Looking for a quick way to recap the year in pop or for a fun parlor game for your New Year’s Eve party or a way to combat cabin fever if you’re still snowed in?
Watch the below video and see how many of the 25 tunes you can name. We present DJ Earworm’s “United State of Pop 2010,” in which the mash-up artist takes the top 25 songs on Billboard’s year-end Hot 100 chart and condenses them into a five-minute Cliff’s Notes version of the year--but it’s a lot more entertaining. He mainly uses Ke$ha’s “Tik Tok” and Taio Cruz’s “Dynamite” as the backdrops, giving mighty short shrift to Train’s “Hey Soul Sister,” but he still manages to get Lady Antebellum’s “Need You Now” in there amid a sea of dance-oriented songs from the likes of Lady Gaga and Katy Perry. If you follow the European charts, Earworm has also created some fun versions for you to watch.
As we noted in out Top Singles list here, pop music came roaring back in all its forms in 2010, providing us with some of the most disposable, yet lovable, songs in years.
So Lady Gaga really does rule the world: "The Fame Monster" was the top selling album in the world in 2010, according to Media Traffic's United World Chart, a German website that tallies these things. The set sold 5.8 million copies in 2010. Here's the sad thing: we remember not too long ago when that would have been the tally for U.S. sales alone in a year, not including the rest of the planet. We don't know how verifiable their numbers are, but it's good party chatter if nothing else. It also shows how, and this is no surprise, but how dominant and exportable American music remains around the world... and how crazy popular Michael Buble, whose "Crazy Love," logs in at No. 8 is.
Below is the top 10 list.
1. Lady Gaga, The Fame Monster – 5.8 million
2. Eminem, Recovery – 5.7 million
3. Justin Bieber, My World + My World 2.0 – 5.6 million
4. Lady Antebellum, Need You Now – 3.6 million
5. Taylor Swift, Speak Now – 3.5 million
6. Susan Boyle, The Gift - 3 million
7. The Black Eyed Peas, The E.N.D. – 3 million
8. Michael Buble, Crazy Love – 3 million
9. Sade, Solider Of Love – 2.3 million
10. Alicia Keys, The Element Of Freedom – 2.3 million
Move along, nothing to see here. So it is with “Four Letter Word,” the first video from Beady Eye,” the new Noel-Gallagher-less remains of Oasis.
Amid a psychedelic wash, we watch the group—composed of Liam Gallagher, Andy Bell, Gem Archer and Chris Sharrock— in full shoegazer mode, complete with wearing sunglasses to perform in the dark. It’s 1999 all over again.
But what about the song? With its cascading, ominous guitar lines, straight-ahead drumming and Gallagher’s world-weary vocal delivery “Four-Letter Word” is straight out a James Bond movie (in fact, it would make a great theme with the "Nothing ever lasts forever" refrain). We don’t like it as much as the fun, spunky “Bring the Light,” and it doesn’t have the razor-sharp ennui that some of Oasis’s best material possessed, but it grows more infectious with repeated listenings. Sorry the same thing can’t be said about the video.
Beady Eye’s debut, “Different Gear, Still Speeding,” comes out March 8.
Taylor Swift is duking it out with Michael Jackson on the Billboard 200.
Credit: AP Photo/Matt Sayles
Christmas keeps on giving long after the Dec. 25 actually passes. For years, the week after Christmas has often been the biggest total sales week of the year because people have gift cards and holiday cash burning a hole in their pocket. Snow storms may slow sales for a bit, but look for the next two weeks to have strong sales.
Katy Perry gets her Christmas present early: “Firework” logs its third week atop the BIllboard Hot 100. Moving into No. 2 is Bruno Mars’ “Grenade, and will likely take over the top spot next week. Mars also has reason to celebrate as he ends the year with two songs in the top 10: “Just the Way You Are” moves 7-6.
Also logging two spots near the top is Rihanna: “What’s My Name” featuring Drake falls 2-3 and “Only Girl in the World” drops slightly from 6-7, according to Billboard.
Pink’s “Raise You Glass” is No. 4, while Ke$ha’s “We R Who We R” stands at No. 5. The Black Eyed Peas hangs at No. 8 with “The Time (Dirty Bit),” and, rounding out the top 10, Lil Wayne bows at No. 9 with “6 Foot 7 Foot” and Nelly’s “Just a Dream” is No. 10.
Diddy Dirty Money look to have a hit on their hands with “Coming Home” as it moves 24-19. The highest debut belongs to Taio Cruz, whose “Higher” featuring Travie McCoy launches at No. 80.
Enrique Iglesias’s comeback continues with “Tonight (I’m Loving You),” which is already No. 18 on the charts. To pump up the volume, he’s now issued the video for explicit version, “Tonight (I’m Fucking You).” There’s not that much different in the two videos other than a few pixilated body parts in the clean version (which isn’t very clean).
I watched the video for “Tonight (I’m Fucking You)” with my 18-year-old goddaughter Scout, who, if possible, found the video even more ridiculous than I did. Here’s our play by play.
(Video opens with Enrique in a strip club seemingly oblivious to the writhing, near naked bodies)
Scout: Dear God, for the sake of decency...”
Melinda: This is just trashy, it’s not hot at all.
Scout: I just saw nipples....Must I watch this again?
Melinda: See, this is what music journalists do. Great, isn’t it?
Scout: This is torturous. I don’t know what aspect offends me more? The constant repetition of the word “fucking.” Very few videos offend me with both the visual and the auditory.
Melinda: He’s playing rough with this girl and I’m learning way more about what positions he likes than I ever need to know. Ah... the explicit version comes with sound effects. Even though he sings, “I don’t mean to be rude,” I think that’s exactly what he means to be. This video is neither fish nor fowl. Just really put it out there instead of this half-hearted attempt at soft porn. I want it to be sexy, but it's not remotely so, even though he's usually so hot.
Scout: It makes me crave Bruno Mars to reassure myself that there are still decent guys willing to respect women.
(cut to Ludacris in back of limo with four undulating, willing girls as, oddly, Shirley Temple plays over the radio).
Scout: They should have just kept playing “Good Ship Lollipop.”
Melinda: How the hell did they get the license for that? It must be public domain.
Scout: (about the girls in the limo): All these girls need to go immediately to rehab. They just need help. It’s not prostitution, but it’s selling your body for sexual viewing.
Melinda: Close enough. The Ludacris part does nothing for me and doesn’t fit in.
Scout: I like his voice, I preferred it in Justin Bieber’s “Baby.” It was sweeter. It’s sad when Ludacris’s part is the most respectful. How do you end up as one of those women?
Melinda: You audition and you never, ever eat...Okay, we’re back to Enrique. He’s playing poker and eyeing another card shark, but conflict looms as some other hottie is clearly headed his way to Cabo...
Scout: I think that’s the girl he just met in the bar earlier and she’s flying in to meet him.
Melinda: Really, I can’t tell that that’s the same girl. And since when it this a flattering line: “If I had a type, girl, it would be you?”... oh, he’s going at it again.
Scout: It’s sad they’re objectifying the women so much that it could be any one.
Melinda: Oh, he just ran into the girlfriend on the steps as he brings the new girl up to join the orgy.
Scout: He looks like a puppy, but he's saying nothing.
Melinda: Cut to another orgy with neither girl. It doesn’t look like Enrique is even taking part in his own orgy. What’s the point?
Scout: There’s one male chest in there.
Melinda: Now he’s on a boat with some gorgeous scenery but he’s narrowed it down to the two girls from the stairs. My goodness, one of them is very forgiving. Oh good God, the obligatory girl-on-girl faux kiss. They can’t even commit to that. I hate that this is supposedly every man’s fantasy.
Scout: Weird time for them to get morals.
Melinda: I don’t think it was morals that stopped them. What’s your final thought on the video? Thumbs up or thumbs down?
Melinda: I don’t think that’s the reaction Enrique was going for.
Anna Paquin, Tatum O'Neal, Keisha Castle-Hughes, Abigail Breslin and…Hailee Steinfeld? Just like those young ladies, the "True Grit" newcomer seems poised to land an Oscar nomination for one of her first major screen roles and it turns out she's more than deserving of such high praise.
Add Rascal Flatts to the artists launching their own festivals. The popular country group will hold, wait for it, Flatts Fest next July.
The multi-artist festival will feature “some big names. It’s going to be a lot of fun. It’s going to be a big party,” RF’s Joe Don Rooney told CMT Radio.
Maybe one of those big names will be Justin Bieber. Rascal Flatts and the Bieb are recording a duet for Bieber’s next album.
Rooney goes on to say that “Country really hasn’t had like a Lollapalooza.” Uh, what would he call Stagecoach, the multi-day, multi-artist festival that takes place in Indio, Calif. a few weeks after Coachella? They’re headlining the dang thing in 2011, for pete’s sake! They also would not be the first country artists to hold their own festival (not that they're claiming to be). For years, Alabama hosted the wildly popular June Jam.
Anyway, hopefully their festival will go more like the sold-out Stagecoach and less like this past summer’s Country Throwdown tour, which, sadly, sank like a stone in several markets.
Where did Eminem and Rihanna place on the top 10 singles of 2010 list?
It was a great year for pop music. For years, Billboard’s Hot 100 singles chart was predominantly urban leaning. This year saw its share of great urban pop hits, but for the first time in a long time, there was more room for straight ahead pop, whether it was Katy Perry’s “California Gurls” or Lady Gaga’s “Bad Romance” or hot newcomer Ke$ha’s “Tik Tok.”
Pop radio broadened its borders to welcome country artists like Taylor Swift and Lady Antebellum, while still finding ample room for mainstays like Usher and Eminem, who rebounded in a big way after a slight slip in 2009.