesday comedies do in the fall. He thinks audiences worry about "too much churn." Traditionally, FOX has programmed with 'a lot of churn." He notes that audiences are waiting to see what sticks before committing. "I'm creatively very happy with what's happening in that block," he says of Tuesday. "'Goodwin Games' is a nice show. I'm not sure if it's going to improve our lot ratings-wise," he says. So the plan is to maintain consistency and "Goodwin Games" will pop up in the summer.

12:17 p.m. A question about "Stars in Danger" and whether they want ratings or just to damage ABC's similar diving show. "You get no points for damaging someone else," Reilly says, claiming they expect ratings. "It's all fair. Ours was ready earlier. We put it on the air. It's a one-time special. If it works, it'll be back," he says. Reilly says FOX had an airdate. So that's where it went.

12:19 p.m. "I liked it. You didn't like it?" Reilly asks a reporter who didn't like "So You Think You Can Dance" as a once-a-week show. Mike Darnell, from the back of the room, says that once a week worked. "We liked the momentum of having the payoff within the body of the show itself," Reilly says. 

12:20 p.m. "The metrics are something we're spending a lot of time on, measurement," Reilly says. Lots of people are watching FOX outside of their monetizable window. He mentions streaming, VoD and over-the-top services. He expects that "The Following" will get "a resounding vote early on." Reilly calls "The Following" fantastic. But comedy is a different issue. He recalls that back in the day, comedies weren't star-driven, they were shows that made stars. He says that comedies often start low and grow. Because of DVRs, it's harder to create flow and to get viewers to settle in for comedy blocks. "Our shows weren't rejected. They weren't even really sampled," Reilly laments. "That means they're either rolling over it on the DVR, or they haven't gotten it on their radar," Reilly says. He feels that viewers have more urgency to view dramas than comedies.

12:24 p.m. Back to Reilly saying that there's a "broader discussion" about violence on television and society. Does he think this discussion will happen? Not... really. Exactly. Why not? People love violence. "Clearly there's an appetite. Let's say this for a fact," Reilly wants to note. "That's the business we're in of providing things that people like," he adds. He welcomes any study that will further "a constructive dialogue." "In complex matters, we all like a scapegoat," he says. 

12:26 p.m. Is FOX looking for a new genre-type program with "Fringe" departing? Reilly says FOX has always been in that business. "We've had some bad false starts and broken some hearts," he says, but they still want to be there. 

12:27 p.m. Reilly cites our country's Puritan roots for why we have a greater tolerance for violent content than sexual content. 

 

12:29 p.m. "I really like the consistency of the work," Reilly says of "Glee," calling the dual-setting world "high risk." FOX saw interruption on 18 of the first 38 days of the fall, which is an excuse for some of FOX's struggles.

12:30 p.m. Back to "The Following"... What is FOX's strategy with the time slot. "We have two hours of programming. We put it in the latest time slot we had," he says, also referencing a history of success for "propulsive" hits on Monday, which he dubs "Macho Monday."

12:31 p.m. What was his reaction to NBC scheduling an episode of "The Voice" against the "X Factor" premiere? "It went in the file for later reference. The score will be settled at some point. I don't know when," Reilly says, calling it "slightly on the cheesy side."

That's all, folks...

 

 

 

Press Tour 2013 Live-Blog: 'American Idol' introduces Mariah, Nicki and Keith

Randy Jackson and Ryan Seacrest are here, too.

<p>Your new "American Idol" team</p>

Your new "American Idol" team

Credit: FOX

One of the biggest questions of FOX's January TCA Press Day is sure to be whether Nicki Minaj and Mariah Carey will pretend to be friendly at their first "American Idol" panel or if they'll pretend to fight. 

Will they sit next to each other?

Will they make out?

Oh, the excitement... Click through for the full live-blog...

Listen: Firewall & Iceberg Podcast No. 165

Dan and Alan talk TCA press tour, 'Girls,' 'Shameless' and more

The

Happy Monday, Boys & Girls! We're in Pasadena to record a new installment of The Firewall & Iceberg Podcast.
 
Actually, we're in Pasadena for the Television Critics Association press tour, but y'all probably knew that already.
 
In this week's installment, Sepinwall and I debrief after the first three-ish days of press tour and then we review a slew of cable shows including the new Cinemax drama "Banshee," HBO's "Girls" and "Enlightened" and Showtime's "Shameless."
 
It's unclear when we're gonna podcast next, but... it'll totally be "sometime."
 
Here's today's breakdown:
TCA Press Tour (00:01:20 - 00:34:55)
"Banshee" (00:35:10 - 00:43:20)
"Girls" (00:43:25 - 00:53:40)
"Enlightened" (00:53:45 - 00:59:29)
"Shameless" (00:59:30 - 01:10:50)

 

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

And as always, feel free to e-mail us questions for the podcast.

Set Visit Preview: Kenneth Branagh and Chris Pine are rebooting 'Jack Ryan'

Kevin Costner notes why Pine is perfect for the Tom Clancy hero

<p>Chris Pine in "Jack Ryan"</p>

Chris Pine in "Jack Ryan"

Credit: Paramount
LONDON - If franchise rebooting were hip-hop, Jack Ryan would be the Sugar Hill Gang -- maybe not the first on the block, but certainly far enough ahead of the curve to look cool.
 
Tom Clancy's dogged CIA analyst, whose rise in the literary series would take him all the way to the White House, was played by a svelte Alec Baldwin in "Hunt For Red October," became Harrison Ford for a couple '90s hits and then was embodied by Ben Affleck in "Sum of All Fears."
 
It's early October in London and Jack Ryan is being rebirthed for a new generation under the careful watch of director Kenneth Branagh and producer Lorenzo di Bonaventura, as well as producer Mace Neufeld, who has had a hand in each of the franchise's previous incarnations.
 

Press Tour: 'Revolution' producers promise the revolution will be televised this spring

Eric Kripke and J.J. Abrams promise big things post-hiatus

<p>Billy Burke of "Revolution"</p>

Billy Burke of "Revolution"

Credit: NBC
PASADENA, CA - Since NBC announced that "Revolution" would be wrapping up the first half of its debut season in November and that it wouldn't return until late March, those of us who write about TV for a living have been speculating that this lengthy delay would auger poorly for the season's big new hit. 
 
It turns out that the people who write the show itself aren't viewing the hiatus as a negative. Or at least that's what Eric Kripke and J.J. Abrams told reporters at the Television Critics Association press tour on Sunday (January 6) morning. 
 

Press Tour 2013 Live-Blog: NBC Executive Session with Robert Greenblatt

Expect 'Up All Night,' 'Private Practice' and maybe 'Hannibal' questions

<p>Robert Greenblatt. And Crystal.</p>

Robert Greenblatt. And Crystal.

Credit: NBC

I like the picture accompanying this live-blog. It speaks to a more innocent time when NBC Chairman Robert Greenblatt and Crystal the  Monkey were very much in love and hope for "Animal Practice" sprung eternal.

Sniffle.

Good times.

There will be no Crystal at NBC's Sunday (January 6) executive session with Greenblatt, Paul Telegdy and Jennifer Salke, but Crystal's simian presence is sure to be replaced with a new-found sense of optimism at the network.

Click through for the full executive session live-blog...

Press Tour: 'Magic City' teases James Caan's arrival and an ambitious Season 2

Mitch Glazer also promises a great Passover seder

Press Tour: 'Magic City' teases James Caan's arrival and an ambitious Season 2
PASADENA, CA - "Magic City" won't return to Starz until a yet-to-be-determined date in the summer, but the premium cable network unveiled the first teaser for the sultry 1950s-set Miami drama on Saturday (January 5) at the Television Critics Association press tour.
 
As you can tell from the teaser [above], a lot remains the same at the Miramar Playa, with Jeffrey Dean Morgan's Ike Evans trying to extricate himself from the mobbed-up grasp of Ben "The Butcher" Diamond, played by Golden Globe nominee Danny Huston. There's sex and violence and some of the most impressive production design on the small screen.
 
As you can also tell, there's a new gangster in town, James Caan's Sy Berman.
 

Press Tour: 'Lost' veteran explains how much 'Psycho' is in A&E's 'Bates Motel'

Carlton Cuse is producing the Freddie Highmore/Vera Farmiga drama

<p>Freddie Highmore of "Bates Motel"</p>

Freddie Highmore of "Bates Motel"

Credit: A&E
[The following article contains spoilers for Alfred Hitchcock's "Psycho." I suppose it also contains spoilers for Gus Van Sant's "Psycho."]
 
PASADENA, CA - The eponymous central location in A&E's "Bates Motel" looks mighty familiar, from the grungy numbered rooms to the teetering manager's house atop a steep staircase. If you've been on the Universal Studios backlot tour north of Los Angeles, you'll know the place.
 
The main character in A&E's "Bates Motel" is named Norman Bates and there's much in Freddie Highmore's nervous, eager-to-please performance that will call back Tony Perkins' iconic work, which he then reprised in multiple sequels. 
 
The Norman Bates in "Bates Motel" has a somewhat co-dependent relationship with his mother and while she's played in the new drama by the full-of-life Vera Farmiga rather than being portrayed by a desiccated corpse in the basement, elements of the dynamic between Norman and his mom will be familiar.
 

Listen: Firewall & Iceberg Podcast No. 164

Dan and Alan talk 'Justified,' 'Deception,' 'Downton Abbey,' 'Bunheads' and more

The

Happy New Year, Boys & Girls!
 
It's our first 2013 installment of The Firewall & Iceberg Podcast.
 
Sepinwall is flying out to LA for the Television Critics Association press tour and we'll probably record multiple in-person podcasts in the next couple weeks. However, we decided that we didn't know when our first podcast window would be and there are too many shows premiering between Sunday and Tuesday and we didn't want to risk missing them. 
 
So this podcast is all reviews. Six of 'em! We talk about the new seasons of "Downton Abbey," "Justified," "Cougar Town" and "The Joe Schmo Show." We also check in on the midseason return of ABC Family's "Bunheads" and on the series premiere of NBC's "Deception." That's a fair amount to cover. 
 
Here's the breakdown:
"Downton Abbey" (00:02:08 - 00:18:45)
"Bunheads" (00:18:47 - 00:26:27)
"Deception" (00:26:28 - 00:33:20)
"Justified" (00:33:28 - 00:44:53)
"The Joe Schmo Show" (00:44:54 - 00:55:20)
"Cougar Town" (00:55:22 - 00:1:04:00)

 

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

And as always, feel free to e-mail us questions for the podcast.

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