So, it's official -- Adrienne Maloof not only isn't returning to "The Real Housewives of Beverly Hills" next season, she didn't even show up for the reunion special (which begins Monday following the season finale) this season. It's likely that, given her then-plans to divorce, she just wasn't in the mood to deal with Brandi Glanville and the other carping housewives. I can't really blame her. But does it matter?
As Lana on the second season of "American Horror Story," Sarah Paulson had to take a character from naive idealism to battle-scarred warrior. I spoke to the actress at Paleyfest, and she talked about what it takes to create a tough cookie character who can go head-to-head with not one, but two serial killers.
Let no one say Lily Rabe isn't one hell of an actress. Literally. As Sister Mary Eunice in the second season of "American Horror Story," she played an innocent nun who is taken over by the devil. At PaleyFest, she talked to HitFix about getting into character and why she wants to play an action hero.
I think the greatest drawback of being on "The Real Housewives of Atlanta," other than the invasion of privacy and the shrieking, has to be the non-stop social calendar. It's like being a member of the British aristocracy in the 1800s, when no one had television and everyone had to talk to one another because they had nothing better to do other than die of consumption. It seems like there isn't just one party per episode; there are many, meaning everyone just has time to rush home, select a fresh ball gown, pick a new wig, and head out all over again. Yes, I realize these things are edited to compress time, but still. Lotta parties.
Joining some of the stars of "American Horror Story: Asylum" at PaleyFest in Beverly Hills, Ryan Murphy gave the audience a tantalizing hint of what's to come in season three. "I can't tell you what it's about," he admitted, before revealing the new title: "Coven." "It's a really cool idea we've been talking about for a couple of years," he added.
He also revealed that the show, which has been heavily reliant on sound stages in the first two seasons, will be hitting the road this time around, shooting in New Orleans and "a couple of different cities."
When last we saw "The Vampire Diaries" (and man, that seemed so long ago, didn't it?), Elena had lost her brother, burned down her house, and stopped feeling anything (thanks to Damon turning off her emotional switch). Oh, and Catherine stole the vampire cure right out from under everyone's noses, but we can get to that later. The focus of this episode is really on Elena becoming, well, a petulant teenager who doesn't care about anyone or anything. Even better? This forces Damon and Stefan (with, to an extent, Caroline) to play the parts of her worried and often powerless parents. It's not the sexiest of triangles (or, really, sexy at all), but it's definitely interesting. I'm not sure this is an improvement, but it's a nice change of pace to see Elena behave like something other than a sad-eyed velvet painting come to life.