<p>Tuesday&#39;s &quot;Marvel&#39;s Agents of S.H.I.E.L.D.&quot;</p>

Tuesday's "Marvel's Agents of S.H.I.E.L.D."

Credit: ABC

'Agents of S.H.I.E.L.D.' producers tease 'Birth of a Superhero' return

The Inhumans are coming! What does that mean for the ABC drama?

It's been nearly three months since the last new episode of "Marvel's Agents of S.H.I.E.L.D."

The fall finale, titled "What They Become," was fittingly a build-up to a grand revelation about Skye's true identity. Or maybe we should say Daisy Johnson's identity, because The Inhumans are coming to "Agents of S.H.I.E.L.D.," which is apparently mighty exciting if you're a Marvel fan.

But what if you're not necessarily a devotee of the Marvel comics and you're maybe one of those people who tuned out on "Agents of S.H.I.E.L.D." at some point during its first 32 episodes?

Last week, on the secretive "Marvel's Agents of S.H.I.E.L.D." set, the show's producers chatted with a group of reporters about what's in store for the second half of the season. 

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<p>&quot;The Hunting Ground&quot;</p>

"The Hunting Ground"

Credit: Sundance

Interview: 'Hunting Ground' filmmakers talk campus sexual assault, Jameis Winston and more

Kirby Dick and Amy Ziering discuss the rush to get their hot-button doc onto screens

With Michael Moore preferring to incite ire on social media rather than in movie theaters, Kirby Dick and Amy Ziering are carving out a niche as contemporary documentary filmmaking's most reliable provocateurs, capable of planting their flag in an issue and generating emotion, debate, ire and, occasionally, tangible change.

For the past two films, the issue troubling Dick and Ziering -- He's the director, she's the intrepid producer -- has been institutional cover-up or denial of sexual abuse. "The Invisible War" earned Emmys and an Oscar nomination for its coverage of the sexual assault epidemic in the military. 

Their latest documentary, "The Hunting Ground," is taking the issue to the even more sensitive terrain of college campuses, stirring up the hornet's nest on both a general level, but also in specific scandals like the one involving Florida State football star Jameis Winston. 

Like "The Invisible War," "The Hunting Ground" premiered at the Sundance Film Festival" and as with "The Invisible War," the "Hunting Ground" premiere was attended by many of the documentary's subjects, leading to both tears and multiple standing ovations. 

"Hunting Ground" arrived at Sundance with distribution already in place, courtesy of RADiUS and CNN Films. Its roll-out began in several markets last week and will continue, leading up to an airing several months in the future on CNN.

Last week, I sat down with Kirby Dick and Amy Ziering to discuss the film's swift turnaround from production to Sundance to release. We talked about the treatment of sensitive subjects surrounding future 1st Round NFL draft pick Winston, as well as the challenges of getting responses from the big universities mentioned in the documentary. And we also discussed the general state of the documentary marketplace, which has seemingly become robust in recent years with outlets like CNN, HBO, Showtime and PBS all offering exposure for documentaries.

Click through for the full Q&A and check your local listings to see when "The Hunting Ground" arrives in your market...

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<p>Taylor Schilling of &quot;Orange Is The New Black&quot;</p>

Taylor Schilling of "Orange Is The New Black"

Credit: Netflix

Netflix sets 'Orange Is The New Black' for June, 'Wet Hot American Summer' for July

'Sense8' and 'Between' also get premiere dates

Netflix set its late-spring/summer release schedule on Monday (March 2) morning, setting premiere dates for a slew of specials, returning favorites and new shows.

The highest profile of the launch dates is the June 12 drop for Season 3 of "Orange Is The New Black," which has emerged as an Emmy favorite and a SAG Awards winner since the second season hit last June.

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<p>&quot;The Last Man on Earth&quot;</p>

"The Last Man on Earth"

Credit: FOX

TV Ratings: 'Last Man on Earth' premiere, 'Madam Secretary' return pace Sunday

'Secrets & Lies' has a decent premiere, while 'Battle Creek' launches soft

Fast National ratings for Sunday, March 1, 2015.

FOX got a strong premiere for the new comedy "Last Man on Earth," which delivered Sunday's top numbers among young viewers and helped the network win primetime in that measure. CBS, meanwhile, easily won Sunday overall thanks to the return of "Madam Secretary," despite a weak premiere for "Battle Creek.

Falling somewhere in-between the premieres for "The Last Man on Earth" and "Battle Creek" was an OK launch for ABC's "Secrets & Lies."

Both "Last Man on Earth" and "Secrets & Lies" had double-episode premieres and both shows had encouraging splits, retaining their full key demo numbers for their second episodes.

On to the numbers...

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<p>Dean Winters of &quot;Battle Creek&quot;</p>

Dean Winters of "Battle Creek"

Credit: CBS

Interview: 'Battle Creek' star Dean Winters on nearly killing Josh Duhamel and more

What did it take for this New York boy to shoot in Los Angeles

In CBS' "Battle Creek," Dean Winters plays Detective Russ Agnew, a grouchy-but-determined Michigan law enforcement veteran who yearns for more and better resources, but isn't happy when support comes in the form of seemingly perfect FBI agent Milt Chambers (Josh Duhamel).

It's an oft-retold story, but things almost went awry immediately between the two "Battle Creek" stars.

"The first time I met Josh, I came in last March for rehearsal and I was lost and I was driving to the lot on Manhattan Beach and I was looking at my GPS and I literally came within a foot of running him over," Winters too me when we sat down together two weeks ago. "It’s like I almost killed my co-star without even meeting him. But he and I got along famously like off the bat."

Winters was glued to his GPS because he's a New York City guy, born and bred, and he's made a successful and varied career on East Coast productions and the occasional limited LA stint. And the need to move to Los Angeles nearly caused him to shy away from "Battle Creek," before he realized that opportunities to work on a David Shore-run show from a Vince Gilligan pilot script don't come along often.

In our conversation, Winters talks about acclimating to Los Angeles and the process of finding the tone of "Battle Creek," which may be funnier than what you're expecting. It's a tone he notes comes at least in part from his actual dynamic with Duhamel.

Invariably, the discussion also turned to Winters' former "Oz" co-star J.K. Simmons, who was on the verge of winning an Oscar when we talked. And, as the two are well-regarded insurance pitchmen, we also chatted about Mayhem, the Allstate campaign that surely ranks among Winters' most recognizable roles.

And check out my interviews with "Battle Creek" stars Josh Duhamel and Kal Penn.

"Battle Creek" premieres on Sunday, March 1 and the full Q&A is below.

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<p>So Kim of &quot;Survivor: Words Apart&quot;</p>

So Kim of "Survivor: Words Apart"

Credit: CBS

Interview: So Kim talks 'Survivor: Worlds Apart'

The season's first booted castaway isn't proud of that Neutral lie

The first player eliminated in any "Survivor" season usually doesn't leave a good impression or a bad impression. Since their torches were snuffed after only an hour-ish of screentime, our reaction to that first booted castaway is usually a little more... Neutral?

Apologies to So Kim.

At least the first "Survivor: Worlds Apart" contestant sent home doesn't try to defend the questionable web of, um, deception that she and Joaquin spun to their fellow White Collar tribemates to attempt to justify their choice at the season-opening Honest/Deceive choice. So and Joaquin decided to pick "Deceive" and collect an Immunity Idol clue and a small bag of beans -- instead of a bigger bean bag and no clue -- but returned to camp and claimed that they'd actually selected an imaginary third option, "Neutral."

"You mean the worst lie that's ever been told?" So laughed when I asked how that particular prevarication came to be told.

It probably wasn't that lie that got So sent home, but it made her seem untrustworthy, which was enough to put a target on her back when White Collar lost inaugural Immunity Challenge of the season.

In her exit interview, So talks about the move to pick "Deceive" and then the resulting lie, as well as her own amusement at discovering that even without a clue, Carolyn was able to find that Immunity Idol. Not surprisingly, So wasn't all that enthusiastic to find herself in the White Collar tribe, but she protests that this isn't a repeat of the fate that befell the Brains tribe in an earlier "Survivor" season.

Oh and which member of her White Collar tribe did So already recognize? Well, probably the same one that many "Survivor" fanatics recognized.

Click through for the full Q&A. You'll probably find yourself wishing we got at least a few more weeks of So on "Survivor"...

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<p>Friday&#39;s &quot;Hawaii Five-0&quot;</p>

Friday's "Hawaii Five-0"

Credit: CBS

TV Ratings: 'Hawaii Five-0,' 'Last Man Standing' lead Friday split

Even without new 'Blue Bloods' or 'Shark Tank' nothing changes

Fast National ratings for Friday, February 27, 2015.

With "Shark Tank" and "Blue Bloods" in repeats, it was up to "Last Man Standing" to carry ABC to its normal Friday win among young viewers, leaving "Hawaii Five-0" to lead CBS to its normal Friday win overall.

After a soft premiere on Wednesday, "Amazing Race" returned to its Friday home and did roughly the same lowish numbers it was doing in the fall, though "Hawaii Five-0" fell among young viewers with its weakened non-"Undercover Boss" lead-in.

Without "Undercover Boss," both "Last Man Standing" and "Cristela" got small upticks.

On to the numbers...

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<p>Sunday&#39;s &quot;Brooklyn Nine-Nine&quot;</p>

Sunday's "Brooklyn Nine-Nine"

Credit: FOX

Interview: Joe Lo Truglio teases Sunday's 'Brooklyn Nine-Nine' wedding

Plus, an exclusive scene from Sunday's episode!

Wedding bells are going to chime on this Sunday's episode of FOX's "Brooklyn Nine-Nine." 

After a whirlwind courtship, Charles Boyle's dad (Stephen Root) and Gina Linetti's mom (Sandra Bernhard) are tying the knot, but actual police work is apparently going to cause chaos. 

Last week, I got on the phone with "Brooklyn Nine-Nine" star Joe Lo Truglio to discuss the nuptials, as well as Boyle's gradual evolution from his larger-than-life beginnings. 

We also talked about Lo Truglio's own status as a foodie and what the "State" veteran got out of sharing recent scenes with sitcom legend Garry Marshall.

So check out an exclusive scene from Sunday's episode plus the full Joe Lo Truglio Q&A below. 

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<p>Aly of &quot;The Amazing Race&quot;</p>

Aly of "The Amazing Race"

Credit: CBS

Recap: 'The Amazing Race' - 'I Got The Smartest Dude'

Teams skate and slurp noodles in Japan

Ooops. Somebody forgot to include the drama in Friday (February 27) night's episode of "The Amazing Race," which was edited with less of an exclamation point and more of an unconcerned shrug.

Starting a whopping 29 minutes into the episode, teams started popping up at the Pit Stop and I expected Phil Keoghan to say something like, "Really? We're done?" 

Instead, Phil was asking people things like, "Is there any romantic connection do you think?"

Ladies and gentlemen... Season 26 of "The Amazing Race."

There were good moments in Friday's episode, titled "I Got The Smartest Dude," but they didn't add up to anything, because by the time the eliminated team reached the Pit Stop, they'd been in last for the entirely time and they were just smiling and laughing and happy and ready to go home.

And if they don't care, why should we?

Let's get down to recapping business after the break. 

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<p>Will Forte of &quot;The Last Man on Earth&quot;</p>

Will Forte of "The Last Man on Earth"

Credit: FOX

Review: Will Forte and Lord & Miller steer FOX's inspired 'Last Man on Earth'

Minimalist comedy packs a maximum amount of humor and humanity

I've expressed my enthusiasm for FOX's new Sunday comedy "Last Man on Earth" in a number of different tweets and the responses tend to fall into a common mixed emotion that I'd describe as "excited skepticism."

It can be boiled down to, "It looks funny... But does it work as a series?"

On the eve of the Sunday, March 1 premiere of "Last Man on Earth," my own answer can now take one of two forms:

The first: I've seen three episodes -- or, rather, I've seen the hour-long block that will air on Sunday, plus an additional half-hour -- and "Last Man on Earth" works rather wonderfully for that duration, which is really all I can ask from a network TV show when I review it. I've reviewed comedies based on both more episodes and fewer episodes and while I can't say that I know that the 50th episode of "Last Man on Earth" will be funny, I also couldn't say that the 50th episode of "Fresh Off the Boat" would be funny, but I reviewed that off of three episodes as well and it has continued to be funny now for three subsequent episodes as well. TV shows are only funny until they're not, no matter how high the concept, and given how hard it is to hit the ground running with a sitcom, I'm not going to criticize a series that's this immediately and successfully inspired just because I don't know what Season 20 looks like.

The second: Go ahead and try telling Phil Lord and Chris Miller that you think the project they're working on is either a silly idea or an idea that seems better designed for a five-minute short than for long-form storytelling. At this point, the "21 Jump Street" and "Cloudy with a Chance of Meatballs" and "The Lego Movie" directors ought to have earned the benefit of the doubt when it comes to successful elongation of premises that seem merely one-joke, but ultimately yield many more.

Lord & Miller's direction of the opening "Last Man on Earth" hour is a textbook lesson in precision comic timing and humorous use of physical space for the small screen. The Mark Mothersbaugh score and clockwork editing and a lively soundtrack make this one of the most formally successful network comedy pilots, or comedy pilots of any sort, in recent years and I hope that many of these formal and technical aspects are remembered come Emmy time.

But don't get the impression that construction of "Last Man on Earth" supersedes its heart, which comes largely courtesy of series creator and star Will Forte, who wrote the opening installments -- Emily Spivey wrote the March 8 episode, with Jason Woliner directing -- and gives a performance which follows his "Nebraska" work in underlining just how versatile he can be, even within the same projects.

More after the break, but that's probably enough of a review without saying anything more, eh?

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