<p>Soundgarden is back. &nbsp;Sort of.</p>

Soundgarden is back.  Sort of.

Soundgarden set to release retrospective 'Telephantasm' on Sept. 28

Compilation includes previously unreleased tunes

It’s not the album of all new material that fans have been clamoring for, but it will do. Today, Soundgarden announced that it will release “Telephantasm” on Sept. 28.

The retrospective includes tunes from all previous Soundgarden releases, as well as “Black Rain,” a previously unreleased track from the “Badmotorfinger” era.

Additionally, the group will put out its first DVD, but gave no details on what that will include other than “never before-seen videos.”

Soundgarden, which reunited earlier this year, headlines Lollapalooza which begins on Aug. 8.



 

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Lady Gaga

Lady Gaga is back with just a remix album, but is hoping all her little monsters will gobble it up.

Credit: AP Photo

Lady GaGa and Arcade Fire kick off August with new (sort of) releases

The Black Crowes celebrate their 20th anniversary on Aug. 3 too

We don’t get a new album from Lady GaGa until 2011, but for those who can’t get enough, she offers her little monsters a remix album featuring 10 tunes from “The Fame” and the “Fame Monster.”  But the big release of the week is “The Suburbs,” the third set from indie darlings Arcade Fire.

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Taylor Swift

Taylor Swift after the 2009 Country Music Association Awards.

Credit: AP Photo

Fox launches American Country Awards; Taylor Swift makes room on awards shelf

Fan-voted awards show debuts in December

Just in case there weren’t enough of them already, Fox will launch a new country music awards show this fall.

The inaugural American Country Awards will air Dec. 6 live from Las Vegas, according to the Hollywood Reporter.

The awards show will run the same time of year that Fox used to air the Billboard Music Awards before that program went off the air four years ago. It’s a prime time because it gets artists in front of an audience during holiday buying season. The winners for the two-hour show will be fan voted.

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Avenged Sevenfold

Will Avenged Sevenfold take out reigning champ Eminem on the Billboard 200?  Looks like it.

Does Eminem's Billboard 200 reign end next week at the hands of Avenged Sevenfold?

Who else will enter the Top 10 next week?

Next week, Avenged Sevenfold will accomplish what no other act has been able to: topple Eminem’s “Recovery” from the top slot on the Billboard 200. The hard rock band’s “Nightmare” is slated to sell between 160-170,000, according to Hits Daily Double, while “Recovery will move up to 155,000 copies.  “Recovery” logged its fifth week at No. 1 this week with cumulative sales of close to 1.7 million since its June release.

Avenged Sevenfold may have reason to cheer, but there is on celebration in recordville for any other artists with new releases. It looks like the band will be th only act to debut in the Top 10 next week, as Eminem falls to No. 1, Rick Ross slips from 2-3 and the rest of the top tier includes such mainstays as Lady GaGa, Justin Bieber and Lady Antebellum.  Tech N9ne Collabos’ “The Gates Mixed Plate”  lands around  No. 12. 






 

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Katy Perry

Katy Perry's "California Girls" is one of the biggest hits of the year.

Credit: AP Photo

Music Power Rankings: Eminem and Katy Perry are king and queen of the summer

But don't look back Marshall, Avenged Sevenfold and J-Lo may be gaining on you

It’s beginning to look like the summer belongs to Eminem. Sure, we crowned Katy Perry’s “California Gurls” as the single of the season, but if Perry is our summer homecoming queen, then Eminem is our undisputed homecoming king. “Recovery” spends its fifth week at No. 1 on the Billboard 200 this week, while second single, “Love the Way You Life” featuring Rihanna logs its fifth week atop the magazine’s digital sales chart. It marks the first time an artist has enjoyed five weeks simultaneously on both charts.

1. Eminem (last week, No. 2): His “Recovery” continues.

2. Katy Perry (not ranked): As pundits question if “Teenage Dream” will surpass “Recovery” for the best selling debut week of the year when the album comes out Aug. 24,  EMI’s dream girl is smartly renegotiating her record deal. From powerless unknown to superstar holding all the cards in three short years. We predict she’ll be able to afford lots more cream-shooting bras.

3. Avenged Sevenfold (not ranked): We’ll know for sure next Tuesday, but it looks like the hard rock band will be able to do what no other act has accomplished this summer: knock Eminem’s “Recovery” out of the top spot on the Billboard 200. Avenged Sevenfold may call its new album “Nightmare,” but it’s Eminem who’s having the bad dreams.

4. Google (not ranked): Pundits predict Google will beat Apple when it comes to launching a cloud music service. The search engine stealthily moved ahead with its efforts this week, hiring Elizabeth Moody, an attorney specializing in licensing, and reportedly meeting with Harry Fox Agency to firm up its digital rights licenses.

5. Lucian Grange (not ranked)): The new Universal Music Group co-CEOf lands a profile in Wall Street Journal while he’s still in his honeymoon period. Let’s see how much love they give him a year from now. 

6. Rascal Flatts (not ranked): Country’s biggest group inks a new deal with Big Machine Records after Disney closes its Nashville imprint, Lyric Street, Rascal Flatt’s home for the past 10 years. Can a duet with Taylor Swift be far behind?

7. Kanye West (not ranked): He finally joins the Twitter generation this week. His first tweet: “Imma gonna let you finish, but I gotta tweet this first… “

8. Ellen Degeneres (not ranked): She quits “American Idol” after only one year as a judge.  Is she focusing on Grayson Chance’s debut album on her Interscope-distributed label or did she simply decide to desert the ship before it sinks?  The rumor is that Jennifer Lopez will replace her. We hope J-Lo brings her Louboutins.

9. Justin Timberlake (not ranked): The good news is he’s coming to a Target near you. The bad news is it is with his clothing line, William Rast, instead of a new album. It’s now been four years since his last solo album, but who’s counting. Me… that’s who.

10. Wyclef Jean (not ranked): If Arnold Schwarzenegger can be governor of California, why can’t the ex-Fugee be president of Haiti? Stranger things have definitely happened.

Music Power Rankings appear every Friday.  What do you think of this week's list?

Last week's rankings:

July 23
 

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<p>Rascal Flatts</p>

Rascal Flatts

Credit: AP Photo

Listen: Rascal Flatts release new single 'Why Wait,' sign to Taylor Swift's label

Superstar country group joins Big Machine Records

Move over Taylor Swift, there’s another superstar joining you at Big Machine Records. Country trio Rascal Flatts has moved to the Nashville label following the shuttering of Disney’s country imprint, Lyric Street, earlier this year. Folks had been wondering what would happen to the group and Disney played coy as it sorted out the details.

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<p>Eminem</p>

Eminem

Credit: AP Photo

What record does Eminem set this week on the singles charts?

Find out why B.o.B. also has a great week on the Billboard Hot 100

It’s a good summer for Eminem. As “Recovery” fends off a major challenge at the top of the Billboard 200 from Rick Ross, the album’s second single, “Love the Way You Lie”  featuring Rihanna, handily stays at No. 1 on the Billboard Hot 100 this week.  The tune also remains in the pole position on the Hot Digital Songs chart, making Eminem the first artist to stay at No 1 on both the digital and album chart simultaneously for five weeks.

Katy Perry’s “California Gurls” holds at No. 2 on the Billboard Hot 100, but it may soon have to make room for Perry’s new single, “Teenage Dream,” which earns Hot Shot Debut honors coming in at No. 20, according to Billboard.

A pair of new artists continues to make headway on Hot 100 and may see their name when it comes time for Grammy nominations for best new artist. B.o.B. is the first rapper (we’re not sure if we’d classify him as a rapper, but Billboard does) to have his first three singles all in the top 30 of the Hot 100 at the same time. “Airplanes” hovers at No. 4, “Nothin’ on You” at No. 28 and new tune, “Magic” feat. Weezer’s Rivers Cuomo, jumps 49-27.  Speaking of “Nothin’ On You,”  that track’s featured singer Bruno Mars makes his solo debut on the Hot 100 with “Just the Way You Are,” which bows at No. 43. He’s also in the top 10 as a vocalist on Travie McCoy’s “Billionaire.”



 

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<p>Brian Ray</p>

Brian Ray

Interview: Paul McCartney guitarist Brian Ray talks on his fave Macca moment

What does he know about McCartney that you don't?

There are a lot of great jobs out there, but it’s hard to imagine one better than guitarist for Paul McCartney. Just ask Brian Ray, who has held that title since 2002. Most recently, his gig took him to the White House, which he admits was mind-blowing, when McCartney received The Library of Congress’s Gershwin Prize for Popular Song in Performance. In the PBS special, which begins airing tonight (July 28) -- and we review here -- McCartney plays a few tunes, but his band backs up most of the artists paying tribute to Macca, including Stevie Wonder, Dave Grohl, Faith Hill and Elvis Costello.

Ray served as Etta James’ musical director and guitarist for 14 years and has also collaborated with artists such as Peter Frampton, Kelly Clarkson, Chris Cornell and Smokey Robinson.  He releases his second solo album, “This Way Up,” Aug. 3 digitally and Aug. 9 as a physical disc via the Sony-distributed Icon Music Group. 

Hitfix recently talked to Ray, who indulged our McCartney questions. Hear two tracks, “Happy Ending” and “I Found You,” from “This Way Up” here.

What have you learned from Paul McCartney about songwriting?

Paul is one of the, arguably, two best songwriters in rock and roll history. John [Lennon] would be the other one. He’s responsible for music that makes up our DNA and he is an inspiring guy. Not just for this incredible canon of work he’s produced over the years in his solo work and with Wings and with the Beatles, but also just who he is as a guy. That he’s still making records with the same passion and love and thought and caring that he’s always made them with at this point in his career is, to me, inspiring. Just that in itself--that he’s continuing to create.

And then, just on an hourly basis, being around him, you just see that he is music basically. He’ll be walking across the kitchen during rehearsals out in the country with us and he’ll whistle a melody that is beautiful and he might run into the other room and start writing a song. He just lives and breathes music and that, in and of itself, is so inspiring. Even if I don’t end up writing a song that sounds like a Paul McCartney song, and I hope that I don’t do that since w should all be individuals, [there’s an] inspiration that you get from someone whose spirit is so musical.

What did you learn about songwriting  from listening to the Beatles growing up?

Lennon and McCartney wrote songs that were full of promise and surprise and they were vehicles for escape. For a guy like me, whose upbringing wasn’t the best--it wasn’t the worst by any stretch--but all kids want to escape, and the Beatles and so many of the other British Invasion groups, offered an incredible vehicle… You could paint it as you want, you could see in your own life what you wanted these songs to mean and you could drive that escape vehicle right out of your own reality and we all did it together at the same time.

What is your best moment of every night on stage with McCartney?

Oh man, there’s 36 songs and all of them start with so much excitement for me, but I guess when we get to “Band on the Run.” That signals a run up of 15 of the largest songs, the tallest songs, that I’ve ever heard in my life and I’m fortunate enough to get to play that 12-string guitar break that’s all alone in the middle of “Band on the Run” and you feel a shift because we’ve been on stage by then for an hour and a half and we’re up there for two hours and 45 minutes. It’s like the sun comes up right there. It does in the song  with that guitar and then the songs just get taller and taller until you’re just been beat up by Mike Tyson by the end of the night, but in a loving way.

What’s something about Paul that you know that the rest of us don’t?

He is funnier than hell. All of us have seen interviews with Paul by now and we know that he’s cheeky and funny. He’s also very warm and he’s very intuitive. You can feel that he is still curious about others and about this world and about this life like a kid would be and that he’s very childlike in the most positive ways. If it were up to him, he’d be barefoot and hanging out in loose khaki pants and a t-shirt. He likes to have a laugh. I mean, it’s all gotta be funny to him.

What was your best show with McCartney ever?

I’m going to have to say second night in Fenway last summer, 2009. It was just one of those stunning gigs. It’s almost like a ballet; it’s the light, it’s Paul’s mood, Paul’s voice. It’s the way the five of us play together. All of those things come together and then there’s another X factor and that is the crowd--and what you get back from a crowd and the venue. And then a full moon happened to be rising over my shoulder. At one point, Paul looks my way and he does one of those things where he raises his head to like ‘look up there,’ while he’s singing. I look to my left and the moon was coming up. I don’t remember what the song was, but it was just one of those melt your heart moments. But we’ve had so many great moments.

You’ve played with a lot of people. Best non-McCartney gig?

I’d say playing with Etta James at the Montreux Jazz Festival when I was 19 years old. I started playing with Etta when I was right out of high school. We played a fantastic set there and John Paul Jones of Led Zeppelin was our bass player. Hanging out with Led Zeppelin at the age of 19 wasn’t bad. And then we opened some shows with the Stones with Etta that were remarkable too. I remember Anaheim Stadium for 50,000 people in the daytime with the Stones was pretty remarkable because everyone was already there. They weren’t trickling in. It was packed. I remember a giant beach ball being kicked up on stage and Etta, who’s wonderful on stage, kicked this great big beach ball back into the crowd. It was just one of those magnificent days, you know.

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Paul McCartney performs at the White House for President and Michelle Obama

Paul McCartney performs at the White House for President Barack Obama and First Lady Michelle Obama.

Credit: AP Photo/Alex Brandon

Review: PBS's 'Paul McCartney: The Library of Congress Gershwin Prize'

Who does the Beatle proud? Hint: It's not Jerry Seinfeld

There are a lot of things that make being president seem like a drag. Hosting a salute to Paul McCartney at the White House would not be one of them.

“Paul McCartney: The Library of Congress Gershwin Prize for Popular Song in Performance at the White House” airs Wednesday, July 28 at 8 p.m. on PBS stations nationally.

Thankfully, the show is much catchier than the program’s title—but that doesn’t mean it isn’t without its faults. The special opens in black and white as we see McCartney running through rehearsals with the artists paying homage to him, most of whom are visibly trying to keep their cool around their hero. McCartney also reveals that he’s never been to the White House before.

We shift to color, just like in “The Wizard of Oz,” when the concert kicks off with McCartney, accompanied by his well-oiled touring band--who back up the other artists as well--slides through “Got to Get You into My Life” (the horns seem to be canned, unfortunately) before taking a seat beside  Obama.

Saluting McCartney—with varying degrees of success—are Stevie Wonder, last year’s Gershwin recipient; Faith Hill,  Jerry Seinfeld, Elvis Costello, the Jonas Bros., Jack White, Dave Grohl, Lang Lang, Emmylou Harris and Herbie Hancock with Corrine Bailey Rae.

The Gershwin Prize celebration is much more intimate and slightly less formal affair than the Kennedy Center Honors.  And unlike that show, where you can usually count on at least one train wreck, the Gershwin Prize performances tend to be just a little too tasteful—not surprising given the hallowed setting and the fact that the performers are so close to Obama they can practically touch his knees. Plus, the rest of the audience has to take their cues from the host, so if the Prez is staying in his seat, no matter how much they may want to shake their tail feather, they stay still.

On the plus side are the artists who take a McCartney song and make it their own:  Wonder runs through a funked-up, loose-limbed “We Can Work it Out.”   Jack White takes the lesser-known “Mother Nature’s Son,” accompanying himself on acoustic guitar, and turns it into a Led Zeppelin-like ballad. Similarly, Hancock and Rae deliver a sublime version of “Blackbird” Hancock goes off on a short piano fill that is elegantly beautiful while Rae’s performance is deliciously spare and airy. Costello’s deeply personal interpretation of “Penny Lane,” (his mom grew up close to the real Penny Lane) is a highlight, as is Emmylou Harris’s haunting, stirring “For No One.” While his rendition is fairly faithful, no one has more fun on stage than Dave Grohl on “Band on the Run.”

In the no harm done category are Jonas Bros, the First Daughters’ favorite act, who do a serviceable "Drive My Car.” Joe Jonas goes for pretty much straight vocal imitation, trying to replicate McCartney’s growl on the song. They seem out of place, but no more so than Faith Hill, who delivers a lovely, if slightly bland version of “Long & Winding Road.” 

Seinfeld is nothing short of an embarrassment. He inappropriately takes the “Getting Better” line--the regrettable “I used to be cruel to my woman/I beat her and kept her apart from the things that she loved”-- and turns it into a bit about marriage, as if he’s still promoting the since-canceled  “The Marriage Ref.”  The only way he wouldn’t have ended up in the cellar among the performers is if someone had come out and performed “”Why Don’t We Do It in the Road” and pulled Michelle Obama up on stage. Also, Wonder and McCartney’s performance on the horrific, clichéd “Ebony & Ivory” is almost a reason to take away the award from the Beatle.

However, McCartney totally redeems himself as he cheekily dedicated “Michelle" to the first lady. “I could be the first guy ever to be punched out by a president,” he jokes. He concludes with “Hey Jude,” turning, as he does whether he’s playing for a small roomful of invited guests such as Nancy Pelosi or for a stadium full of fans, the song into the world’s most enjoyable sing-a-long.

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Gwyneth Paltrow at the world premiere of "Iron Man 2"

Gwyneth Paltrow is going from blogging to blockbuster action to country singing in 2010.

Credit: AP Photo/Matt Sayles

Listen: Gwyneth Paltrow sings title track for new movie 'Country Strong'

How does she compare to Jeff Bridges?

Is Gwyneth Paltrow the next Jeff Bridges? In the upcoming movie “Country Strong,” Paltrow plays a country singer who attempts a comeback after a stint in rehab. Call it “Recovery Heart.”

Tim McGraw plays her husband, so between her on-screen hubby and her real life mate, Coldplay’s Chris Martin, Paltrow probably got all the singing tips she could stand. Add that she’s already hit the charts with “Cruisin’,” her duet with Huey Lewis from the movie “Duets” several years back and is it any wonder that little Miss Oscar can really sing?

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