Kanye West, Rick Ross and 2 Chainz on 'The Bling Ring' soundtrack
Credit: A24

Kanye West, Rick Ross and 2 Chainz on 'The Bling Ring' soundtrack

Phoenix is also on soundtrack for Sofia Coppola-directed film

The soundtrack for “The Bling Ring,” Sofia Coppola’s film about Los Angeles privileged teens who rob celebrities’ homes, features tracks from Sleigh Bells, Azealia Banks, M.I.A, Kanye West, and, of course, Phoenix (Coppola’s married to Phoenix lead singer Thomas Mars.

In Contention’s Guy Lodge saw the movie at Cannes and called it a “brisk, funny, unexpectedly substantial study of a tabloid diversion.” Read his full review here.

Daniel Lopatin, from Oneohtrix Point Never, scored the film. His composition, "Bling Ring Suite," written with the film's music supervisor, Brian Reitzell, appears on the soundtrack as well.

Def Jam will release the soundtrack June 11, while the movie opens in theaters June 14.

The Bling Ring Original Soundtrack Tracklist:?

01. Sleigh Bells – ” Crown On The Ground”?
02. Rick Ross [ft. Lil Wayne] – “9 Piece”?
03. Rye Rye [ft. M.I.A.] – “Sunshine”
04. Azealia Banks - ”212″
05. Oneohtrix Point Never – “Ouroboros”
06. 2 Chainz – “Money Machine”
07. M.I.A. - ”Bad Girls”
08. Kanye West - ”All of the Lights”
09. Ester Dean [ft. Chris Brown] – “Drop It Low”?
10. Reema Major - ”Gucci Bag”?
11. Can – “Halleluwah”?
12. Kanye West - ”Power”?
13. Klaus Schulze - ”Freeze”?
14. deadmau5 - ”FML”?
15. Brian Reitzell and Daniel Lopatin - ”Bling Ring Suite”?
16. Phoenix - ”Bankrupt!”?
17. Frank Ocean [ft. Earl Sweatshirt] - ”Super Rich Kids”



 

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<p>Macklemore &amp; Ryan Lewis</p>

Macklemore & Ryan Lewis

Credit: AP Photo

Macklemore & Ryan Lewis' 'Can't Hold Us' holds at No. 1 on Billboard Hot 100

Where does Mariah Carey's '#Beautiful' #debut?

Macklemore & Ryan Lewis’ second single, “Can’t Hold Us,” featuring Ray Dalton, spends its second week atop the Billboard Hot 100.

Pink’s former No. 1, “Just Give Me A Reason,” featuring Nate Ruess, holds at No. 2., Justin Timberlake’s “Mirrors” rises 5-3, while Bruno Mars’ former No. 1, “When I Was Your Man,” also move up, 5-4.  “Man” flips places with Rihanna’s “Stay,” featuring Mikky Ekko, which slips 4-5, according to Billboard.

Rounding out the bottom half, Selena Gomez scores her first Top 10 as “Come & Get It” soars 14-6. It marks her 11th song on the Hot 100.

Macklemore & Ryan Lewis’ former chart topper, “Thrift Shop,” featuring Wanz, falls 6-7,  Imagine Dragons’ “Radioactive” stays at No. 8, Icona Pop’s “I Love It,” featuring Charli XCX, slides 7-9, while Florida Georgia Line’s former country hit, “Cruise,” dips 9-10.

The top debut on the Hot 100 belongs to Mariah Carey’s “#Beautiful,” featuring Miguel, which starts its chart run at No. 24.

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<p>Eazy-E</p>

Eazy-E

Rock The Bells adds 'virtual performances' from Eazy-E and Ol' Dirty Bastard

Rappers will appear with Bone Thugs N Harmony and Wu-Tang Clan

Taking a trick from last year’s Coachella festival, Rock the Bells 2013 will incorporate holograms of Eazy-E and Ol’ Dirty Bastard for this year’s traveling festival.

Eazy-E’s image will join Bone Thugs N Harmony, while Ol’ Dirty Bastard will rejoin Wu-Tang Clan. Eazy-E died in 1995; ODB passed in 2004. Rock The Bells is billing their appearances as “original virtual performances.”

The 4-date 10th anniversary edition of Rock The Bell kicks off Sept. 7-8 at San Bernadino, Calif.’s San Manuel Amphitheater, then moving to Mountain View, Calif.’s Shoreline Amphitheater, Sept. 14-15; Washington, D.C.’s RFK Festival Grounds, Sept. 28-29; and Rutherford, N.J’s Meadowlands Racetrack, Oct.4-5.

Other artists (all live as of this writing) on the bill, include Common, Big Krit, Dilated Peoples, Earl Sweatshirt, Kid Cudi, Tyler the Creator, Talib Kweli and Danny Brown.

 

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<p>Aaliyah</p>

Aaliyah

Credit: AP Photo

Chris Brown's new single features Aaliyah: Listen to a snippet

'They Don't Know' featured on next album, 'X'

The next single from Chris Brown’s forthcoming “X” album will feature previously unreleased vocals from the late Aaliyah.

[More after the jump...]

 

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<p>'Demi'</p>

'Demi'

Credit: Hollywood Records

Review: Demi Lovato's new album 'Demi'

HitFix
B-
Readers
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'X Factor' judge's material doesn't always match her strong pipes

Demi Lovato has grown up in the public eye from the time she appeared on “Barney & Friends” through her Disney Channel series “Sonny With A Chance” to her current stint as an “X Factor” judge, with many of the challenges she faced as she transitioned from a Disney star to an adult on display. 

She’s candidly and bravely funneled some of her experiences, including her struggles that ultimately led to her spending time in a treatment center and being diagnosed as bi-polar,  into her material, such as on 2011’s  “Skyscraper.” Her largely female teen audience has embraced her for her ability to sing about complicated issues in an uncomplicated fashion in a manner that rings true and full of self discovery and hope, yet seldom sugary.

So there’s reason to believe that when she calls an album, “Demi,” as she has her fourth collection, out May 14, that she will be revealing some thing about herself in a way that we may not have previously experienced. Sadly, for much of “Demi,” that is not the case.

The problem with “Demi” is that too much of the music here is so generic that it could be any teen queen—or king, the peppy “Something That We’re Not” is melodically cut from the same cloth as any number of One Direction songs—delivering these tunes.

Almost every song can be matched to previous pop hit: “Made In The USA” sounds like Kelly Clarkson’s “Already Gone,” with a very heavy kick drum (surprisingly, the song was not written by Ryan Tedder, who co-wrote “Gone,” but he does show up as a co-writer on the “Firework”-like “Neon Lights”) “Really Don’t Care,” featuring Cher Lloyd, who adds a Ke$ha-like rap in the middle, sounds like Icona Pop’s “I Love It.” Similarly, the dance-tinged “Never Been Hurt” could be a cousin to Taylor Swift’s “I Knew You Were Trouble.”

Lovato has a strong voice many levels above the typical teen star and she’s striving to appear grown up, as first single “Heart Attack” showed. She shines when the lyrics resonate with a depth that seems to match an emotional level we know she possesses.

When the often overly-produced album strips away enough bells and whistles to focus on her vocals, such as on“Shouldn’t Come Back,” a spare, emotional ballad that may be about her estranged father and how tired she is of being so sad and mad, the results are strikingly poignant. She delivers the song with a depth of feeling that is missing on much of the rest of the tunes. She does not have to open a vein and bleed on every track, but “Shouldn’t Come Back” only highlights what she is capable of achieving...and she is capable of achieving a lot.

Similarly, though “Warrior” sounds like a Christina Aguilera track circa 2006, Lovato sells the tale of a survivor so convincingly that she makes the song her own.

For those who are looking for a largely uptempo album that fits squarely into much of the pop landscape on radio today, “Demi” will be a pleasing fit. For fans who gravitate toward songs like “Shouldn’t Come Back” and “Warrior,” “Demi” will serve as a sign of the depth that Lovato can reach and will hopefully strive for as she continues to find her own voice.

 

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<p>A moment from Lady Antebellum's 'Goodbye Town'</p>

A moment from Lady Antebellum's 'Goodbye Town'

Credit: Capitol Nashville

Watch: Lady Antebellum says goodbye to love in new video for 'Goodbye Town'

HitFix
B
Readers
n/a
Charles Kelley tries to mend his broken heart

Lady Antebellum, whose new album, “Golden,” is a lock to debut at No. 1 on the Billboard 200 this week, unveiled a video for the album’s second single, “Goodbye Town,” today.

[More after the jump...]

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<p>Dierks Bentley</p>

Dierks Bentley

Credit: Dan Steinberg/Invision/AP

Dierks Bentley looks inward for his next album, 'Riser'

Singer records some of seventh set on the road

Riser,” Dierks Bentley’s seventh album, out this fall, will focus on a number of personal topics, including his father’s death last spring.

“Riser” takes its title from a song called “I’m A Riser,” about recommitment. “Life in general has a way of knocking you down,” Bentley said in a statement. “It’s different reasons for different folks – could be personal reasons, could be family reasons, your job, drugs, alcohol. That song really applies to anybody that’s lived. There have always been those moments when we have to get back up and get on our feet.  They are defining moments…breakthrough moments.”

The album, produced by “Tip It On Back” co-writer Ross Copperman, was recorded in a variety of locales, including Bentley’s tour bus and Copperman’s house.  “It was important to get out of the studio and sing in different places, and to do it with other people in the room,” Bentley said. “That way, you have an audience and you get a sense of what’s working, what’s not working, when it’s feeling good, not feeling good. It brings a little more emotion and energy out of your voice.”

Bentley’s last album, “Home,” debuted at No. 1 on the country chart. He is on tour with Miranda Lambert through October.  He is opening a bar, Dierks Bentley’s Whiskey Row, in his native Arizona on July 4.
 




 

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<p>Yeah Yeah Yeahs</p>

Yeah Yeah Yeahs

Yeah Yeah Yeahs and My Bloody Valentine headline FYF Fest 2013

Deerhunter and Beach House also on bill for Los Angeles event

Yeah Yeah Yeahs, My Bloody Valentine, TV on the Radio, and MGMT are among the acts that will headline the 10th FYF Fest, held Aug. 24-25 at Los Angeles State Historic Park. It will be MBV’s first U.S. show since 2009.

Other artists on the bill include Deerhunter, Beach House, Solange, Yo La Tengo, Devendra Banhart, The Breeders, Death Grips, Roky Erickson, Foxygen, Holy Ghost! and The Melvins.

Weekend passes, which go on sale on Thursday, start at $99. Day passes are $65.

The full lineup for FYF Fest 2013 is:

!!! (Chik Chik Chik)
Antwon
Baroness
Beach House
BICEP
Charles Bradley
Chelsea Wolfe
Classixx
Dan Deacon
Death Grips
Deerhunter
Delorean
Devendra Banhart
Eleanor Friedberger
Fear of Men
FLAG (Keith, Chuck, Dez, Billy & Stephen playing the songs of Black Flag)
Flume
Foxygen
Guards
Holy Ghost!
Horse Meat Disco
How to Dress Well
Jonathan Richman
Joyce Manor
Kurt Vile & the Violators
Les Savy Fav
Mac Demarco
METZ
MGMT
Mikal Cronin
My Bloody Valentine
Nosaj Thing
Omar Souleyman
Pional
Poolside
Roky Erickson
Shlohmo
Solange
Strfcker
The Breeders (Performing Last Splash)
The Melvins
The Orwells
The Underachievers
Thee Oh Sees
Title Fight
Toro y Moi
Touche Amore
TV on the Radio
Ty Segall
Washed Out
Waxahatchee
Yeah Yeah Yeahs
Yo La Tengo

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<p>Stevie Nicks and Lindsey Buckingham</p>

Stevie Nicks and Lindsey Buckingham

Credit: AP Photo

Fleetwood Mac's Lindsey Buckingham: 'Stevie Nicks and I have played these characters for so long'

What is holding up a new album and the latest on Christine McVie

Fleetwood Mac is having tremendous success on its current sold-out tour. The band is playing its classic hits with verve and enthusiasm, plus, since the recent release of 4-song EP,  "Extended Play,"  the quartet has new material to sink its teeth into.  Guitarist Lindsey Buckingham spoke to HitFix about the current state of Fleetwood Mac, the delight he takes in his still dynamic connection to Stevie Nicks, the latest on a full album from the band, and if Christine McVie will join her former band mates when they play London in the fall.

Hitfix: I saw the band two weekends ago at Jazz Fest in New Orleans and it seemed like you were on fire. The band was playing in daylight without any of the bells and whistles of an indoor arena show and no one missed them at all. 

Buckingham: There’s a lesson there. We’ve all come to feel that we need to rely on the constructions of quite elaborate set design and the backdrop that changes from song to song and, really, this band, because we are a band of musicians and a great singer, we could go up there and with a couple of spotlights prevail probably just as well. It should be about the music first and, of course, with us, it is.

“Extended Play,” a four-song EP with your first new music in 10 years, came out on April 30 and landed in iTunes top 10.  How gratifying was it that people were so eager to hear new music?

 I haven’t paid too much attention to how things are going with it because, really, Mick [Fleetwood] and John [McVie]  and I got together last year and we cut a bunch of tracks and then Stevie came to the table later. Even early on,  Mick and John and I felt that the songs that we were doing were some of the best stuff we’d done in quite a while.

I am also happy with what it represents with the subject matter. The dialogues to Stevie that are, miraculously, still going on back and forth between Stevie and myself after all these years, I find that to be quite touching and somewhat surprising— something that neither one of us would have predicted years and years ago that we’d still somehow be driving each other’s motivation from a distance, and so I’m very happy with the way the EP turned out and it’s great to be doing some new things on stage.

You wrote one of the new songs, “Sad Angel,” for Stevie. What was her reaction when she first heard it?

I was not there, but I believe she latched onto it immediately. [When] that song was written, I was trying to reach out to her a little bit... she had a very good experience making her solo album [2011’s “In Your Dreams”] and it took her awhile to kind of sort of ease into the mentality of being in Fleetwood Mac again this time... That was a song to help lure her in a little bit, not that there was an agenda to do that, but it just seemed appropriate to what was going on at the time... “Hello Sad Angel, have you come to fight the war” and “Here we are, we fall to earth together/the crowd calling out for more.” It’s really sort of sweet that all of this is still taking place.

With piano ballad “It Takes Time,” you’re pleading for patience to someone who wants to heal you. What's that about? 

I guess the reflection is that I’m actually looking at some of the actions that I’ve taken over the years and maybe judging them more objectively and maybe getting to a point in one’s life where you can look back and say, “Hmmm, maybe I could have done that differently”  and acknowledging that much of the motivation that has driven certain creative actions and certain decisions has come from that dialogue that  seems to have unfolded in slow motion over a period of many years. We are still somehow on a road of evolvement.

Is that one about Stevie?

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<p>Chris Hadfield</p>

Chris Hadfield

Watch: Astronaut Chris Hadfield's cover of 'Space Oddity' and David Bowie's response

What's the new version's close connection to the original?

Astronaut Chris Hadfield has become something of a cult hero in the five months that he’s served as the Commander of the International Space Station on Expedition 35.

[More after the jump...]

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