<p>Quantrele Da'an Smith of &quot;The X Factor&quot;</p>

Quantrele Da'an Smith of "The X Factor"

Credit: Ray Mickshaw/FOX

Recap: 'The X Factor' Season 2 Premiere

Demi Lovato and Britney Spears make their judging debuts

On one hand, I suppose Wednesday (September 12) night represents the second season premiere of "The X Factor," but you can almost sense FOX hoping that viewers totally ignore last fall's introduction to Melanie Amaro and all of her vanquished foes. Sure, that was "The X Factor," but this is *really* "The X Factor," the way Simon Cowell intended.

So pull up a seat and follow along as we spend the next two hours seeing how Demi Lovato and Britney Spears stack up as judges and how "The X Factor" functions without a host.

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Listen: Firewall & Iceberg Podcast No. 148

Listen: Firewall & Iceberg Podcast No. 148

Dan and Alan talk 'Revolution,' 'Glee,' 'Mob Doctor,' 'Guys with Kids' and more

The

 
Happy Wednesday, Boys & Girls!
 
After the promised early-week delayed, it's time for a review-packed installment of The Firewall & Iceberg Podcast.
 
In this episode, we preview NBC's "Revolution" and "Guys with Kids," as well as FOX's "Mob Doctor." We also review new seasons of "Glee" and "Boardwalk Empire." And we answered a piece of mail, just for kicks.
 
Next week, we'll be delayed for Rosh Hashanah, but expect plenty more reviews and whatnot as things start to get REALLY busy!
 
Here's the breakdown:
Second episodes of "Go On" and "New Normal" (00:01:10 - 00:02:45)
"Guys With Kids" (00:02:50 - 00:11:30)
"Glee" (00:11:30 - 00:22:35)
"Boardwalk Empire" (00:22:35 - 00:35:40)
"The Mob Doctor" (00:35:40 - 00:45:25)
"Revolution" (00:45:30 - 00:56:50)
Listener Mail - Worst Characters, Best Shows (00:57:40 - 01:13:20)

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

And as always, feel free to e-mail us questions for the podcast.

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Watch: Simon Cowell talks 'X Factor' Season 2 changes from Britney to Demi

Watch: Simon Cowell talks 'X Factor' Season 2 changes from Britney to Demi

What do Britney, Demi and the lack of host mean for the FOX series?
One year ago, I sat down to talk with Simon Cowell about the long process of bringing "The X Factor" to the United States and how excited he was to have viewers finally see his vision.
 
A year later, "The X Factor" is starting its second season, but it might as well be a new series. Judges and mentors Nicole Scherzinger and Paula Abdul are gone, replaced by Britney Spears and Demi Lovato. Host Steve Jones is gone and he has yet to be replaced. 
 
So this weekend, I interviewed Cowell about what is effectively being launched as a new show on Wednesday (September 12) night. 
 
Always the consummate pitchman -- Cowell is even putting his "X Factor" muscle behind a newly released set of Sony/Syco headphones, not coincidentally called X Headphones -- the "American Idol" favorite is optimistic about the new energy contributed by Spears and Lovato, as well as the storytelling potential introduced by the absence of hosts for the first chunk of the season.
 
Watch the video to hear when Cowell knew "X Factor" would require a reboot, as well as his explanation for the host-less format. 
 
And check back tonight for my live-blog of the season premiere.
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Watch: 'Hell's Kitchen' finalists Justin and Christina talk 'From Justin to Kelly'

Watch: 'Hell's Kitchen' finalists Justin and Christina talk 'From Justin to Kelly'

The season's finalists discuss what sets 'Hell's Kitchen' apart

Monday (September 10) night's season finale of "Hell's Kitchen" features a showdown between Justin Antiorio and Christina Wilson.

You may read or see many interviews with Christina and Justin between now and the finale and following the finale. 
 
It's my guarantee, though, that this is the only interview to ask Justin and Christina about the legendary feature film "From Justin to Kelly," which also focused on a pair of FOX reality TV finalists. 
 
Did I ask the question only because one of the finalists is named "Justin"? Yes.
 
Did they play along gamely? Also, yes. 
 
Check out the video for their answer to that bizarre question and to find out what Justin and Christina have to say about what a "Hell's Kitchen" victory would reward.
 
And, again, the "Hell's Kitchen" airs tonight.
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<p>Kevin Bacon of &quot;The Following&quot;</p>

Kevin Bacon of "The Following"

Credit: FOX

Take Me To The Pilots '12: FOX's 'The Following'

Kevin Williamson midseason drama is a glorified 'Criminal Minds' episode

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"The Following" (FOX)
The Pitch:"You know that awful movie 'The Raven' about the killer who was obsessed with Edgar Allan Poe?" "Not really." "Excellent. Because this is a script about a killer who's obsessed with Edgar Allan Poe." "Hmmm..." "Did I mention that you can use the show to boost your score in Six Degrees of Kevin Bacon? Excellent."
Quick Response: Some people love "The Following." Most people I know, in fact, love "The Following." You're probably going to love "The Following." That's fine. I can deal with differences of opinion. I *strongly* disliked "The Following." To me, Kevin Williamson's script for "The Following" plays out as The Most Pretentious "Criminal Minds" Episode Ever, with a liberal post-modern splash of "Scream" at the very, very end. I don't know how many of the things I disliked most about Williamson's pilot script are going to continue to be an ongoing problem. The predictability of the character archetypes -- Grizzled alcoholic FBI veteran and wily, brilliant serial killer -- are now established and won't need to be introduced again. The serial killer cult aspect of things is, unfortunately, not going anywhere. Sigh. However, the series could progress without needing to return to the tediously superficial Lazy English Major skimming of Edgar Allan Poe. In fact, PLEASE progress without this aspect, because every time any character engaged in rudimentary literary analysis, I wanted to jab them repeatedly with a red grading pen. The characters in "The Following" who are convinced they're saying smart things -- "Nevermore! The Raven! Poe is symbolizing the finality of death!" -- aren't nearly as smart as they think they are and the pilot isn't nearly smart enough to sell this level of affectation, either earnestly or self-reflexively. [I still love the first two "Scream" movies, plus the first season of "Dawson's Creek" and y'all know my feelings on "Vampire Diaries," so my general tendency is to be strongly pro-Kevin Williamson. It just happens that I think this particular script is a mixture of cliches and pomposity.] Pilot director Marcos Siega has somewhat improved on Williamson's prose by making "The Following" moodily atmospheric and cinematic, but he's also possibly amplified the semi-exploitative violence and sadism that left me rolling my eyes and left some of my colleagues terrified. Shrug. Your results may vary. One thing I think we can all agree on is that Kevin Bacon is really terrific here. The obvious comparison is to Kiefer Sutherland's TV transition with "24," but Bacon is already getting to play the frenzied-and-frayed Jack Bauer of Season 4 or Season 5 and he's doing it well. Damn well. As Bacon's adversary, James Purefoy has a role seemingly designed to push him to make only the least subtle choices available, which is already his unfortunate tendency. That worries me. The rest of the pilot's supporting cast is very solid and I really hope they give Natalie Zea something good to do, since people often cast Natalie Zea and don't remember to write for her. One last thing: Enough already with Marilyn Manson's cover of "Sweet Dreams." It's moved into "Hallelujah" territory of overuse. We get it. It's a moody and ironic piece. Enough.
Desire To Watch Again: For Bacon? My desire to watch again is high. To see how the plot unfolds without the cumbersome responsibilities of pilot-dom? Also high. I didn't like "The Following" very much at all, but it's still the network pilot that left me most curious to see a second episode. Weird stuff like that happens sometimes.

Take Me To The Pilots '12: ABC's 'Family Tools'
Take Me To The Pilots '12: NBC's 'Infamous'
Take Me To The Pilots '12: ABC's 'How To Live With Your Parents (For the Rest of Your Life)'
Take Me To The Pilots '12: NBC's '1600 Penn'
Take Me To The Pilots '12: ABC's 'The Zero Hour'
Take Me To The Pilots '12: NBC's 'Do No Harm'
Take Me To The Pilots '12: The CW's 'The Carrie Diaries'
Take Me To The Pilots '12: ABC's 'Malibu Country'
Take Me To The Pilots '12: NBC's 'The New Normal'
Take Me To The Pilots '12: NBC's 'Guys with Kids'
Take Me To The Pilots '12: FOX's 'The Mindy Project'
Take Me To The Pilots '12: CBS' 'Partners'
Take Me To The Pilots '12: ABC's 'Nashville'
Take Me To The Pilots '12: CBS' 'Made in Jersey'
Take Me To The Pilots '12: The CW's 'Emily Owens, M.D.'
Take Me To The Pilots '12: FOX's 'Mob Doctor'
Take Me To The Pilots '12: NBC's 'Animal Practice'
Take Me To The Pilots '12: ABC's 'Last Resort'
Take Me To The Pilots '12: CBS' 'Vegas'
Take Me To The Pilots '12: The CW's 'Beauty & The Beast'
Take Me To The Pilots '12: ABC's '666 Park Avenue'
Take Me To The Pilots '12: NBC's 'Chicago Fire'
Take Me To The Pilots '12: FOX's 'Ben and Kate'
Take Me To The Pilots '12: CBS' 'Elementary'
Take Me To The Pilots '12: The CW's 'Arrow'
Take Me To The Pilots '12: ABC's 'The Neighbors'
Take Me To The Pilots '12: NBC's 'Revolution'
All of last year's Take Me To The Pilots entries

 

 

 

 

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<p>J.K. Simmons and Kyle Bornheimer of &quot;Family Tools&quot;</p>

J.K. Simmons and Kyle Bornheimer of "Family Tools"

Credit: ABC

Take Me To The Pilots '12: ABC's 'Family Tools'

There's a strong cast and heart, but the pilot is mighty broad

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"Family Tools" (ABC) [Midseason]
The Pitch: Tee-hee. "Tools." Yeah, I dunno. It's based on a successfully British format, but they changed the name and almost all of the premise of the format so... Yeah.
Quick Response: Although he's not connected to the series at all, the spirit of Greg Garcia looms large over "Family Tools," which was written by "Raising Hope" and "My Name Is Earl" veteran Bobby Bowman and directed by "Raising Hope" and "My Name Is Earl" veteran Michael Fresco. If you're a viewer/fan of those two shows, chances are relatively good that you'll find enough value in "Family Tools" to at least give in a second chance, because the DNA and worldview here overlap with NBC's comedy hit and FOX's critical favorite, at least somewhat. It's another portrait of blue collar America in which you can never be sure if the storytellers are being patronizing or reverential, but both answers are probably correct. At the center of "Family Tools" is Kyle Bornheimer, playing yet another in his rogue's gallery of hapless, lovable lugs. If, for some reason, Steve Martin decided to give his blessing to a TV version of "The Jerk," I'd cast Bornheimer as Navin. It happens that I almost always enjoy watching Bornheimer and I don't blame him for the failure of most of his failed shows, but after "Perfect Couples," "Romantically Challenged" and "Worst Week," his status as a showkiller is beyond question. I think he's funny and sympathetic in "Family Tools" as well, in perhaps his most Navin-esque role as career-hopping son who just wants to make his father proud of him, but can't stop screwing everything up. Around Bornheimer, you have the always terrific J.K. Simmons, the surprisingly funny Edi Gathegi, the immediately appealing Danielle Nicolet, the immediately quirky and weird Johnny Pemberton and Leah Remini, who will always be the star of the beach season of "Saved by the Bell" to me. The pilot is, to put it kindly, broad. And in the Garciaverse, "broad" isn't inherently a bad thing, but it can be a sign of danger. The challenge is always in concentrating on what is effectively and character drivenly broad and ignoring what is complacently and lazily broad. "Raising Hope" is a BROAD show, but it's become a differently broad show since its pilot. Once the show ditched the baby-endangerment comedy and started mining broadness from its gung-ho stars, it became the effective concoction that's returning for a third season. Bowman has a "Raising Hope"-esque cast of actors willing to do anything for laughs, so he'll just have to find the right ways to utilize that cast, without sacrificing the dignity and heart. "Family Tools" isn't a great pilot -- a couple of my colleagues seem to REALLY dislike it -- but knowing the Garcia template, I see potential here.
Desire To Watch Again: Just as the "Raising Hope" pilot made me laugh, but I reserved the right to drop out immediately if the show trended in the wrong direction, "Family Tools" got chuckles out of me and I want to believe it's going to continue down an improving path. So I'll be kinda looking forward to the second episode of "Family Tools," reserving the right to back away if the wackiness becomes overbearing.

 

Take Me To The Pilots '12: NBC's 'Infamous'
Take Me To The Pilots '12: ABC's 'How To Live With Your Parents (For the Rest of Your Life)'
Take Me To The Pilots '12: NBC's '1600 Penn'
Take Me To The Pilots '12: ABC's 'The Zero Hour'
Take Me To The Pilots '12: NBC's 'Do No Harm'
Take Me To The Pilots '12: The CW's 'The Carrie Diaries'
Take Me To The Pilots '12: ABC's 'Malibu Country'
Take Me To The Pilots '12: NBC's 'The New Normal'
Take Me To The Pilots '12: NBC's 'Guys with Kids'
Take Me To The Pilots '12: FOX's 'The Mindy Project'
Take Me To The Pilots '12: CBS' 'Partners'
Take Me To The Pilots '12: ABC's 'Nashville'
Take Me To The Pilots '12: CBS' 'Made in Jersey'
Take Me To The Pilots '12: The CW's 'Emily Owens, M.D.'
Take Me To The Pilots '12: FOX's 'Mob Doctor'
Take Me To The Pilots '12: NBC's 'Animal Practice'
Take Me To The Pilots '12: ABC's 'Last Resort'
Take Me To The Pilots '12: CBS' 'Vegas'
Take Me To The Pilots '12: The CW's 'Beauty & The Beast'
Take Me To The Pilots '12: ABC's '666 Park Avenue'
Take Me To The Pilots '12: NBC's 'Chicago Fire'
Take Me To The Pilots '12: FOX's 'Ben and Kate'
Take Me To The Pilots '12: CBS' 'Elementary'
Take Me To The Pilots '12: The CW's 'Arrow'
Take Me To The Pilots '12: ABC's 'The Neighbors'
Take Me To The Pilots '12: NBC's 'Revolution'
All of last year's Take Me To The Pilots entries

 

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Listen: Firewall & Iceberg Podcast No. 147

Listen: Firewall & Iceberg Podcast No. 147

Dan and Alan talk 'New Normal,' 'Sons of Anarchy,' 'Parenthood' and the 'Breaking Bad' finale

The

Happy Thursday, Boys & Girls...
 
Monday was a holiday and I was out of the country until last night, so it's time for a special late-week installment of The Firewall & Iceberg Podcast.
 
In this podcast, we finally discussed the 2012 finale of "Breaking Bad" and, looking ahead to next week -- expect a Tuesday or Wednesday podcast, so we wanted to get some things done early -- we also reviewed new seasons of "Parenthood" and "Sons of Anarchy," as well as NBC's new comedy "The New Normal."
 
Here's the breakdown:
"The New Normal" (00:03:40 - 00:22:10)
"Parenthood" (00:22:15 - 00:34:30)
"Sons of Anarchy" (00:34:30 - 45:50)
Listener Mail on pilot changes (00:45:55 - 00:56:25)
"Breaking Bad" (00:57:15 - 01:22:45)
 

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

And as always, feel free to e-mail us questions for the podcast.

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<p>The cast of NBC's &quot;Infamous.&quot; Or some of it.</p>

The cast of NBC's "Infamous." Or some of it.

Credit: NBC

Take Me To The Pilots '12: NBC's 'Infamous'

NBC tries to do an upscale ABC-style soap with so-so returns

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"Infamous" (NBC) [Midseason]
The Pitch: It's "Dirty Sexy Revenge"
Quick Response: No. Really. "Dirty Sexy Revenge." What if "Dirty Sexy Money" had begun with the murder of Samaire Armstrong's character? [No loss there.] And what if Peter Krause's character were a cop instead of a lawyer and an African-American woman instead of a man? And what if that interloper returned to the family not to keep them out of trouble, but to get one of them in very deep trouble indeed? What you'd get would be "Infamous." NBC's attempt to get in on the Eat the Rich zeitgeist is derivative at every turn, but it's also yet another midseason drama that introduces plot twists at an almost astounding pace, with characters reversing course and changing their colors two or three times in the opening 44 minutes. Hmm... I used a "but" there as if being twisty were a compensation for being derivative. This is the kind of show that you instantly find yourself distrusting every frame because you know that the truth is like a bet on a roulette wheel: You might get a dose of adrenaline each time your number comes around, but until the ball stops bouncing, *nothing* is going to be the truth, so there's no point in investing. Everybody lies and they do it all the time, so what's the point in rooting for the truth? It's the problem "Damages" has always had in its weaker moments, only "Infamous" doesn't immediately have the strengths that make "Damages" shine when it's working. I'm very happy to see Meagan Good getting to lead a show. She's sexy, assertive and Good deserves this shot. But the implausibility of her character's reintegration into this close-knit, justifiably paranoid family comes dangerously close to crushing the entire premise and I desperately hope they don't continue to pretend "Infamous" takes place in a world in which TMZ is King, but Google doesn't exist. And as for the family, they're good, but they're not the Darlings. Victor Garber has played this sort of WASP-y patriarch too many times to be surprising, so we're just waiting and watching for him to turn out to be good-evil-good-evil-good-evil-good-evil... STOP. Ditto with Tate Donovan. I guess that for Donovan, this is better than being cut out of the "No Ordinary Family" pilot and for Garber this is better than "Charlie's Angels," but those are both tenuous compliments. I like Garber and Donovan, but it's good will from past performances than make them appealing here, not anything fresh or new. The rest of the cast is solid and packed with familiar faces, but there's no Donald Sutherland or Jill Clayburgh or Madeleine Stowe to keep you mesmerized even when the formula takes over. No matter how many times you've seen basically this exact same show, you'd still be hard-pressed to find "Infamous" boring. It's not gripping, but it keeps you guessing and we get two or three episodes worth of plot machinations in short order. "Infamous" isn't a great version of an ABC show, but it's a passable version of an ABC show, which makes me wonder how it's going to find an audience on NBC. But I wonder that a lot and that's NBC's problem, not mine.
Desire To Watch Again: I watched every episode of "Dirty Sexy Money," sometimes liking it very much and sometimes gritting my teeth through the convolutions. I've watched every episode of "Revenge," mostly gritting my teeth through the convolutions. I've also watched every episode of "Scandal" and probably most of the other ABC shows that this is aping. There's no reason I probably won't stick with this for a bit. Yay?

 

Take Me To The Pilots '12: ABC's 'How To Live With Your Parents (For the Rest of Your Life)'
Take Me To The Pilots '12: NBC's '1600 Penn'
Take Me To The Pilots '12: ABC's 'The Zero Hour'
Take Me To The Pilots '12: NBC's 'Do No Harm'
Take Me To The Pilots '12: The CW's 'The Carrie Diaries'
Take Me To The Pilots '12: ABC's 'Malibu Country'
Take Me To The Pilots '12: NBC's 'The New Normal'
Take Me To The Pilots '12: NBC's 'Guys with Kids'
Take Me To The Pilots '12: FOX's 'The Mindy Project'
Take Me To The Pilots '12: CBS' 'Partners'
Take Me To The Pilots '12: ABC's 'Nashville'
Take Me To The Pilots '12: CBS' 'Made in Jersey'
Take Me To The Pilots '12: The CW's 'Emily Owens, M.D.'
Take Me To The Pilots '12: FOX's 'Mob Doctor'
Take Me To The Pilots '12: NBC's 'Animal Practice'
Take Me To The Pilots '12: ABC's 'Last Resort'
Take Me To The Pilots '12: CBS' 'Vegas'
Take Me To The Pilots '12: The CW's 'Beauty & The Beast'
Take Me To The Pilots '12: ABC's '666 Park Avenue'
Take Me To The Pilots '12: NBC's 'Chicago Fire'
Take Me To The Pilots '12: FOX's 'Ben and Kate'
Take Me To The Pilots '12: CBS' 'Elementary'
Take Me To The Pilots '12: The CW's 'Arrow'
Take Me To The Pilots '12: ABC's 'The Neighbors'
Take Me To The Pilots '12: NBC's 'Revolution'
All of last year's Take Me To The Pilots entries

 

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<p>Richard Dreyfuss&nbsp;</p>

Richard Dreyfuss 

Credit: A&E

Interview: Richard Dreyfuss discusses A&E's 'Coma'

The cagey veteran also discusses favorite directors and TV challenges
There's an error in the headline for this interview, which claims that Oscar winner Richard Dreyfuss discusses "Coma."
 
To clarify, I sat down with the "Jaws" and "Close Encounters" star back in March to talk about his role in A&E's new miniseries adaptation of the genre-classic Robin Cook novel, which will premiere on Labor Day.
 
At that point, I hadn't seen the telefilm, which focuses on a young medical student (Lauren Ambrose), who discovers that her hospital has an unnaturally large number of patients going into comas. The ensemble cast includes Steven Pasquale, as well as Oscar winners Ellen Burstyn and Geena Davis and Dreyfuss, plus James Woods, Joe Morton and a slew of additional familiar faces.
 
Normally I don't talk to actors about projects I haven't seen, but in addition to being the star of several of my all-time favorite films, Dreyfuss is also one of the smartest and most political actors in Hollywood and the conversation seemed like something I wouldn't want to miss. 
 
It doesn't necessarily come through in the Q&A, but Dreyfuss was in a terrific and cordial mood, but he happened to either be unwilling or unable to talk about his twisty new thriller.
 
I spent a while trying to pursue a discussion of "Coma" and perhaps its take on the state of healthcare in 21st Century America. As you'll read, it wasn't necessarily productive. Eventually, though, I think that we had a good chat about the challenges of finding directors capable of working with actors, as well as the challenges of acting for TV.
 
Click through for the full interview, which isn't really about "Coma" at all...
 
 
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<p>Sarah Chalke of &quot;How To Live With Your Parents (For The Rest of Your Life)&quot;</p>

Sarah Chalke of "How To Live With Your Parents (For The Rest of Your Life)"

Credit: ABC

Take Me To The Pilots '12: ABC's 'How To Live With Your Parents (For the Rest of Your Life)'

Acceptable premise and a great cast result in an unappealing pilot

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"How To Live With Your Parents (For the Rest of Your Life)" (ABC) [Midseason]
The Pitch: You know how it's weird when guys have to help raise their kids? It's even weirder when grownups live with their parents. Or that's what the trend stories say.
Quick Response: I don't mind the premise here. I generally think Sarah Chalke is fantastic and I've been known to really like both Elizabeth Perkins and Brad Garrett. But just because I would happily watch a show with EXACTLY this premise and EXACTLY this cast doesn't mean that I want to watch THIS version of that show. Execution is everything and the pilot for "How To Live With Your Parents (For the Rest of Your Life)" --- or HTLwYPFtRoYL, as I like to call it -- is probably the least enjoyable version of itself that it could possibly be. It doesn't help that Chalke is playing just another iteration of the exact same ditzy-yet-earthy-yet-flighty-yet-maternal quirky-hipster-mom that Dakota Johnson is playing on "Ben and Kate" and Georgia King is playing on "The New Normal" and her on-screen daughter (Rachael Eggleston) is just another variant on all of the season's interchangeable accessory daughters. If you're going to be part of a trend, it hurts to be the last show from the set to premiere and "HTLwYPFtRoYL" is the last [and least] of this group. ["Happy Endings" was the last of a group of "Friends"-style comedies in its season and is now the only survivor, so it's not impossible to overcome, if you happen to be funny.] For what it's worth, "HTLwYPFtRoYL" has a fair amount to say about the nature of parenting and the ways in which the mistakes of one generation inform the mistakes of the next generation. It just isn't funny in saying those things. The script is almost entirely designed to make likable actors unlikeable. Chalke, about as winning an actress as you can find, is flailing and shrill. Perkins and Garrett are the rare TV "Parents with No Filter" who you almost immediately wish would just muzzle themselves, without producing any compensating laughter [maybe it's not-so-rare, actually]. There's the tacit implication that you don't want to hear Perkins talking about having sex with a basketball team or Garrett talking about the results of testicular cancer because the characters are old and it's embarrassing when old people talk about such things. No. It's embarrassing because these are two talented actors delivering dialogue that's more unfunny than awkward. With bleeped swearing and sex talk, there's actually a lot of "HTLwYPFtRoYL" that's convinced it's cool or edgy or boundary shifting, but doesn't come close to any of those targets. [Am I wrong or is this title cumbersome without being genuinely amusing? Like the rest of the pilot, it thinks it's being cool or edgy, but it's really just long.] Orlando Jones and Jon Dore are wasted in supporting roles.
Desire To Watch Again: Chalke's moving into dangerous territory, because after "Mad Love," this is her second straight starring vehicle that I was convinced had all of the elements to eventually be funny and just wasn't funny in immediate execution. I gave "Mad Love" entirely too many episodes before giving up a week or two before ended. I won't be nearly as patient with this. I'll give "HTLwYPFtRoYL" a couple weeks to rise to the level of the involved talent and then I'm out, because the pilot was unpleasant.

 

Take Me To The Pilots '12: NBC's '1600 Penn'
Take Me To The Pilots '12: ABC's 'The Zero Hour'
Take Me To The Pilots '12: NBC's 'Do No Harm'
Take Me To The Pilots '12: The CW's 'The Carrie Diaries'
Take Me To The Pilots '12: ABC's 'Malibu Country'
Take Me To The Pilots '12: NBC's 'The New Normal'
Take Me To The Pilots '12: NBC's 'Guys with Kids'
Take Me To The Pilots '12: FOX's 'The Mindy Project'
Take Me To The Pilots '12: CBS' 'Partners'
Take Me To The Pilots '12: ABC's 'Nashville'
Take Me To The Pilots '12: CBS' 'Made in Jersey'
Take Me To The Pilots '12: The CW's 'Emily Owens, M.D.'
Take Me To The Pilots '12: FOX's 'Mob Doctor'
Take Me To The Pilots '12: NBC's 'Animal Practice'
Take Me To The Pilots '12: ABC's 'Last Resort'
Take Me To The Pilots '12: CBS' 'Vegas'
Take Me To The Pilots '12: The CW's 'Beauty & The Beast'
Take Me To The Pilots '12: ABC's '666 Park Avenue'
Take Me To The Pilots '12: NBC's 'Chicago Fire'
Take Me To The Pilots '12: FOX's 'Ben and Kate'
Take Me To The Pilots '12: CBS' 'Elementary'
Take Me To The Pilots '12: The CW's 'Arrow'
Take Me To The Pilots '12: ABC's 'The Neighbors'
Take Me To The Pilots '12: NBC's 'Revolution'
All of last year's Take Me To The Pilots entries

 

 

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