New Western is the least successful of AMC's new drama originals
Look, nobody's going to question that Emily Thorne has cause to seek vengeance on ABC's "Revenge." Her father was pretty royally screwed over by what seems to have been a cabal of 40 or 50 members of the Hamptons' elite.
What I do question, however, is Emily's urgency. Yeah, for a week or two she was doing a pretty good job of giving her enemies indigestion, spoiling their marriages or bankrupting their hedge funds. But the for the past few weeks, Emily has barely been revenging at all. I can't blame her for deciding that prancing around the beach in a bikini, going to upper crust galas and getting mixed up in a love triangle are a good deal more fun than revenging.
This goes and proves my long-held theory that the best revenge is carried out in unpleasant places where distractions are minimal. Drop Emily Thorne in the Hamptons and it's gonna take her months to complete all of her required revenging. Drop her in Mississippi and she'd have slaughtered the entire conspiracy from A-to-Z before noon and then just moved on with her life as a sexy young billionaire.
Perhaps that's why I'm feeling comfortable with Cullen Bohannon's ability to carry out his revenge with relative expediency.
Played by Anson Mount, Cullen is the hero of AMC's new drama "Hell on Wheels," a Wikipedia-infused "'Revenge' on Rails" masquerading as a history lesson on the construction of the Union Pacific. Cullen isn't belabored by blue collar crushes or finding the perfect bandage skirt to match his skin tone. He isn't wasting time decorating his green screen adjacent home or monitoring his stock portfolio. Heck, all indications are that Cullen isn't even getting distracted by necessities like bathing. In the traveling cesspool of sin and commerce known as Hell on Wheels, Cullen's monomaniacal.
But clarity of purpose doesn't necessarily make for a great show and "Hell on Wheels" makes the mistake of premiering with a truly weak pilot episode at exactly the time some critics and many viewers are eager to take AMC to task for perceived hubris and artistic abandonment. Although there are signs of improvement in subsequent episodes, that pilot is going to be really difficult for even patient audiences to sit through. And even from there, I can't exactly tell you that "Hell on Wheels" gets good, just that it gets better.
More after the break...