Recap: A bachelor rejects Ashley on "The Bachelorette"
It's a roller coaster week as one bachelor leaves and a second returns
"The Bachelorette"
Still, they opt for the luxury suite. They swim in their private pool, then Ben carries her inside for hot sex, or at least we can presume.
Recap: Rachel gets pouty over sushi and a favorite couple might pay for it on 'Big Brother'
A celebrity pays a visit to the hamsters to plug a new show
"Big Brother"
Okay, I'll be honest -- just got back from Comic-Con and boy, are my arms tired. Or something like that. In any case, this recap might lean toward short and sweet, but I'm sure you understand.
'Supernatural' panel reveals that a new God may go bad in season 7
Jo and Death are set to return and fans get a peek at the new anime series
Even though the CW's "Supernatural" was sandwiched between fan favorites "Glee" and "Dr. Who" in Hall H during Comic-Con, the show still managed to attract plenty of its own rabid fans. Those loyalists were treated to some plot reveals, a cute gag reel and a quick hit of the show's new anime series.
'The Secret Circle' gets a laugh at Comic-Con
The CW's new witch series doesn't wow the guys waiting for 'Mythbusters.'
Waiting in line for "The Secret Circle" panel at Comic-Con turned out to be a lonely experience. When asking if the people around me were waiting to see a sneak preview of the new CW show, I was greeted with blank looks and awkward smiles. "I'm here for 'Nikita'" or "I just wanted to get here early for 'Mythbusters'" was the usual response. Though the show is about witches and is from Kevin Williamson, the mastermind behind swoony "The Vampire Diaries," clearly those fans were slow coming over from that show's panel in Ballroom 20.
'Once Upon A Time' gets 'Lost' in a fairy tale
Fans can look for mysterious clues in this series, too
Jennifer Morrison of "Once Upon A Time"
'Once Upon A Time' gets 'Lost' in a fairy tale
Fans can look for mysterious clues in this series, too
Maybe it was the hope that show creators Edward Kitsis and Adam Horowitz (and moderator David Lindelof) might finally explain how polar bears got onto a tropical island, but many of the fans present for the "Once Upon A Time" presentation at Comic-Con seemed more interest in dwelling in the past than embracing a new TV series.
While reaction to the screening of "Once Upon A Time" was warm, there were certainly a few fanboys who whipped out their cell phones to amuse themselves rather than dive into the pilot, which introduces the idea of what happens when fairy tale characters are, through the curse of an evil witch, stuck living out mundane lives in small town Maine. The pilot was solid but, if fairy tales make you groan or are just too Disney-ingrained for your taste, it's likely a hard sell. The "real life" fates of characters like Snow White and the evil witch are certainly clever (and performances are strong across the board, especially from Lana Parrilla ("24"), Jennifer Morrison ("House") and Robert Carlyle ("The Full Monty"), even the clever little touches (a bowl of apples on the modern-day evil witch's table, for example) are perhaps already too familiar. For the fanboy-heavy audience, though, fairy tales (even by the "Lost" guys) may have been just a little too girly. Blame Disney princesses.
After the screening, the creators discussed how the project came after they were briefly unemployed following "Felicity"'s cancelation. "Our agent said, 'you need a new sample.' And we started to think about fairy tales. We liked them, and they're like a lottery ticket. You buy them and you think your life will change," said Kitsis.
The pair didn't bristle (too much) when several fans mentioned similar TV and comic book projects that cover the same terrain, including the 2000 miniseries "The 10th Kingdom. "As we said, we had this idea from 2002 and to be fair, I never saw the 2000 miniseries, but now I want to to see what I can steal from it," Kitsis joked.
The creators both praised Lindelof, Kitsis joking, "[He] helped us out of an eight year writer's block and got us out of crying on his sofa that we had no ideas left."
It seemed that playing fairy tale characters was an easy sell for the cast. "I told my agent, 'I'll take it,'" recalled Ginnifer Goodwin. "And he said, you need to read it. And I said, seriously, I'll take it. It really didn't take much.
Morrison, who plays Snow White and Prince Charming's daughter, doesn't get to be part of the show's flashbacks to fairy tale land, but that doesn't mean she doesn't like the costumes. "I'm jealous," she said. "It would be fun to wear the pretty outfits. but It's exciting to play a character who's brand new, a new fairy tale character."
While the creators (and Lindelof) said they wouldn't answer "Lost" questions, they did offer an enticing draw for the new show. "We hope this is a show you can watch and relax and enjoy, but if you're looking we want to put out things there for you to find."
Kitsis added, "You can either get into your slippers or get out your magnifying glass."
But don't expect any huge "Lost"-like jumps out of the fairty tale arena. Prince Charming (and his modern version) are here to stay. "One of the great things is everyone knows these stories, and that's why they keep getting told," Horowitz explained.
Kitsis added the more practical reality: "That, and they're public domain."
Aliens get cuddly, vicious in 'Attack the Block' at Comic-Con
Director Joe Cornish puts a new spin on monsters for Brit film
"Attack the Block"
The horror movie "Attack the Block" (opens Friday, July 29) got a boost at Comic-Con this week. Sharing a hall and time slot with cult favorite "Underworld," the British indie and midnight feature award winner at SXSW had a solid platform on which to show off its creative twists on horror.
The footage, which was familiar to many in the audience (the film was previously released in the U.K.) was a funny, scary mix of gore and punchlines as a group of kids, trapped in a government housing apartment complex, must do battle with aliens featuring furry pelts and glow-in-the-dark teeth. Fans of "Shaun of the Dead" will likely notice Nick Frost playing the building's resident long-haired pot smoker.
Director Joe Cornish, who shares a writing credit on "TinTin" with his "Block" (and panel) partner Edgar Wright, explained that, as a fan of 80s horror movies, he wanted to pay homage to the classics, but with a 21st century spin. "[They] take reality like a suburban environment, a world we can recognize, then fuse it with fantasty," he said. "Our aliens wish they landed in Elliott's backyard." Instead, Cornish plants them in the a rough part of London, where their prey isn't soft suburban kids but gang bangers and street toughs. "We has eleven actors between the ages of 11 and 18. And every single one gives an incredible performance."
The kids easily capture not only the urban patter but the seen-it-all nonchalance of kids living in poverty. "We like to call it 'Super 8-Mile,'" says Wright.
Even more unexpected are the aliens. From a distance, they almost look, well, cute. "Sometimes you feel like the monsters are all a bit same-y," Cornish explained. "The dragon from 'Harry Potter' could wander into 'Cloverfield' and nobody would notice."
The film may have plenty of fresh material, but don't look for one thing -- subtitles. When one fan who'd seen the movie asked if they could be tossed in to make sense of the thick accents, Cornish flatly refused. "You know what? I think you guys are smart. Hip hop's been around for what, 20 years now? This movie is specially designed to teach you the language, we had a lexicon of ten or twelve phrases, repeated over and over through the movie in different contexts. Watch this and you'll be ready to put on a hood, come to london and slice some alien heads off."
Not that this is just a movie about tough kids and tough aliens, according to Cornish. "This is a movie about character. It has something to say. I don't want the jokiness to undermine the heart. But it's also a bit crazy and stupid. Because it has aliens with glow-in-the-dark teeth."
'Fright Night' star Colin Farrell cracks up - literally - at Comic-Con
The actor talks booze, horror and reveals more than he intends
At the Comic-Con panel for "Fright Night," director Craig Gillespie, writer Marti Noxon and stars Anton Yelchin, Imogen Poots and Christopher Mintz-Plasse all showed up to plug the new horror movie. But as far as quite a few fans were concerned, they all played second fiddle to the guy playing the movie's decidedly non-glittery vampire villain: Colin Farrell.
Some of that could be excitement that Farell, long a bad boy off screen, would be a very, very bad boy on it for "Fright Night." "I wanted to write a vampire who didn't play the piano, nothing against that in the original. But I missed a viciousness and sexuality I felt Colin imbued." On stage, however, Farrell was hardly vicious, instead joking around with his co-stars, poking fun at himself and seemingly having a good time.
The star, whose bad rep has included the usual stints in rehab and a sex tape, explained his improved attitude. "I have enjoyed the work a lot more the last 5 or 6 years. I came to success really quickly, the idea of coming up fast and the chaos around you; it was insane. And i personally lost sight of why i went to my first acting class when i was 17 in Dublin. So the last six years I reconnected with the Colin who was 17 and didn't know anything, because my lack of understanding bred curiosity. I reconnected with the mystery of the whole thing. It's a lot of fun. It's such a fortunate place to find yourself."
Farrell wasn't shy about making fun of his previous behavior. When a fan asked him if he found it easier to pick up wearing fangs or pick up salsa for a previous movie, he joked, "I can certainly remember picking up fangs better than I can picking up the mojitos. Bit of a black out."
He even joked about his previous drinking problem by saying, "My Jerry [his character name] has to borrow a six-pack off the neighbor. Reputations, you just can't shake them."
Farrell did have moments of seriousness, however. The self-described vampire movie fan who saw the original when he was "10 or eleven or so" said he initially hesitated to take the role. "When I heard they were making it, I was dubious at first. Oh, here we go, Hollywood and its originality. But I really liked it. I'd done three or four films that were serious, and I wanted to have fun. There was enough homage to the original and enough that was different, it had a new direction... It was contemporized in a really clever way."
The series of clips (some of which had been censored for liberal use of the F word) were likely familiar to the audience (most of the material has been available online), but Farrell easily stole his scenes (though a scene with "Dr. Who" star David Tennant, who wasn't present but filmed a short message for the crowd, was met with hearty applause). But even though Farrell was happy to play a bloodsucker, he isn't fired up to get into a superhero unitard anytime soon. "I kind of played the superhero when I played Alexander [the Great] and it didn't pan out. Some of it's cultural, but I didn't grow up in the world of comic books or the lore that comic books represent. I don't know the backstory. But a lot of it I really enjoy."
At the end of the session, a female fan screamed for Farrell to give her his paper name placard, which he agreed to do as Mintz-Plasse offered his as well, adding "I have Hershey's kisses!" As Farrell bent down to sign the placard before handing it over, a fast thinking camera guy took a shot of Farrell's rear view, inspiring Gillespie to kid the actor about going commando.
Farrell, blushing, hiked up his pants and joked about having a pimple on his butt. Well, it was a good moment while it lasted.
Mike Judge, Johnny Knoxville welcome back "Beavis and Butthead"
Footage from new episodes is a huge hit at Comic-Con
"Beavis and Butt-head"
"Beavis and Butt-Head" has been off the air since 1997, but if the crowd at San Diego's 2011 Comic-Con was any indication they have been sorely missed. When moderator Johnny Knoxville and "Beavis" creator Mike Judge entered the room, the SRO audience exploded. But they weren't attending to just see the "Jackass" stare and Judge -- they were in the room to get a first look at clips from the new episodes of the show.
Jason Isaacs finds himself 'Awake' at the 2011 Comic-Con
The 'Harry Potter' star jokes around on the panel for a serious new drama
Jason Isaacs in "Awake"
Jason Isaacs, fresh off his final turn in the "Harry Potter" films, walked into a ballroom full of swooning fans at San Diego's 2011 Comic-Con aiming a video camera at the audience to preserve the moment. The crowd hooted appreciatively for their favorite villain, and it's likely Isaacs, not a Fox midseason police procedural-with-a-twist, that brought them in. Whether or not Isaacs will be able to keep them watching with his new series "Awake" is debatable.
Though the crowd applauded enthusiastically once the screening of "Awake" was over, the screening suffered from poor sound and the distracting effect of a crying baby in the audience. But "Awake," with its poignant theme of loss and repressed grief probably isn't best served by being tossed up on a giant screen for an audience attending the Con for fun first looks and celebrity sightings. Luckily, Isaacs returned to the stage (along with executive producers Howard Gordon and Kyle Killen) for a fifteen minute Q&A afterwards.
The cast of "Napoleon Dynamite" gets animated for 2011 Comic-Con
It's ligers and bed races and zit popping, oh my
"Napoleon Dynamite"
Since the movie was released in 2004, there probably aren't too many times when the cast of "Napoleon Dynamite" can walk into a room and get treated like rock stars, but most of the time they're not at San Diego's 2011 Comic-Con. The moment Efran Ramirez (Pedro) said, "My name is Pedro," the crowd went wild, hooting and laughing as they stomped their feet. Who knew it was so good to be Pedro? Or for that matter, Napoleon?
Executive producer Mike Scully ("The Simpsons") explained that the reason why "Dynamite" creator Jerod Hess decided to opt for an animated series instead of a traditional sequel was because Hess didn't see a way to move the characters into the future, while animation opened a wider range of possibilities. "A lot of movies can't make the leap to animation. 'Schindler's List' would be one," Scully joked. "But we thought it could make the leap and now we're preparing to be on midseason, hopefully between 'The Simpsons' and 'Family Guy.'"
The panel kicked off with each of the actors, all of whom were in the original, reminiscing about taking on a microbudget project. "My agent told me not to do it," said Deidrich Bader (Rex). "There wasn't much money, no one knew what was going to happen, but I was told I was going to stay at the Plaza. I didn't realize there was just a hotel named Plaza. And I was told I was going to be picked up by a car at the airport, and this beat-up Toyota Corolla pulls up. But I guess it wasn't a bicycle." Bader was enthusiastic about the animated show (especially now that his sitcom "Outsourced" has been put out of its misery). "We get to heighten the humor. And I get to play a liger, which was a lifelong dream." The audience erupted into giggles, thinking Bader was just kidding around. But that big lion-tiger hybrid reveal was for later in the program.
Aaron Ruell was also happy to be back as Kip, and briefly fell into character (with Heder) to the roar of the audience. "Aaron Ruell goes away entirely when I play Kip," Ruell said, though this clearly disappointed some Kip loyalists (and yes, they came dressed in character). "I like playing Kip. He's really fun. He's a weird, kind of creepy guy but he's not really dangerous at all, so it's okay."
Jon Gries (Uncle Rico) recalled that everyone took filming seriously -- perhaps to a weird degree. "Something really interesting about doing this film, when we were doing things that were ultimately really funny on film, nobody was laughing on the set. We all approached the film like we were doing 'Schindler's List.' We were all very committed to our characters and were really serious about it. We weren't winking at the camera. These were life and death situations."
Some cast members, though probably happy to be working, seemed understandably sanguine about a movie that came out seven years ago. Efran Ramirez spoke about his East L.A. childhood, then explained his inspiration for Pedro: "I put Buster Keaton and my ex-girlfriend's dog together."
Sandy Martin (Grandma) admitted, "Grandma's not much of a stretch for me. I roll out of bed every morning."
Jon Heder spoke briefly about how he came to be cast (Hess was a college classmate) and about his attitude toward acting. "After Napoleon came out and all the success with that, I went to LA and it's continued to be fun. And when it stops being fun, I'll leave. But it's pretty rad so far."
Scully then showed short clips of the show, the first of which ("Zit Pop") got a huge reaction (laughter was so loud and sustained most of the dialogue was drowned out), though the reaction to "Kip Bath," "Shasta" and "Chritchlow" had diminishing returns once the novelty of animated Napoleon, who seemed like a twitchy bastard child of Beavis and Butthead, wore off. With "Shasta," the crowd discovered that Bader wasn't kidding about the liger -- in one episode, Napoleon ends up taking a job on a liger breeding farm and, sickened by the sight of a liger birth, hallucinates a dream sequence in which Bader gives voice to a "Lion King"-esque character. Who happens to be a liger.
Scully also revealed that guest stars will be adding their voices to the show, including Amy Poehler and Sam Rockwell. But one character we shouldn't expect to see is LaFawnduh (Shondrella Avery), as the show takes place before she enters Kip's life. "We didn't want to limit ourselves," Heder explained. "And Kip has a lot of women on the show."
About This Blog
Liane Bonin Starr is an author, screenwriter, radio producer, former senior writer for EW.com and unrepentant shoe collector who spent four years covering the fashion industry to rationalize her problem. Her byline has appeared in The Los Angeles Times, Entertainment Weekly, Daily Variety, The Hollywood Reporter, Flaunt and a lot of other publications that went out of business before she got paid. Her last book was called "a scandalously catty, guilty pleasure" by the late, great Jane magazine, which sounds about right to her. Expect more of the same from Starr Raving.
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