As we previously announced, Jennifer Lopez’s 10th album will come out June 17. But now we have a title, "A.K.A.," and a list of the guest stars on her first album for Capitol Records. Lopez collaborates with French Montana, Rick Ross, TI, Pitbull, Iggy Azalea, Tyga, Sia, Chantal, Kirby, Chris Brown, and producers Max Martin and Savan, Detail, RoccStar, DJ Mustard, Diplo, Harmony, Pop and Oak and Cory Rooney.
Usher knows that if a woman is a good kisser that there’s usually plenty more good stuff where that came from. In the video for his new song, “Good Kisser,” he extols the virtues of a woman, who “nobody kiss it like you.” What “it” is is up to you and your imagination.
“Frozen” will remain entrenched at the top of the Billboard 200 for another week, as a none of the chart’s newcomers can topple the soundtrack from its pole position.
Not that there aren’t a number of acts trying to grab the top spot. Four title bow in the Top 10 next week: crossover violinist Lindsey Stirling’s “Shatter Me” will debut at No. 2, selling between 50,000-55,000, roughly half of “Frozen’s” predicted 90,000-100,000. Singer/songwriter Ray LaMontagne’s new album, the Dan Auerbach-produced “Supernova” will be at No. 3 with 45,000 sold. Christian group Passion’s live set, “Take It All,” will come in at No. 4 (32,000) and duo Timeflies’ latest, “After Hours,” will start at No. 7 (20,000).
Rounding out the Top 10 are returnees Iggy Azalea’s “The New Classic” at No. 5 (22,000), Pharrell Williams’ “G I R L” at No. 6, Future’s “Honest” at No. 8, Luke Bryan’s “Crash My Party” at No. 9 and Shakira’s self-titled set at No. 10.
Week after next will bring another slew of new entries, including Lily Allen’s “Sheezus,” Hunter Hayes’ “Storyline,” Sarah McLachlan’s “Shine On,” and Santana’s “Corazon.”
The sum of the parts are definitely greater than the whole on “Love Never Felt So Good,” a new Michael Jackson track featuring Justin Timberlake, but that doesn’t mean there’s not plenty of fun to be had listening to the breezy track.
The tune debuted during the IHeartRadio Awards May 1 in Los Angeles, with Jackson acolyte Usher dancing to the track. Written in 1983 by Jackson, Paul Anka and Kathy Wakefield, the dance-oriented pop track sounds delightfully retro (even for 1983) with its synth disco beat and easy rhythms. With the right remixes, it could be club smash.
Jackson is the star of the Frankenstein track, with Timberlake singing the second verse, adding a more contemporary breakdown that brings it into the new millennium and several “Let me see you move” call outs. It’s a slight track and Jackson’s performance is fine, but certainly not exceptional. However, there’s an undeniable sweetness to hearing Jackson sing again.
“Love Never Felt So Good” is one of eight tracks on “Xscape,” a posthumous Jackson album out May 13 that includes songs finished following his 2006 death. Upon the announcement of the new album in March, Epic Records states that the songs would be “contemporized” versions of tunes.
“Contemporized,” according to a press release, meant that Epic CEO/chairman “L.A” Reid and various producers, including Timbaland, Stargate, and Rodney Jerkins, “retooled the production to add a fresh, contemporary sound that retains Jackon’s essence and integrity. In other words, my guess is they had to create the finished tracks from the various stages in which they found Jackson’s vocals. Although the release stresses that a deluxe version of "Xscape" includes all the "sourced Michael Jackson recordings in their original form," it does not explain how fully realized the recordings were.
Wouldn’t it be awesome to hear this coming out of the car speakers on your way to the beach?
The Black Keys’ Dan Auerbach wants to testify to you. In the duo’s new video for “Fever,” he plays an evangelist, eager to save his flock’s souls and, more importantly, get them to open their wallets.
Mariah Carey wants you to know a few things about her new album, now titled “Me. I Am Mariah…The Elusive Chanteuse,” but the first take away is that she looks smoking hot in a bathing suit. Before we think about the music, before we think about the voice, she wants us to think about how after two babies, she can still rock that body. And that makes me sad.
I am a Carey fan, both of her music and of her as a person. I’ve interviewed and met her a number of times over the past 20 years and I’ve found her delightfully real, whipsmart, and funny, which is not how she always comes across in one staged, airbrushed photo after another. So when I heard the album title and then saw the album cover, my heart sunk a little.
Yes, she looks beautiful, but it makes me sad that one of the best vocalists ever can’t rely on her prestigious talent to make us interested in listening to her. I know part of it is the times we are in and the outrageous demands we make on women to look like super models, no matter what their profession, but part of it also comes from Carey.
Maybe she feels a little spooked, and for good reason. She is a pop music artist and pop music is a notoriously tough on women over 30. Carey is 44 (or 45, there seems to be some dispute as to whether she was born in 1969 or 1970). Plus, this album, originally title “The Art of Letting Go,” has had a series of stops and starts over the past two years. Some singles, such as “#Beautiful,” with Miguel, have done well, while others have not fared as well. (Carey is No. 1 on Billboard’s Dance Club Songs chart right now with “You’re Mine (Eternal).”
In a video highlight the album cover, Carey delivers in voice over why she chose the album title. It comes from her “first and only self portrait. I drew it when I was three and a half,” she says, calling it a “personal treasure.”. The adorable drawing, which is on the back of the album cover, shows a cute little girl with eyelashes for days. The words, probably penned by an adult, “Me. I am Mariah,” are also on the drawing. (If she did write that at age 3, she had amazing penmanship).
“Please don’t judge me for such a simplistic title,” she continues. “C’mon, I was only three and a half! It was a creative visualization of how I saw myself with the purity of a child’s heart before it was ever broken…because this album is a reflection of some of the peaks and valley that have made me whom I am today, I decided to share it with those of you who actually care and have been with been through it all.”
As far as “The Elusive Chanteuse,” Carey says, “Along the way there have been a couple of nicknames…lately they’ve been calling me ‘the elusive chanteuse’.” Anyone know who ‘they’ are?
The album comes out May 27 (it had most recently been slated for May 6) and will come in standard and deluxe editions.
Are you excited for “Me. I Am Mariah…The Elusive Chanteuse?” (The album's tracklisting is below the video).
"Me. I Am Mariah … The Elusive Chanteuse" tracklisting:
3. Dedicated (feat. Nas)
4. #Beautiful (feat. Miguel)
6. Make It Look Good
7. You’re Mine (Eternal)
8. You Don’t Know What To Do (feat. Wale)
9. Supernatural (With Special Guest Stars “Dembabies” a.k.a. Ms. Monroe & Mr. Moroccan Scott Cannon a.k.a. Roc ‘N Roe)
12. Money ($ * / …) (feat. Fabolous)
13. One More Try
14. Heavenly (No Ways Tired/Can’t Give Up Now)
15. It’s a Wrap (feat. Mary J. Blige) [Deluxe edition]
16. Betcha Gon’ Know (feat. R. Kelly) [Deluxe edition]
17. The Art of Letting Go [Deluxe edition]
18. Me. I Am Mariah … The Elusive Chanteuse
The world learned about a shy singer-songwriter with the unique, sweet delivery and beautiful song sense. And then, in 2003, he was gone from self-inflicted stab wounds.
The story of Smith’s musical life is told in “Heaven Adores You,” a documentary, which debuts at the San Francisco International Film Festival next week.
A trailer for the Kickstarter-funded film, directed by Nikolas Rossi, debuted today and it’s appropriately ethereal and somewhat indecipherable.
The clip opens with Smith’s voice talking about how he doesn’t want people to try to pigeonhole him: “I like music, you know. That’s the thing. It’s very uncomplicated.”
“Heaven Adores You” marks the first time Smith’s estate has allowed his music to be allowed in such a project, and the doc includes interviews with his sister, several of his bandmates, and collaborators, sun as Jon Brion and Slim Moon, according to Pitchfork.
Alex Schwartz and Joe Khajadourian, better known as the production team The Futuristics, have had great success working with such artists as Flo Rida, The Game, and Chris Brown, but as they hinted to us at the ASCAP Pop Awards last week, they’ve got even bigger things coming.
Schwartz played coy when he talked about a song they have written with fun.’s Jack Antonoff. “The song that we did, we don’t want to say whose song it is, there’s a chance it will be coming out very soon,” Schwartz said. We managed to get a few more details out of him: “It’s a male song and it’s about running away, youth and rebelling.” He then added that the reason he was playing it cool was that they were still deciding which artist of those “circling around” the song would get it.
With all their success, the Futuristics have a major gap in their resume in terms of working with women. “We have been doing some sessions with Jo Jo and writing some songs,” they say.
New projects include DJ Felli Fel’s “Have Some Fun,” featuring CeeLo, Pitbull & Juicy J; Lupe Fiasco’s “Believer,” and a new Austin Mahone single with “Pitbull.”
As far as their name goes, as they explain in the video, it’s a combination of an homage to ‘70s R&B group the Stylistics and one of their favorite movies, “Back to the Future.” Pretty clever!
Ariana Grande, who scored a top 10 hit last year with “The Way,” featuring Mac Miller, has found another very valuable duet partner. “Problem,” featuring Iggy Azalea, is off to such a fast start, it could launch in the top 10 of the Billboard Hot 100 next week. Sources tell Billboard it could sell up to 300,000 downloads in its opening frame.
Grande bowed the song at the Radio Disney Music Awards on Saturday (26), without Azalea, but with some of the visuals from the pair’s black & white lyric video, which debuted today.
The song features Grande singing about how she’ll have one less problem when she lets her boyfriend go, features a squonky horn line, redolent of Macklemore & Ryan Lewis’s “Thrift Shop,” and a sassy rap by Azalea.
"I thought we would make the perfect girl-power duo for 'Problem', so I'm very grateful that she did it with me,” Grande told Rolling Stone. “I love meeting people I admire and discovering that they're really chill human beings and nothing's gone to their head." Azalea celebrates her first top 10 hit this week as "Fancy" rises into the Billboard Hot 100.
“Problem,” which plays off of Jay Z’s “99 Problems,” is the first single from Grande’s forthcoming second studio album. Her first album, “Yours Truly,” bowed at No. 1 last September.
Vevo is having trouble with the video right now, so as soon as we can, we'll embed it, but in the meantime, enjoy it here.
The all-time record belongs to Mariah Carey and Boyz II Men’s “One Sweet Day,” which spent 16 weeks at No. 1 in 1996-1996, but Williams has an ace in his pocket: he was featured on the last song to top the chart for more than 10 weeks: Robin Thicke’s “Blurred Lines,” featuring Williams and T.I.
The big question is if “Happy” will finally be toppled next week by John Legend’s “All of Me,” which has been stuck at No. 2 for six weeks. Legend’s song continues to gain steam at radio and via streaming.
As they have before, Jason Derulo’s “Talk Dirty,” featuring 2 Chainz, and Katy Perry’s “Dark Horse,” featuring Juicy J, trade places, with “Horse” rising 4-3 and “Dirty” retreating 3-4.
DJ Snake scores his first top 5 hit as “Turn Down For What,” featuring Lil Jon, move 7-5, pushing Idina Menzel’s “Let It Go” 5-6.
Like DJ Snake, Iggy Azalea scores her first top 10 hit, as “Fancy,” featuring Charli XCX, soars 18-7. That’s not the only good news for the Australian rapper: her debut album, “The New Classic,” enters the Billboard 200 at No. 3. Azalea is the first female rapper to have her debut single reach the top 10 since M.I.A. with “Paper Planes” in 2008, according to Billboard. Guest vocalist Charli XCX matches her previous Billboard Hot 100 high from when she guested on Icona Pop’s “I Love It” last year.
Bastille’s first Top 10 hit, “Pompeii,” slides 6-8, while Justin Timberlake’s “Not A Bad Thing” and Chris Brown’s “Loyal,” featuring Lil Wayne and French Montana or Too $hort or Tyga (there are two versions floating around), each fall one spot to No. 9 and No. 10, respectively.