<p>Pitbull</p>

Pitbull

Pitbull, Bon Iver and Justin Moore lead June 21 new album release slate

'Weird Al' returns, as does Jill Scott

It’s the calm before the storm. Next week we’ll get new sets from Beyonce, David Cook and Selena Gomez.  But this week still has its share of delights, including fresh releases from Pit Bull, Bon Iver, LMFAO, Justin Moore and Jill Scott.

Michael Bolton, “Gems: The Duets Collection” (Sony Legacy):  Following his hilarious Lonely Island digital short, “Jack Sparrow,” Bolton tackles such tunes as “Pride (In the Name of Love)” and “Fields of Gold” with such duet partners as Chris Botti, Delta Goodrem, the late Eva Cassidy and Seal.

Bon Iver, “Bon Iver” (Jagjaguwar):
Recorded in a cabin in Wisconsin, Bon Iver, led by Justin Vernon, releases its long-awaited follow up to 2008’s “For Emma, Forever Ago.” Read review here.

Gomez, “Whatever’s On Your Mind” (ATO):
The indie group-- and past Mercury Prize winner-- produces itself for the first time in 10 years for its seventh studio album, which Tom Gray declares isn’t the least bit “stuffy.”

LMFAO, “Sorry for Party Rocking” (Party Rock/will.i.am/Cherrytree/Interscope): Pair who brought up the summer’s electropop tune, “Party Rock Anthem” gets lots of help from buddies like Busta Rhymes, will.i.am, GoonRock and Lauren Bennett. Keep the champagne flowing.

Justin Moore, “Outlaws Like Me” (The Valory Music Co.):
Following his three top 20 hits from his self-titled debut, this budding country star seems set to keep hitting new marks. First single, “If Heaven Wasn’t So Far Away,” is already in the top 10.

OK Go, “180/365” (Paracadute):
Quartet releases its first live album. Unless there are treadmills and rescue dogs involved, we’ll keep watching the videos instead (although we fully admit that OK Go’s really clever songs get overlooked by their awesome videos).

Pitbull, “Planet Pit” (Mr. 305/Polo Grounds Music/J):
Adele’s “Rolling in the Deep” is keeping first single, “Give Me Everything” out of the top spot on the Hot 100, but that’s okay. There’s plenty more where that came from that will could reach No. 1 from this set, including duets with Marc Anthony, Chris Brown, T-Pain, Kelly Rowland and more. Plus, he guests on everyone else’s records anyway, so he’s always on the chart.

Jill Scott, “The Light of the Sun”  (Blues Babe/Warner Bros.):
Following some legal disputes with her former label, breakthrough acting roles and the birth of her first child, Grammy-winning soul singer returns with her fourth album and first since 2007’s “So In Love.” She’s joined by Eve and Anthony Hamilton, among others.

“Weird Al” Yankovic, “Alpocalypse” (Volcano/RCA): The master of the parody returns with his first album in awhile. Opening track, “Perform This Way,” is a take off on Lady Gaga’s “Born This Way.”

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The author, to the right of the microphone, at Bruce Springsteen and the E Street Band's April 7, 2008 show.
The author, to the right of the microphone, at Bruce Springsteen and the E Street Band's April 7, 2008 show.

To Clarence Clemons: a lifelong fan's appreciation

My tribute to Bruce Springsteen's saxophonist

There was a moment that came every night during a Bruce Springsteen concert that was sure to get an ecstatic roar from the crowd. Following sometimes short, sometimes long, but always amusing introductions of the rest of the members of the E Street Band, Springsteen would pause and take a breath. Everyone knew what was coming next and the cheering would begin before a word was spoken.

All manner of superlatives would flow as The Boss described saxophonist/band mascot Clarence Clemons, but it often ended this way: “You wanna be like him, but you can’t.”

The thought that Springsteen will never say those words again feels, as I write this the morning after Clemons’ death, incomprehensibly sad. Six days after suffering a stroke, Clemons, 69, died on Saturday, June 18.

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<p>Bad Meets Evil's 'Hell: The Sequel'</p>
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Bad Meets Evil's 'Hell: The Sequel'

Will Bad Meets Evil top angelic on next week's Billboard 200?

Who comes in at No. 1 showdown between Eminem/Royce and Jackie Evancho?

Bad Meets Evil could have it very good on next week’s Billboard 200 as the Eminem/Royce Da 5’9 duo are in the lead to top the chart.

To do so, “Hell: the Sequel” has to hold off a surge by the angelic Jackie Evancho and her new album, “Dream With Me.” That’s a celebrity death match just waiting to happen.   As of Friday, “Hell” was on target to sell between 155,000-165,000 copies, according to Hits Daily Double, while “Dream With Me” was looking good for 145,000-155,000.

That means Adele’s “21” will likely drop to No. 3, but it still poised to surpass the 100,000 mark. Lady Gaga’s “Born This Way” continues to decline, looking to sell only 70,000 copies or so.

The third debut in the top 10 belongs to Owl City’s “All Things Bright and Beautiful,” which will likely bow at No. 5.

Rounding out the top 10 are Jason Aldean’s ‘’My Kinda Party’’ at No. 6, “Now 38” at No. 7, “Book of Mormon” original cast album at No. 8, Brad Paisley’s “This is Country Music” at No. 9 an Top 10 mainstay, Mumford & Sons’ “Sigh No More.”


 

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<p>Bono and The Edge</p>
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Bono and The Edge

Credit: Seth Wenig/AP

Music Power Rankings: U2, Britney Spears and Sade shovel in the dough

Who is Kreayshawn and why does she make the list?

1) U2 (not ranked): Not only does “Spider-Man,” with music from the band’s Bono and The Edge, finish spinning its long-gestating opening web (see No. 8), U2 leads Forbes list of the 25 highest-paid musicians. The Irish lads made around $195 million between May 2010 and May 2011--and that’s with having to take time off for Bono to recuperate from back surgery.

2) Britney Spears (not ranked): The Femme Fatale tour kicks off in Sacramento to strong reviews. If you want real singing with your live shows, proceed to No. 5.

3) L.A. Reid (not ranked): After leaving Island Def Jam, the “X Factor” judge follows his former boss, Doug Morris, to Sony Music Entertainment to try to revive Epic Records. The label will now include some acts now on Jive Records. But the big question is does this mean “X Factor” releases will go through Epic? TBD.

4) “Book of Mormon” (not ranked): The musical, masterminded by “South Park” and “Avenue Q” creators, not only sweeps the Tonys, but the original cast recording bounded to No. 3 (up a staggering 2,116 percent) on this week’s Billboard 200 following the wins and a 3-day Amazon stunt, which pushed the album for $1.99. It’s the highest charting original cast album since “Hair” in 1969. That's longer than Lady Gaga and Justin Bieber have been alive combined.

5) Sade (not ranked): The band fronted by the British-Nigerian singer of the same name plays first U.S. dates in more than a decade to over-the-top reviews. What a smooth operator.

6) Lucian Grange (not ranked): The Universal Music Group chairman and his second in command Barry Weiss really start to put their stamps on the record company as trims and combines facets of Motown Universal and Island Def Jam. We bet there’s more coming.

7) Kreayshawn (not ranked): White female rapper, whose “Gucci Gucci”has already received 3.1 million views on YouTube, signs with Columbia Records. No more Arby’s for her. Nicki Minaj checks her watch.

8) “Spider-Man: Turn Off the Dark” (not ranked):
In what became a survival mission, the little play about Spidey with songs by U2 and Bono finally manages to open on Broadway after 177 preview performances. Better yet, no one from the cast landing in the hospital opening night.

9) I.R.S. (not ranked):
The dormant indie label that was home to the likes of R.E.M., Go-Gos,  The Alarm and The Buzzcocks will be revived at EMI, which owns the name. Founder Miles Copeland won’t be involved. Really, were there no other names out there left? Sometimes, a label and its legendary history should be allowed to rest in peace.

10) Morrissey (not ranked): The former Smiths frontman and vegetarian, who walked off-stage at Coachella in 2009 because he could smell “burning flesh,” is insisting that venues he plays do not prepare or serve meat on the day of his performance. Not just to him or his crew...to anyone. So far, U.K. venues are complying. Let’s see him try that in Texas.

11) Clarence Clemons (not ranked):
The E Street Band saxophonist suffers a stroke just as he’s getting introduced to a whole new audience through Lady Gaga’s The Edge of Glory.” Get better Big Man!!!
 

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<p>Beyonce</p>

Beyonce

Listen: Beyonce's new track, 'I Care'

She's left brokenhearted and bleeding on '4' tune

So far, the handful of songs that have slipped out from Beyonce’s “4” have each showed various facets of her personality. On the synth-heavy “I Care,” it’s the burned and bleeding Beyonce, who’s been spurred and left for dead by her lover. Despite her best efforts, she still cares.

Awash in a keyboard opening and a repeating drum loop, Beyonce rails against her ex, who’s “immune to all my pain,” in the mid-tempo ballad.

“I care/I know you don’t care too much.. even since you knew your power/you made me cry/ And now every time our love goes sour/you won’t synthesize,” she sings.

He’s such a meanie, he even likes it when Bey is in pain, she sings.

Like Lady Gaga’s “The Edge of Glory,” the song sounds like it could come straight from the ‘80s. Think Phil Collins-type, echo-chamber beats. 

It also sounds very much like something that Leona Lewis would sing... so much so that I checked to see if Ryan Tedder, who penned “Bleeding Love,” wrote it.  He didn’t, but the Neptunes’ Chad Hugo, Beyonce and Jeff Bhasker, who also produced, did.

What do you think? How does it compare to the other tracks we’ve heard from June 28’s “4”:  “Run the World (Girls),” “Party,” “(1 + 1),” “Love on Top” and “Best Thing I Never Had.”

Click here to hear "I Care."

 

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<p>Sade</p>

Sade

Credit: Wire Image

Sade's first U.S. tour in a decade opens to soaring reviews

Critics lavish no ordinary love on singer and band

Britney Spears wasn’t the only one kicking off a tour Thursday night.

Sade, the woman and the band, returned to the U.S. for their first shows in more than a decade to downright ecstatic reviews.

The two-hour, Sophie Muller-directed concert at Baltimore’s 1st Mariner Arena, site of where Rihanna launched her U.S. tour only a few days before, is a visual stunner, according to reviewers.

Rolling Stone’s Evan Serpick felt time had stood still for the British-Nigerian singer, who first appeared on stage in her trademark ponytail and black turtleneck: “And that luxurious, smoky voice – the one that earned Sade (the singer) a reputation as an aural aphrodisiac, the female counterpart to Barry White – is as glorious as ever...The set continued to jump around among the band's six albums, maintaining a flow that highlighted their well-honed formula of diverse, syncopated percussion, jazzy instrumentation and hard-hitting, passionate lyrics, all held together by that one-in-a-million voice.

USA Today’s Korina Lopez
said, “These days, pop stars strutting the stage in barely-there thongs and doing crotch-grabbing routines are common,” wrote Korina Lopez. “So it was refreshing to see a beautiful woman with a beautiful voice just simply singing.”

The Baltimore Sun’s Erik Maza
called  it “the best concert of the year...Rihanna's was good, but it was amateur hour in comparison. U2's will be bigger, but it will not exceed the sheer transcendence of the Sade live experience....The singer, however, did not coast on the adulation of a crowd that would have swooned even if she'd sung Creed covers. Her two-hour show was a success because, after all the flashy, gimmicky shows pop stars have been staging this past year, this was a palette cleanser."

The outing, which supports last year’s “Soldier of Love” album, lasts until mid-September and includes three nights at Los Angeles’ Staples Center. Someone was clearly missed.


SETLIST (courtesy of Baltimore Sun)

Soldier Of Love
Your Love Is King
Skin
Kiss Of Life
Love Is Found
In Another Time
Smooth Operator
Jezebel
Bring Me Home
Is It A Crime?
Still In Love With You
All About Our Love
Paradise
Nothing Can Come Between Us
Morning Bird
King Of Sorrow
The Sweetest Taboo
The Moon And The Sky
Pearls
No Ordinary Love
By Your Side

 Encore:
Cherish The Day

 

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<p>Britney Spears on her Femme Fatale Tour</p>
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Britney Spears on her Femme Fatale Tour

Credit: AP Photo/Britney Spears Femme Fatale Tour, Roderick Trestrail II

Watch: Britney Spears wows audience in 'Femme Fatale' tour opener

Reviewers praise the show's spectacle

Britney Spears kicked off her “Femme Fatale” tour Thursday night at Sacramento’s Power Balance Pavilion with what reviewers are calling “her flashiest, fastest moving”  production yet.  Pink is the New Blog, which had seen a rehearsal, went so far as to proclaim, “Our dear Britney slayed the audience on opening night!”

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Listen: 50 Cent's new song, 'Outlaw'
Credit: Interscope

Listen: 50 Cent's new song, 'Outlaw'

What's he saying about his label on Twitter?

50 Cent is not a patient man. After tussling with Interscope about delaying his next album, he resorted to sneaking first track “Outlaw” out himself.  He later clarified that the tune is not the first single, but is “just a song” off the new set. However, he will shoot a video.

The track is a hardcore rap produced by Cardiak. There’s not a lot of bells and whistles other than an undulating, insinuating steady beat underneath his raps about being an outlaw.

“You wanna get shot/go ahead run up on my spot/my lawyers will have me out by 1 o’clock/Go ahead get dropped tryna get what I got.”

50 stayed busy on his Twitter account today giving a play by play about his issues with Interscope before finally putting out the song. Here’s are some of the pertinent tweets from Thursday as his frustration built.

* “OK, I tried to be cool with my record company. I went to the meeting, talk to everyone and sh*t feel like there [sic] moving in slow motion.”

“I’m sorry to announce I will not be releasing a new album this year if we don’t get on the same page.”

“I would rather not launch my album without a plan the whole system is executing. I don’t know why they play with me. They know how I get.”

“My whole career I’ve been doing sh*t and they have been playing catch u. This is the last f*cking album. They better wake up and work.”

“I worked really hard on this album. I’m not gonna let it come out like some bullsh*t. There [sic] use to me just putting it out.”

50 Cent's last album was 2009's "Before I Self Destruct." The new set, tentatively titled "Black Magic," had been rumored to be coming out this year.
 

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<p>Lady Gaga</p>
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Lady Gaga

Credit: Peter Kramer/AP

Watch: Lady Gaga's video for 'The Edge of Glory'

She takes a walk on the mild side with Clarence Clemons

Maybe if Lady Gaga were actually in glory instead of only on the edge of it we might have gotten more in her video for “The Edge of Glory.”

Instead, the music clip, which premiered tonight on “So You Think You Can Dance,” is the most basic, stripped-down clip of her career. It is Gaga dancing with herself with a low-key cameo by saxophonist Clarence Clemons from Bruce Springsteen’s E Street Band. The tune is the third single from "Born This Way," which after two weeks at No. 1on the Billboard 200 slipped to No. 2 this week. The single is in the Top 10 of the Billboard Hot 100 singles chart.

Though the song’s sound is steeped in the ‘80s, the video features the timeless elements of a New City City stoop, fire escape and slick streets. (Guess what video from the actual '80s  also included stoops, fire escapes, and a slick street in its opening moment...answer at the end). LG peers out her window, before venturing onto the street. With only one costume change (actually, she just takes off a jacket), the focus is front and center on Lady Gaga as she delivers a few Michael Jackson-type moves before strutting up and down the street and uses the fire escape for her own personal jungle gym/dance floor. She accomplishes all this in an outfit that almost manages to be more revealing than the seatbelt Cher wore in the “If I Could Turn Back Time” video.

Occasionally, the camera cuts back to Clemons sitting on the stoop and, staying seated, we see him play a little bit (a very little bit) of his solo, but for the majority of it, he’s off camera. Same with his second sax swing, although there is a very cute, quick shot of the two of them on the stoop with Lady Gaga leaning up again Clemons.

As you know, Clemons had a stroke on Sunday. While we’re all rooting for his recovery, this will likely be the last time we see him on video for quite some time.

Maybe she didn’t have time for something more elaborate or maybe Lady Gaga decided it was time to just do a simple video for a straight-forward song after going crazy on her previous clips, but we like the simplicity. Not every statement has to be some over-the-top extravaganza. Plus, this is a different song for her so it demands a different style video.

Early fan reaction is definitely trending toward the thumbs down, including “Boring...what happened to the cool videos.” “first Gaga video I really don’t like,”  and “after all that refreshing [on Vevo], I can’t believe all I got was this.”  That last one should be a t-shirt. We need something to replace “My [fill in the blank] went to [fill in the blank] and all I got was this crappy t-shirt.

What do you think of the video for “The Edge of Glory?”

(Answer: Cyndi Lauper's "Girls Just Want To Have Fun")

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<p>Nicki Minaj</p>

Nicki Minaj

NIcki Minaj accomplishes a first on the Billboard Hot 100

Does Adele make it six weeks at No. 1?

Adele’s “Rolling in the Deep” continues its stay atop the Billboard Hot 100 as it registers its sixth week at No. 1. That means the smash from “21” continues to keep Pitbull’s Give Me Everything” featuring Ne-Yo, AfroJack and Nayer in the runner-up slot at No. 2.

But there’s good news for a number of other tunes. LFMAO’s “Party Rock Anthem” pumps its way 6-3, knocking Katy Perry’s “E.T.” down 3-4 and, subsequently, Bruno Mars’ “The Lazy Song” down 4-5.

Lady Gaga’ “The Edge of Glory”  climbs one spot to No. 6, as it gains traction at radio.  “On the Floor” from Jennifer Lopez featuring Pitbull hangs on in the top 10, slipping 5-7, while the Black Eyed Peas’ “Just Can’t Get Enough” stays at No. 8.

There’s big news at the bottom of the top 10 as Jason Aldean’s “Dirt Road Anthem” flies 23-9, largely based on a new studio version of the country singer performing the tune with Ludacris. The pair debuted their new version on the CMT Awards on June 8.

After guesting on a number of other top 10 hits, Nicki Minaj finally earns her first top 10 tune as the lead artist with “Super Bass,” which slides up 11-10.

The highest debut honors belong to Paramore, whose “Monster” bursts onto the chart at no. 36. The tune is featured in “Transformers: Dark of the Moon.”

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