It’s another big week for the Top 10 of the Billboard 200 as seven of the Top 10 will likely be debuting titles.
Leading the pack with a lock on No. 1 is Keith Urban’s “Fuse” (read our review here), which will be the only title to sell more than 100,000. Hits Daily Double forecasts it will top out at around 105,000.
Bowing at No. 2 will likely be The Weeknd’s “Kiss Land” at 95,000. The numbers drop off drastically for 2 Chainz’ “B.O.A.T.S. II: Me Time,” which will probably come in at No. 3 with sales of 55,00-60,000.
Luke Bryan’s “Crash My Party” hangs on at No. 4, surrounded by debuts, as Janelle Monae’s “The Electric Lady” lights up the chart at No. 5 (45,000-50,000).
The debuts continue in the bottom 5, as Arctic Monkeys’ Mercury Prize-nominated “AM” bows at No. 6 (35,000-40,000) and Sheryl Crow’s first country album, “Feels Like Home,” at No. 7 (30,000-35,000).
This week’s No. 1 album, Ariana Grande’s “Yours Truly” and the No. 2 album, Tamar Braxton’s “Love & War,” slide to Nos. 8 and 9, respectively, while vintage R&B group Earth Wind & Fire comes in at No. 10 with “Now, Then & Forever.”
It’s another big week for the Top 10 of the Billboard 200 as seven of the Top 10 will likely be debuting titles.
The theater tour starts Feb. 21 at Atlanta’s Fox Theater, before wrapping five weeks and 15 dates later in March 29 at Bill Graham Civic Auditorium in San Francisco. The tour is concentrated primarily on the east coast, although it does hit a few midwest cities before ending on the west coast. Missing? Cities like Los Angeles and any city in the south.
Opening the shows will be Jessie J and DJ Cassidy.
Tickets go on sale Sept. 20 at 10 a.m. If you feel like combining your love for Thicke with your love for good causes, Thicke has partnered with Tickets for Charity to sell specific seats with proceeds going to St Jude Children’s Research Hospital and Natural Resources Defense Council. Those can be found at www.ticketsforcharity.com.
In related “Blurred Lines” news, co-writer (and performer) Pharrell told the Associated Press that he sees no similarity between the mega hit, which spent 12 weeks atop Billboard’s Hot 100, and Marvin Gaye’s “Got To Give It Up.” Thicke has filed a lawsuit asking a judge to preemptively rule that “Blurred Lines” does not infringe on the Gaye classic. “If you read music, all you have to do is read the sheet music. It’s completely different,” Pharrell said.
Robin Thicke Tour dates
February 21 Atlanta, GA Fox Theatre
February 25 Camden, NJ Susquehanna Bank Center
February 27 Washington, DC Patriot Center
March 1 Mashantucket, CT MGM Grand Theatre
March 2 Atlantic City, NJ Borgata
March 4 Boston, MA Agannis Arena
March 7 New York, NY Theatre at MSG
March 12 Detroit, MI Fox Theatre
March 15 St. Louis, MO Fox Theatre
March 20 Austin, TX ACL Live at The Moody Theater
March 21 Thackerville, OK Winstar Casino
March 23 Denver, CO Fillmore Auditorium
March 26 Seattle, WA WAMU Theater
March 27 Vancouver, BC Rogers Arena
March 29 San Francisco, CA Bill Graham Civic Auditorium
With “Tie It Up” doing well at country radio, Kelly Clarkson finally confirmed that she is doing what we all suspected: recording an entire country album.Not only that, she’s almost done with it!
She told Albany, N.Y. radio station WGNA, “We’ve almost made a whole record.” In fact, being on tour with Maroon 5 this summer is the only thing between Clarkson and the finished album.
Clarkson, who also has a holiday album, “Wrapped In Red,” coming in A few weeks, says she expects to pivot back and forth between country and pop. “With Jewel and Sheryl Crow, they kinda quit pop and came over the country,” she said. “I love both. I don’t necessarily know if I have one foot it it and one foot in the other.” Well, actually, Kels, that sounds exactly like what you have. The "American Idol" winner has already won the Academy of Country Music Awards covered Vocal Event of the Year for “Don’t You Wanna Stay,” her No. 1 duet with Jason Aldean.
When Incubus guitarist Mike Einziger got the call that superstar DJ/producer Avicii (aka Tim Bergling) wanted to meet with him, he admits he wasn’t sure why. “I wasn’t too familiar with Tim’s world, and, also, specifically with Tim’s music. I knew the song ‘Levels,’ and I knew him as an electronic music producer, but I didn’t know how that would work with what I do.”
The answer, it turns out, is fabulously. The two co-wrote “Wake Me Up,” the first single from Avicii’s “True,” out Sept. 17. With its foot-stomping, hand-clapping, acoustic appeal (anchored by a fierce beat), “Wake Me Up” has soared to No. 1 in more than 22 countries and has become Bergling’s first Top 5 hit on the Billboard Hot 100.
[More after the jump...]
Icona Pop pays homage to ‘80s movie, “Paris is Burning,” in its new video for “All Night.” The original film celebrated the culture of drag balls in New York, many of which focused on the African-American and Latino transgender community.
Icona Pop’s Caroline Hjelt and Aino Jawo perform the peppy, synthetic tune in a night club as the dancers swirl around them. The live footage is intercut with interviews with the drag artists talking about the community created by the balls. The drag queens are far more interesting than Icona Pop, and we’re quite sure the duo wouldn’t have it any other way.
After having to scrap the first several dates of its U.S. tour after Jawo fell ill, including an appearance at Seattle’s Bumbershoot Festival, the “I Love It” pair continues a U.S. club tour tonight in Chicago. The tour wraps in Brooklyn on Sept. 25.
On Sept. 24, Atlantic Records will release the act’s debut album, “This Is...Icona Pop.” Icona Pop will appear on “The Late Show with David Letterman” on Sept. 25 and “The Today Show” on Sept. 26.
Katy Perry’s “Roar” remains king of the chart jungle for a second week, as the track also tops many of the charts that determine Hot 100 position: streaming songs, on-demand songs and digital songs, while the song rises 6-2 on radio songs.
The upward mobility gives “Roar” a commanding lead of Robin Thicke’s “Blurred Lines,” featuring T.I. and Pharrell, which remains at No. 2 for the second week, following its 12-week run at No. 1. (“Blurred Lines” beats “Roar” on one front: it is still receiving more radio airplay).
Several tunes reach new highs on the Top 10: New Zealand teenager Lorde scores her first Top 5 hit as multi-format smash, “Royals,” moves 8-3. Jay Z’s “Holy Grail,” featuring Justin Timberlake,” rises 5-4 to reach a new summit, while Avicii lands his first top 5 as well, as “Wake Me Up” moves 7-5.
There’s also upward movement in the lower half of the Top 10 as Lana Del Rey and Cedric Gervais’ “Summertime Sadness” leaps 10-6, also a new peak. Del Rey’s gain is Lady Gaga’s loss as “Applause” drops one to No. 7. Drake’s “Hold On, We’re Going Home,” featuring Majid Jordan, marches 12-8, marking the rapper's 13th Top 10 hit Capitol Cities’ “Safe and Sound” moves back into the Top 10, inching 11-9, and Eminem’s “Berzerk” drops 3-10. While airplay for the track continues to increase, Eminem's tune falls based on a 48% drop in digital sales, according to Billboard.
Kings of Leon, whose new album, “Mechanical Bull, comes out Sept. 24, covered Robyn’s “Dancing On My Own,” a new twist yesterday on BBC Radio 1.
The Followill family slowed the track down and bolstered it with a trembling, fuzzy guitar background to give it an emotional heft. It’s a little as if they crossed Roxy Music with the Swedish dance diva. There’s also something very cool about Caleb Followill’s gruff voice singing the line, “I’m not the girl you’re taking home.”
On BBC Radio 1, the group also previewed several new songs from the forthcoming album, including “Beautiful War” (embedded beneath the video), “Family Tree,” and “Wait For Me.”
What do you think of Kings of Leon’s cover? They are just the latest act to do so. Check out these other versions by Fleet Foxes, The Duke Spirit, and Cher Lloyd.
As everyone’s been swinging back and forth like a pinata awaiting Britney Spears’ Sept. 17 news (Will it be a new single? Finally confirmation of her Las Vegas residency? A Las Vegas pizzeria?), Spears decided to break the news herself.
On Sept. 16, Spears’ new single, “Work Bitch,” according to a Spears tweet, will premiere at 6 p.m. ET on Clear Channel’s iHeartRadio.com and at radio. The track will go live on iTunes for digital download at 12:01 a.m. on Sept. 17. So is that the news that the countdown clock on her website is moving toward?
Spears has already shot the video for “Work Bitch,” according to Rolling Stone, in the desert with director Ben Mor, with whom she worked on will.i.am’s “Scream And Shout” clip. As you recall, earlier this week, Spears sent into the world two photos of herself, including one in a bikini, from the video shoot, proving that the “Work Bitch” singer had definitely been working out.
There’s still no word on an album release date, though with the single dropping next week, it’s likely that Spears will put out the album this year in order to take advantage of the fourth quarter holiday shopping season. We predict a November release date. And if not, we know that Spears will be appearing on someone else's album coming out this year: yesterday, Miley Cyrus released the track list for her Oct. 8 release, "Bangerz," revealing the title of her collaboration with Spears is "SMS (Bangerz)."
Kanye West made an unannounced stop at “Late Night with Jimmy Fallon” last night where he performed "Yeezus" track “Bound 2” with Charlie Wilson and house band, The Roots.
West had been in New York for fashion week and while the performance was a surprise, word leaked out later in the day before the show aired.
West’s “Yeezus” tour, featuring Kendrick Lamar, starts Oct. 19 in Seattle. It is his first solo tour since 2008’s “Glow In The Dark.”
With “Fuse,” Keith Urban announced his desire to shake up his sound a bit, but longtime fans need have no fear. While the "American Idol" judge incorporates eight producers, including popmeisters Stargate and Butch Walker, and he plays beyond country’s confines on a few tracks, most tunes hew closely to what the faithful have come to love: mid-tempo tunes anchored by banjo or guitar and Urban’s instantly recognizable vocals. The album is out today (10).
“Somewhere In My Car”: The first thing you hear on this mid-tempo wistful track is a banjo, a reassuring sign that as much as Urban has decided to stretch his musical legs a little, he’s not straying that far. The girl is long gone, but in his memory he can remember the feel of her lips on his, kissing in the car and the beautiful pain of a time gone by. A fuzzy guitar gives the otherwise soft song a harder edge. GRADE: B
“Even The Stars Fall 4 U”: Opening with shouts of “Hey!” before going into an instantly catchy, exuberant love song, “Stars” combines country instrumentation with the most pop production Urban has ever gone for. It has the same multi-format smash appeal like Taylor Swift’s “You Belong With Me.” Country radio may want a slightly different mix, but given how pop country is leaning right now, probably not. If the label can wait this long, this could be a song of summer, 2014. GRADE: A-
“Cop Car”: Urban takes a trip back in time as he remembers falling in love in police car after getting arresting for some youthful hijinks. The lyrics stretch for a meaning, but he’s going to lose plenty of folks when he talks about the siren lights reflecting in her eyes. Even as talented an artist as Urban can’t sell this line: “Something about the blue lights shining bringing out the freedom in your eyes.” Nice guitar solo, but that can’t save this song. I’d like to make a citizen’s arrest, please: GRADE: C-
“Shame”: Urban admits his foibles in this mid-tempo tale of skipping bill payments, missing birthdays, burning bridges, hurting lovers, and, basically, being human. “Everyone hurts the same,” he sings, and we all carry our scars around, even though we’re too scared to show them. Interesting lyrics, but may been better sequenced further down the record. GRADE: B-
“Good Thing”: Forget “Sweet Thing,” Urban is more concerned about the moment as he woos a girl in a club in this bouncy track that’s more Dierks Bentley than Keith Urban. It’s a change of pace for Urban, but it’s a very well produced, fun, upbeat ditty. He promises if she gives him one chance, she’ll never be lonely again. Check out the Jerry Reed-like guitar solo. GRADE: B+
“We Were Us” (featuring Miranda Lambert): Lambert and Urban’s voices wind around each other effortlessly in this banjo-based mid-tempo about a couple who has split, but neither has let go. GRADE: B
“Love’s Poster Child”: A slow, southern, swampy song that casts Urban as a man in need of a love infusion and he’s found just the woman to do it. Fans of Jason Aldean’s “She’s Country” will love the feel of this one. Definitely a single. GRADE: A
“She’s My 11”: This uptempo declaration of love will have fans clapping along. The swaying song with a “whoa-oh-oh” sing-a-long features one of Urban’s best vocals. GRADE: B
“Come Back To Me”: Probably the biggest stretch sonically on the album, “Come Back To Me” is built around a hypnotic electronic loop and a woozy guitar solo. Urban wants his love to come back, but she has already found someone new, so all he can hope for is that he treats her right. GRADE: A
“Red Camaro”: Another entry in the flirty, fun cars-and-girls song pantheon. GRADE: B-
“Little Bit Of Everything”: The first single, and first No. 1, from “Fuse,” is as easy going as the song’s lyrics, which are about not “needing too much of nothing,” and being happy with life’s simple pleasures. Perfect song to usher out the summer with a very tasty guitar outro. GRADE: B
“Raise ‘Em Up” (featuring Eric Church): Melodically redolent of a slower “Someone Like You,” “Raise “Em Up” plays off the title, whether it be raising a glass or raising a kid. Church is way down in the mix. GRADE: B-
“Heart Like Mine”: Album closer is a piano-based mid-tempo track with a strong melody, dramatic build and layered, pop backing vocals. The tale of humility and love ends the project on a strong note and with a strong heartbeat. GRADE: B+