Subject Repetition Fatigue is always a Sundance Film Festival struggle.
For several years now, it's been tough on any documentary about post-9/11 terrorism or the wars in Iraq/Afghanistan because the subject had been covered so frequently and, often, so well. How are you gonna keep them on the farm after they've seen "Restrepo" or "Hell and Back"?
Just this week, I watched Jacob Kornbluth's "Inequality For All" and then, two days later, I found it difficult to stomach the economic flimsiness and sloppy anger of "99% - The Occupy Wall Street Collaborative Film." Would I have liked the "Occupy" doc more if I hadn't enjoyed those 90 minutes being lectured by Robert Reich? Perhaps.
Heck, Subject Repetition Fatigue is such a serious issue that I've already discussed it previously when reviewing "Manhunt" in the context of the year's various Osama Bin Laden projects.
We've already moved into Subject Repetition Fatigue Repetition Fatigue, wherein I've grown tired of mentioning the repeated topics that I've grown tired of mentioning. [Yes, it's been a long time since I last had a full night's sleep.]
Or maybe I just need a different name for it? Docu-Deja Vu? That sensation that you're hearing a fact or figure that you've heard in previous films? Or that moment you realize you've seen the same talking head discuss the same subject matter in multiple documentaries?
Just as I praised "Manhunt" for finding a different point-of-entry into the OBL field, I was pleased that Shaul Schwarz's "Narco Cultura" is able to stake its own position within the recent spate of terror-in-Mexico documentaries. While some of the claims and statistics in the documentary are definitely familiar, Schwarz builds his documentary around several fresh and interesting characters and anchors the film with superlative cinematography. "Narco Cultura," ends up being one of the better features in Sundance's US Documentary Competition and its originality ends up being one of my greatest reliefs.
More after the break...