Cannes Film Festival 2013

Listen: Firewall & Iceberg Podcast No. 36

In an Fall Preview podcast, Dan and Alan review 'Lone Star,' 'The Event,' 'Running Wild' and more

<p>Adrianne Palicki, James Wolk and Eloise Mumford of 'Lone Star'</p>

Adrianne Palicki, James Wolk and Eloise Mumford of 'Lone Star'

Credit: FOX

The

 Happy Thursday, Boys and Girls.

As promised, here's the first of several special Fall Preview installments of the Firewall & Iceberg Podcast.

For this episode, we're discussing the eight network shows premiering on Monday and Tuesday night next week. That means "Lone Star," "The Event," "Mike & Molly," "Hawaii Five-0," "Chase," "Raising Hope," "Running Wilde" and "Detroit 187." 

On Monday, we'll probably do a regular-ish podcast with "Mad Men" discussion, as well as quick previews of a bunch of returning shows coming back next week. Then on either Tuesday or Wednesday, we'll review the new shows airing between Wednesday and Friday.

Does that make sense? Good!

Anyway, here's the breakdown if you want to skip to specific reviews of specific shows:

"Lone Star" -- 03:40 - 10:10

"The Event" -- 10:10 - 16:00

"Mike & Molly" -- 16:00 - 21:05

"Hawaii Five-0" -- 21:45 - 27:30

"Chase" -- 27:45 - 34:10

"Raising Hope" -- 34:15 - 39:25

"Running Wilde" -- 39:25 - 48:50

"Detroit 1-8-7" -- 49:10 - 55:00

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.]

And here's the podcast...

First Look: Check out Captain America's shield from the set of 'The First Avenger'

HitFix was on the 'Captain America' set last week and for some reason they let us hold Cap's shield

<p>Captain America's shield and some guy</p>

Captain America's shield and some guy

Credit: Marvel
When I missed last week's podcast, Sepinwall teased that I'd been called out of the country on "a special assignment."
 
The truth can now be told that on Tuesday (Sept. 7), I was lucky enough to find myself with a small cadre of journalists wandering the auteur-ially named streets of Shepperton Studios outside of London, the birthplace to cinematic classics including "Dr. Strangelove," "2001" and "Star Wars."
 
We were at Shepperton visiting the various stages and offices housing production on "Captain America: The First Avenger," directed by Joe Johnston ("The Rocketeer") and starring Chris Evans in the title role.
 
Over the course of the afternoon, Kevin Feige told us how "The First Avenger" fits into the Marvel movie universe, we saw intriguing concept art Captain America's origins and Cap-in-action (if executed, it's a tremendous starting point), got up-close-and-personal with some of the film's World War II-era vehicles (the leaked photos are barely the tip of the iceberg), chatted with an exhausted-yet-chipper Evans in costume (one of several evolutions of the iconic suit), briefly met with Hugo Weaving in Red Skull prosthetics (creepy and spot-on) and watched the filming of a scene so crucial that even when I can talk about it, I'll have to be vague.
 
Oh. And did I mention that we got to hold Captain America's shield? That sucker is heavy.
 
"Captain America: The First Avenger" opens on July 22, 2011 and I'll have much more coverage from the set visit as the release gets closer.
 
Til then, check out this image of the Captain America's shield (and pay no attention to the gentleman it's attached to)...

HitFix Interview: Mark Duplass talks 'The League'

Busy writer-director-star discusses fantasy football, his FX comedy and 'Cyrus

<p>Mark Duplass of 'The League'</p>

Mark Duplass of 'The League'

Credit: FX

Actors do TV shows for many different reasons, but Mark Duplass gave me a rather unique explanation when we spoke.

"'The League' is me going off and having sex with a beautiful, gorgeous woman who expects nothing of me other than smiles and fun," Duplass explains. 
 
The first thing you have to know is that he's not being literal. Duplass is, in fact, married to Katie Aselton, his co-star in the FX fantasy football comedy.
 
However, with "The League," Duplass is a hired gun, just one part of the expert ensemble assembled by creator Jeff Schaffer and Jackie Marcus Schaffer. Granted that "The League," with its heavy emphasis on improvisation, puts more pressure on its stars than most shows, but it's still a relatively low commitment compared to Duplass' other job.
 
Along with brother Jay, Duplass has been writer, director, producer and occasionally star of a run of independent-minded dramedies including "The Puffy Chair," "Baghead," "Cyrus" and the upcoming "Jeff Who Lives at Home," festival-friendly features that have gradually increased in budget without losing their DIY charm and rhythms.
 
With "The League" returning for its second season on Thursday (Sept. 16), HitFix caught up with Duplass to discuss his Other Woman and more.
 
Click through for the full interview...

TV Review: NBC's 'Outlaw'

Jimmy Smits leaves the Supreme Court to practice outlaw law in NBC's new dud

<p>Jimmy Smits of 'Outlaw'</p>

Jimmy Smits of 'Outlaw'

Credit: NBC
I think that it's probably acceptable to have a premise as ridiculous as the one that drives NBC's "Outlaw." The crime isn't in the ridiculousness, but in the decision to approach that ridiculousness with leaden seriousness.
 
That's why I love Sepinwall's tongue-in-cheek interpretation of "Outlaw" as "a body swap comedy in legal drag." That show would be fresh, original and, despite itself, fun.
 
As it stands now, "Outlaw" is just a drag, legal or otherwise.
 
Full review of "Outlaw" after the break...

HitFix Interview: Jeff Probst talks 'Survivor: Nicaragua'

Emmy-winning host says 'Survivor' will survive without Russell

<p>'Survivor: Nicaragua' host Jeff Probst</p>

'Survivor: Nicaragua' host Jeff Probst

Credit: CBS
"Survivor" embarks on several new frontiers on Wednesday (Sept. 15) night. 
 
The long-running reality favorite kicks off its 21st season on a new night (technically an old night, if you're a purist), in a new location (Nicaragua) and facing life without Russell Hantz, the domineering presence who contributed to a major creative uptick last season.
 
HitFix caught up with the show's Emmy-winning host Jeff Probst at the Television Critics Association press tour in late July, soon after this season's Old vs. Young twist was announced. [It was before anybody was confirming the presence of former Dallas Cowboys coach Jimmy Johnson in the cast, just in case you're curious why he didn't come up in the conversation.]
 
The interview isn't especially spoiler-y. Probst has been the show's biggest cheerleader for long enough that he knows how to be candid about past seasons, while being coy about what's to come. 
 
However, at the very end, we discuss rumors about the structure for the show's 22nd installment, which won't premiere until next spring. Obviously Probst doesn't confirm or deny only speculation, but the stuff at the bottom would definitely be a hypothetical spoiler if you don't like scuttlebutt.
 
Click through for the interview...

Listen: Firewall & Iceberg Podcast No. 35

'Boardwalk Empire,' 'True Blood,' 'Outlaw,' 'Always Sunny' and more in this week's podcast

<p> 'Boardwalk Empire'</p>

 'Boardwalk Empire'

Credit: HBO

The

 

Happy Tuesday, Boys and Girls.
 
Thanks to Mo Ryan for filling in for my last week when I was internationally indisposed. Now, as Aerosmith would say, I'm back in the saddle again.
 
With fall premieres revving up in earnest, Sepinwall and I are probably going to do multiple podcasts this week and next week trying desperately to fit everything in. Expect lots and lots of blather.
 
This week's blather includes our dismissive dismissal of Sunday's "True Blood" finale, our discussion of Sunday's "Mad Men" and reviews of HBO's excellent "Boardwalk Empire," NBC's awful "Outlaw" and the returns of FX's "Always Sunny" and "The League" this week.
 
Here's the time breakdown:
 
"True Blood" finale -- 00:00 - 08:55
"Outlaw" -- 08:55 - 17:40
The returns of "It's Always Sunny in Philadelphia" and "The League" -- 19:50 - 31:00
"Boardwalk Empire" -- 31:20 - 40:45
"Mad Men" - 40:50 - 56:40

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.]

And here's this week's podcast...

HBO's 'True Blood' finale only muddles a muddled third season

Season 3 wraps up with cliffhangers galore, plus one big revelation

<p>Dear tombstone... What a long and confusing season it's been... Love, Sookie.</p>

Dear tombstone... What a long and confusing season it's been... Love, Sookie.

Credit: HBO

After a frenzied penultimate episode characterized by poorly motivated character decisions, poorly hatched plotting, poorly staged revelations and cheaply discarded allegory, Sunday (Sept. 12) night's "True Blood" leaves Alan Ball and company with an almost insurmountable task in next week's third season finale. Somehow, the writers have one week to find a way to make us believe that this season wasn't all a random assortment of things that happened over the course of a few days in Bon Temps, a random assortment of things with barely any connection to each other and with almost not through-lines uniting characters. And speaking of characters, the writers have only one week to service a broad swath of beloved returning and new faces, some of whom were perplexingly dropped from the storytelling this season without any rhyme or reason.

That'll be a lot to pack into one episode, but there are talented people involved with "True Blood" and I'm sure they'll pull it off.
 
Wait.
 
What?
 
*This* week's episode was the third season finale of "True Blood"? This week's episode was the last fans are going to see of "True Blood" for 9 months? 
 
Screw that.
 
[More rambling thoughts, obviously with spoilers, about the "True Blood" finale after the break...]

TV Review: 'Gossip Girl' heads to Paris for its Season 4 premiere

Blair and Serena enjoy the City of Lights, while Jenny is blissfully absent

<p>Leighton Meester of 'Gossip Girl'</p>

Leighton Meester of 'Gossip Girl'

Credit: The CW

The third season of "Gossip Girl" was a bit of a disjointed mess.

There were still high points within the season, but for 22 episodes, it felt like the writers were steered much more by certain very valid character objectives than by any sort of compelling narrative. 
 
Among those character objectives the writers seemingly tackled:
 
*** After a couple seasons of mooning over Dan and straightening out her reputation, Serena ceased to be Serena. How much wacky stuff can we put her through in a single season to remind you that she's still Serena? Let's just forget about that whole dalliance with the married Congressman, shall we? That was just dumb.
 
*** Everybody loves Chuck Bass and his rakish charm. How far can we push that? And is there a place where he can do something so bad that not even a well-timed "I'm Chuck Bass" can save him? Normally using your girlfriend as a sexual bargaining chip and then deflowering Cindy Lou Who would be damning for a character but, as you may have heard, he's Chuck Bass.
 
*** Along the same lines, how pathetic can we make Blair, while still convincing you that she remains Blair Waldorf, Once and Future Queen Bee?
 
*** How much can we make you hate Jenny Humphrey and how grateful will you then be when Taylor Momsen goes on sabbatical?
 
And then, of much less interest to everybody, we had extraneous plotlines like Dan and Vanessa finally finding love despite a total absence of chemistry (marring even a threesome involving Hillary Duff), like Dorota getting pregnant and married, like whatever soapy show Billy Baldwin wandered in from for a few episodes and like whatever terminally mopey show Chace Crawford is still sometimes a part of. 
 
When it comes to the objectives, the one that was most successfully executed was making Jenny Humphrey into an unbearably toxic character. Momsen became such a vortex of faux-arty, black eye-lined bitchery that her mere absence is sure to elevate Season Four immeasurably.
 
As for the rest? Who can even remember. 
 
With that in mind, it's a pleasure to report that "Gossip Girl" launches its fourth season with two confidently satisfying episodes, returning to The CW on Monday, Sept. 13. Because the episodes are designed almost as a stand-alone chapter, I can't say for sure if this bodes well for the season to come, but hey... Good "Gossip Girl."
 
[More on the "Gossip Girl" return, with some minor spoilers, I suppose, after the break...]

Take Me to the Pilots '10: ABC's 'Mr. Sunshine'

Matthew Perry, Andrea Anders and Allison Janney give this midseason comedy some potential

<p>A mascot and Matthew Perry in 'Mr. Sunshine'</p>

A mascot and Matthew Perry in 'Mr. Sunshine'

Credit: ABC

[As I've already mentioned, and will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots.]

Show: "Mr. Sunshine," ABC [MIDSEASON]
The Pitch: "Chandler Bing's Very Special Midlife Crisis"
Quick Response: [I hadn't been planning on doing midseason shows here, but somebody on Twitter asked specifically about "Mr. Sunshine," so I figured I might as well...] The elements are all in place for "Mr. Sunshine" to become a pretty funny comedy. You've got Matthew Perry, Allison Janney and Andrea Anders, all versatile favorites (plus a solid supporting cast). You've got a relatively unfamiliar milieu in the show's sporting arena backdrop. [I'm not saying it's a terrific milieu or that the pilot convinces me that it's necessarily a meaningful milieu, thematically, but I'm sure it's a milieu that hasn't been overexposed on TV. I'm now done saying 'milieu.'] With Tommy Schlamme directing the pilot with his signature walk-and-talks, you get a clear sense of a show that wouldn't mind being thought of as "Sports[Arena]Night." And there were definitely parts of "Mr. Sunshine" that made me chuckle, generally because of those aforementioned elements (and the un-aforemented elephants). What plagues the "Mr. Sunshine" pilot, though, is an obsequious need to over-explain the overall circumstances as if to say, "We promise there's a hook to this TV series. No, really!" See, Perry's character is celebrating his 40th birthday and realizing that he's been self-obsessed for so long that he no longer even knows how to make human connections, a fact I know because his character announces, "All of a sudden, I want to make a connection and I don't have the first clue how to do it" and because multiple characters reference his selfishness and whatnot. It's my suspicion/hope that once "Mr. Sunshine" stops needing to tell us that it's about a selfish guy trying to be less selfish and starts just becoming about a selfish guy trying to be less selfish, I might be able to relish Perry's trademark snarkiness, Anders' trademark perky loopiness and Janney's oddball eccentricities. Portia Doubleday, James Lesure and Nate Torrence also have potential.
Desire To Watch Again: "Mr. Sunshine," like "Running Wilde," is a comedy that feels unformed in its pilot form. And both comedies focus on unformed men trying to improve themselves. And in both cases, I'll give both shows multiple episodes to see how well and how quickly they find their voices. My ideal version of "Mr. Sunshine" makes a really good pairing with Courteney Cox's "Cougar Town." We'll see if that's how the show goes.

Previously...

Take Me to the Pilots '10: ABC's 'Detroit 187'
Take Me to the Pilots '10: ABC's 'Body of Proof'
Take Me to the Pilots '10: ABC's 'My Generation'
Take Me to the Pilots '10: NBC's 'Outlaw'
Take Me to the Pilots '10: NBC's 'Chase'
Take Me to the Pilots '10: CBS' 'The Defenders'
Take Me to the Pilots '10: CBS' 'Blue Bloods'
Take Me to the Pilots '10: CBS' 'Mike & Molly'
Take Me to the Pilots '10: NBC's 'Outsourced'
Take Me to the Pilots '10: The CW's ' Hellcats '
Take Me to the Pilots '10: FOX's "Raising Hope"
Take Me to the Pilots '10: NBC's "The Event"
Take Me to the Pilots '10: FOX's "Running Wilde"
Take Me to the Pilots '10: FOX's "Lonestar"
Take Me to the Pilots '10: CBS' "Hawaii Five-0"
Take Me to the Pilots '10: NBC's 'Undercovers'
Take Me to the Pilots '10: ABC's "Better Together"
Take Me to the Pilots '10: CBS' "Feces My Dad Says"
Take Me to the Pilots '10: The CW's "Nikita"
Take Me to the Pilots '10: ABC's "No Ordinary Family"

 

 

TV Review: The CW's 'Nikita'

The latest 'Nikita' incarnation gets strong work from Maggie Q and Lyndsy Fonseca

<p>Maggie Q of 'Nikita'</p>

Maggie Q of 'Nikita'

Credit: The CW
Luc Besson's "La Femme Nikita" may not have created the concept of the cool-as-ice female butt-kicker, but it certainly established a template, one that was directly followed by the feature "Point of No Return" and the USA series that held onto the French name, but was also integral to more movies than I care to count, as well as TV shows like "Alias" and "Dollhouse."
 
The new CW action-drama "Nikita" maintains the name from the Besson original, but its influences are wide-ranging and well-mimicked. Wherever there's a female agent who seems capable of taking out even the best trained and strongest of men, "Nikita" is there. Wherever there's a shadow government organization stripping young people of their identities and working with no apparent oversight, "Nikita" is there. Wherever there's an operative so well-prepared that she can play cat-and-mouse with the most prepared operatives in the world and force them to say things like, "She knows every page in our playbook!" or "She knows what we're going to do before we do it!" "Nikita" is there.
 
With "Nikita" and "Hellcats," The CW's development slate wasn't long on outside-of-the-box thinking, but with "Hellcats" and "Nikita," the netlet's new shows are a reasonably well-executed lot. With a big assist from ace pilot helmer Danny Cannon ("CSI," "Judge Dredd"), "Nikita" looks great, moves quickly and features star-confirming lead performance by Maggie Q. Low expectations may be causing some folks to slightly over-praise "Nikita," but it joins CBS' "Hawaii Five-0" and NBC's "Undercovers" as part of a fall freshman class that's surprisingly deep with high octane thrillers.
 
[More after the break...]

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