Watch: Bradley Cooper talks about adapting the science-fiction classic 'Hyperion'
The 'Hangover' star doesn't think of himself as a writer
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It is fitting that Bradley Cooper plays a writer in his new film "The Words."
To be more specific, he plays a frustrated writer, a man whose attempts to break into the world of publishing are met with indifference until he stumbles across a long-lost manuscript, known to nobody, and decides to claim it as his own. He ends up winning acclaim for the piece and falling into a life that he doesn't earn, even as the real author of the piece stumbles across his own words, finally in print after having disappeared for almost a half-century.
It's a really nice performance by Cooper, but these days, he's not pretending to be a writer. He's doing it. He's working on adapting the Dan Simmons novel "Hyperion" into a film, something that's been frustrating filmmakers for a while now.
When I sat down with Cooper and Brian Klugman, one of the writer/directors of the movie, I didn't intend to bring up the project, but it seemed like a natural progression in the conversation, and I was curious to see what he had to say about the state of the script right now.
I find it sort of disarming that he deflected the question mainly by claiming that he's not a writer. As far as I'm concerned, if you write, you're a writer, and Cooper's got a hell of a challenge ahead. If you haven't read "Hyperion," it's hard to explain in a short succinct sound bite. It's heady science-fiction about travelers to another planet who all have secrets, stories that explain why they're on this particular pilgrimage to this particular place, and the way the stories are teased out and explained is both intellectually satisfying and emotionally devastating. Dan Simmons is one of those guys who might just defy adaptation to film simply because of how dense and rich his fiction is. I can't imagine a film version of "The Terror" that would work, and even with Guillermo Del Toro interested, I have to think "Drood" is going to remain a lovely "what if?" at best.
For now, check out what Cooper had to say about the project, and we'll have more of that interview a little later this week.
"The Words" opens in theaters this Friday.
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September 5, 2012 at 8:57AM EST Reply to CommentI love Simmons' work and am thrilled to hear that progress is being made in bringing 'Hyperion' to the screen. Always been surprised that no one's taken a stab at 'Summer of Night' before; it's one of those pieces of work like Robert McCammon's 'Boy's Life' that I would have thought to be a shoo-in for adaptation at some point.
murphy I love that book! It always made me think of Stephen King's IT, but without the sections of long-winded thumb-twiddling. Did you ever read "A Winter Haunting?"
September 5, 2012 at 11:27AM ESTyourblindspot Not yet -- there are a few of the newer ones (like 'Haunting' and 'Muse of Fire') that I haven't gotten around to picking up but are definitely on my list. I'll bump it to the top, and thanks for the recommendation!
September 5, 2012 at 1:07PM ESTcremes
September 5, 2012 at 9:47AM EST Reply to CommentHyperion (and its 3 sequels) would make for a wonderful HBO series similar to Game of Thrones. I think it would be a huge mistake to make a 2 hour movie or even to take a Lord of the Rings approach and make 3 movies. The story is so rich and detailed that it would require 10 or 12 hours to get just one book done.
That's my hope anyway...
OldDarth
September 5, 2012 at 11:05AM EST Reply to CommentAs much as I enjoy Simmon's novels, I don't see any of them being film adaptable nor possessing the necessary appeal of movie-sized audiences to support them.
With the exception of Carrion Comfort.
murphy I can't see Carrion Comfort working as a movie at all. Not without losing good chunks of Melanie's slow descent into delusion. And the ending defies all natural cinematic convention.
September 5, 2012 at 11:24AM ESTCash Bailey Murphy, I completely agree. That book is such an exhausting internal journey for every character I don't know how you could visualise a lot of it.
September 5, 2012 at 5:07PM ESTAnd in terms of the ending, I feel the same way about THE DARK TOWER. It can't be done.
murphy
September 5, 2012 at 11:16AM EST Reply to CommentI love Simmons' work, but I was never a big fan of this series. Liked "The Fall of Hyperion," but the most important character to the series is that of the poet and that's the one character I couldn't give two shits about. It would be impossible to adapt to the big screen. I would think the only way to do it would be a season long adaptation that breaks up the central plot with Lost-style flashbacks.
Now, "Summer of Night" is one unholy bastard of a book. I can't believe no one has adapted that thing yet. And, while it's dense and packed with detail and character, has a fairly straightforward storyline and some impossibly good scare moments. Not to mention it's sequel has one of the best twist ending I've ever encountered.
murphy
September 5, 2012 at 11:18AM EST Reply to CommentAs long as no one makes a film version of "Flashback." Hated that book. Terrible waste of potential.
Pitdoc
September 5, 2012 at 11:36AM EST Reply to CommentHYPERION is VERY easy to describe, in 5 words ...
A Science Fiction Canterbury Tales
Now how well it SELLS to these hyperactive tweens is another problem
Cash Bailey
September 5, 2012 at 5:09PM EST Reply to CommentHYPERION is a motherf**ker to adapt to a film, but I'm glad Cooper and his co-writer are passionate about taking it on.
I'd much rather than than some studio goon saying "Well such-and-such is a popular movie right now. Let's greenlight something similar and get Akiva Goldsman to write it..."
Dustin
September 5, 2012 at 5:40PM EST Reply to CommentI sat up in my chair really quickly when I saw that headline. I didn't know he was going for that property. I've been waiting my entire adult life to see the Shrike on screen. God, I hope he's got what it takes to make this happen and bravo for using his star power in such a way.
I can actually picture a film version of The Terror. The biggest hurdle I see in that property is finding a studio willing to put up the dough for a film that would be that expensive and that depressing and soul crushingly unrelenting. That is not a happy story.