Inside Music with Melinda Newman
Sitek will play bass and help write songs on summer release
Well, this should sound interesting. TV on the Radio’s Dave Sitek has linked up with Jane’s Addiction to play bass and write tunes for the forthcoming Jane’s album.
He joins singer Perry Farrell, guitarist Dave Navarro and drummer Stephen Perkins in the band. Also signed on is producer Rich Costey, who’s worked with Muse, Franz Ferdinand and Interpol. Founding bassist Eric Avery, who has come and gone before, left the band last year. Duff McKagan joined briefly, but only lasted six months and left in September.
[More after the jump...]
Break out the champagne as band completes Butch Vig-produced set
The Foo Fighters are celebrating not only the new year, but the completion of their new album.
The band tweeted a group photo on Monday with the caption, “Ladies and gentlemen, we are officially done. Champagne, anyone?”
Head Foo Dave Grohl told BBC’s Radio 1 on Tuesday that the album was “massive...There’s 11 songs and front to back there’s not one sleepy ballad.”
[More after the jump...]
Roger Waters set to tape six 'The Wall' shows for possible DVD
After a contentious last few years, Pink Floyd and EMI have made up and inked a new five-year deal that allows the record company to continue to market and distribute the group’s catalogue.
The new pact also involves the settlement of any legal disputes the band had lodged against the label over royalty payments, according to a press release from EMI.
[More after the jump...]
'How to Become Clairvoyant' features Clapton, Winwood and Robert Randolph too
Trent Reznor and Tom Morello have signed on to appear on “How to Become Clairvoyant,” Robbie Robertson’s first album in more than a decade.
The set, which also features Eric Clapton, Steve Winwood and Robert Randolph, comes out April 5 on 429 Records. Clapton co-wrote three tracks with Robertson, who co-produced the album with Marius de Vries.
The album, Robertson’s first since 1998’s “Contact From the Underworld of Redboy,” explores the Rock & Roll Hall of Famer’s relationship with rock and includes his first song that directly addresses his departure from The Band.
To get a taste of “How to Become Clairvoyant,” check out the track “When the Night Was Young” here.
The track listing for “How to Become Clairvoyant” is as follows:
1. Straight Down The Lineâ€¨
2. When The Night Was Youngâ€¨
3. He Don't Live Here No Moreâ€¨
4. The Right Mistakeâ€¨
5. This Is Where I Get Off
â€¨6. Fear of Fallingâ€¨
7. She's Not Mine
â€¨8. Madame Xâ€¨
10. Won't Be Backâ€¨
11. How To Become Clairvoyantâ€¨
12. Tango For Django
No more Miss Nice Girl
Avril Lavigne is putting us on notice: she’s tired of being a good girl on new single, "What the Hell," which she debuted on "Dick Clark's New Year's Rocking Eve" and is now streaming on her Facebook page. Okay, we confess, she had never seemed particularly like a goody two shoes to us, but whatever.
“All my life I’ve been good, but now I’m thinking what the hell.” That’s about as deep as this song gets, which is about a mile deeper than most pop fodder these days. Turns out Lavigne’s beau didn’t like it when she was making out with his friend. Well, guess what, buddy, “love hurts.” We’re guessing she’s feeling her oats after splitting with hubby Deryck Whibley (although it must have been a very amicable parting since he worked on the new album, "Goodbye Lullaby," out March 8).
Michael Stipe pays tribute to New Orleans
R.E.M. continues to give fans sneak peeks into “Collapse Into Now,” the group’s March 8 album. Today, we get “Oh My Heart,” which premiered on NPR. And listening to it makes me feel like a big old crank. The ballad is about New Orleans, post Katrina, and opens (and then quickly abandons the idea) with mournful horns, straight out of a Crescent City dirge.
As Michael Stipe told NPR, “It's a very quiet and very meditative song dedicated to New Orleans — about New Orleans. Jacknife [Lee] is great as a producer, because he saw that we were struggling with what is a very quiet song. We were standing really far away from each other in the room, and it was hard not only to actually physically hear each other, but it felt dispersed. He brought us into the middle, and instantly, of course, the song worked.”
Will she debut single on the Grammys?
Little Monsters, mark your calendars: Lady Gaga’s new album, “Born This Way” will come out May 23, 2011.
Mama Monster herself tweeted the news over the weekend on her website, www.ladygaga.com. Fans had been hoping for an earlier release date since Lady Gaga has been talking up the new album since this summer, when she debuted a few songs including “You and I,” a piano-based ballad.
The album will be preceded by the title track, which will come out just in time for Valentine’s Day on Sunday, Feb. 13...which, by the way, is the same day as the Grammys. We’re just saying...
We don’t know if it will be the album art (if so, we can all expect a Wal Mart freakout), but there’s a photo of someone from the back, whom we figure is Lady Gaga, in a jeans jacket with “Born This Way,” nude from the waist down on her website. A unicorn, LG? Really?
As we reported earlier, Gaga told the BBC backstage at a London show in December that the album is "a marriage of electronic music with major, epic, dare I even say, metal or rock 'n' roll, pop, anthemic style melodies with really sledge-hammering dance beats."
Lady Gaga’s last album, “The Fame Monster,” was the top-selling album on the planet in 2010, according to Media Traffic’s United World Chart, moving 5.8 million units.
Where do Kanye West, Lady Antebellum and Vampire Weekend finish?
As we count down the hours to the end of 2010, hereâ€™s one last look back at the albums that kept me smiling throughout the year. By their very nature, such lists are subjective and Iâ€™m sure there will be readers that hated some of the albums on this list as much as I loved them. But such lists are also often about the thrill of discovery and the thought of shining the light on a perhaps overlooked gem.
My colleague Katie Hasty posted her excellent Top 10 here. Check that out as well.
1) â€œBroken Bells,â€ Broken Bells:Â Danger Mouse and The Shinsâ€™ James Mercer create a beautiful, melancholy blend of synthesizers and acoustic instrumentation and sorrow all woven together in a beautiful effort. We almost hope it remains a one-off as the journey feels complete with this one, at times transcendent, effort.
2) â€œMy Beautiful Dark Twisted Fantasy,â€ Â Kanye West: Take one of musicâ€™s most controversial and talented figures and see what happens when he rips his psyche open for all to see. West canâ€™t hide his demons and they all join him here in living color and sheer brilliance. Heâ€™s one of the few artists whose self-indulgence is as compelling as it is narcissistic.
3) â€œSigh No More,â€ Â Â Mumford and Sons: British folk rock acolytes brought the beauty and the bite with their debut. The acoustic quartet ties its disparate influences together through inspired thumping on all manner of stringed instruments, including guitars, mandolins, banjos and dobros. Hit single, â€œLittle Lion Man,â€ is just the tip of the iceberg here.
4) â€œArchandroid,â€ Janelle Monae:Â Sheâ€™s a chameleon who shifts shapes and musical styles with tremendous, seemingly effortless ease. On â€œArchandroid,â€ sheâ€™s retro and futuristic, pop, funk and punk all at once. Fascinating.
5) â€œUp on the Ridge,â€ Dierks Bentley: Pretty country boy veers away from the mainstream to make a bluegrass flavored album that has as much heart as it does talent. He smartly surrounds himself by real deals likeÂ Alison Krauss, Kris Kristofferson, Jamey Johnson and Del McCoury, whose haunting high-lonesome singing on Bentleyâ€™s cover of U2â€™s â€œPride (In the Name of Love)â€ is the albumâ€™s centerpiece.
6) â€œNeed You Now,â€ Lady Antebellum:Â This co-ed country trio avoided the sophomore slump and how with its second album that built on the flawless harmonies and strong melodies from its debut. The title track was one of the best songs of the year of any genre. To be sure, calling Lady A the country equivalent of Fleetwood Mac is a bit much, but they sure do make loving (music) fun.
7) â€œContra,â€ Â Vampire Weekend: Smart, literate rock that doesnâ€™t overreach its ambitions, but never panders to the lowest common denominator.Â Plus, Vampire Weekendâ€™s music is often infused with a joy missing in so much smart rock. Having said that, after its usage in the ubiquitous Honda commercial,Â Iâ€™m not sure I ever need to hear â€œContraâ€ track â€œHolidayâ€ again.
8) â€œThe Union,â€ Elton John and Leon Russell: An album made for all the right reasons: Johnâ€™s desire to lift up his mentor and musical hero to past heights, bolstered by no pretense of pandering to radio. Worth the price of admission for the keyboard shoot-outs and Neil Youngâ€™s appearance on the beautiful â€œGone to Shilohâ€ alone.
9) â€œCount Yard Hounds,â€ Â Court Yard Hounds: This album, from Dixie Chicksâ€™ sibs Martie Maguire and Emily Robison disappeared without making much of a sound (to paraphrase one of the albumâ€™s stronger tracks), which is a shame given its understated loveliness. From the Southern California loveliness of â€œThe Coastâ€ to the heartbreaking stomp of â€œAinâ€™t No Sonâ€ and Robisonâ€™s confessional divorce tunes, the album was a subtle joy.
10) â€œI Learned the Hard Way,â€ Sharon Jones and the Dap Kings: These funk/soul lovers just keep getting better. They pay homage to their R&B forefathers and much of their sound can be directly traced back to acts like James Brown or Mavie Staples, but Jones and the Dap Kings still create their own shimmering, irresistible blend. And, as they say, imitation is the sincerely form of flattery.
Runners Up:Â Arcade Fireâ€™s â€œThe Suburbs,â€ Black Keysâ€™ â€œBrothers,â€ Bruce Springsteenâ€™s â€œThe Promise,â€ Sadeâ€™s â€œSoldier of Love,â€ Jamey Johnsonâ€™s â€œThe Guitar Song,â€ and The Nationalâ€™s â€œHigh Violet.â€
Katy Perry, Ke$ha, Rihanna and Pink also end year with a smile
The top of the Hot 100 remains explosive as Bruno Mars’ “Grenade” replaces Katy Perry’s “Firework” at No. 1.
Not only does Mars get bragging rights to the last chart topper for 2010, but he also becomes the first male solo acts since 1997 to have his first two singles got to No. 1, according to Billboard. The last time that happened was with Puff Daddy with “No Time” and “Can’t Hold Nobody Down.” “Grenade” is still picking up steam at both radio and as a singles seller, meaning it could settle in at No. 1 for another week.
“Firework” fizzles to No. 2, while Ke$ha’s “We R Who We R” rises 5-3, Rihanna’s “What’s My Name” slips 4-3 and Pink’s “Raise Your Glass” falls 4-5.
Rounding out the top 10 are Wiz Khalifa with his first foray in the upper reaches with “Black and Yellow,” which lands at No. 6, Enrique Iglesias’ “Tonight (I’m Lovin’ You)” rises to No. 7, Trey Songz’ “Bottom Up” is No. 8, Black-Eyed Peas’ “The Time (Dirty Bit)” is No. 9 and Bruno Mars shows up again at No. 10 as “Just the Way You Are” drops 6-10.
The highest chart debut belongs to The Lonely Island’s exuberant “I Just Had Sex” with Akon, featured as a digital short on Dec. 18’s “Saturday Night Live.”
Vampires, dead bodies and necrophilia, oh my...
Kanye West’s “My Beautiful Dark Twisted Fantasy” landed on almost ever 2010 Top 10 year-end list and with good reason. But if you still needed proof of his brilliance, check out the just-released video for “Monster.”