Cannes Film Festival 2013

Exclusive: Rob Zombie's 'Lords Of Salem' gets two new one-sheets

A conversation at SXSW ends with an online premiere

<p>Um, Sheri, you have something on your face</p>

Um, Sheri, you have something on your face

Credit: Anchor Bay Entertainment

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AUSTIN - A few minutes ago, I concluded the "Conversation With Rob Zombie" panel that I moderated by physically premiering the new one-sheets for the film in the room, and now we've got them here for you online as well.

Zombie is in town to show and discuss his new film "The Lords Of Salem," and the conversation we had about the film today was a good one.  I think it's interesting that they asked me to moderate the panel, as I've been very frank in print about my reaction to each of his films. Some of them I like, some of them I don't, and I was concerned at first that it was going to create some tension between us as a result. Nothing of the sort, as it happens, because Zombie genuinely doesn't seem to care about critical reaction. He seems to be the sort of filmmaker who had realized at this point that he's got to be happy with the work, and once he is, anything else that happens is almost irrelevant.

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We talked about the development of the film, and he's continued to work on it even after I saw it at the Toronto Film Festival in the fall. There was one more round of editing to tweak the opening of the film and some individual moments within it, and the version that played here is the same one that will open in April. We also discussed his other work, including the new album he has coming out in April, the book version of "Lords" that arrives in stores today, and even his plans for what could have been a feature version of "Werewolf Women Of The SS" if only "Grindhouse" had made some money.

Overall, Zombie strikes me as a filmmaker who knows the value of making original work, and who also has grown very frustrated with the business side of movies. He made sure he had a certain degree of freedom on "Lords," but he also made it for less money than any of his other features, including "House Of 1000 Corpses." Considering how lush and ambitious "Lords" is, he must be getting better with each film, because he makes it look like one of the biggest things he's ever done, and yet he only had four weeks to get it all in the can.

Here are the two new one-sheets, part of a triptych of this image rendered in different hues. The yellow version is already out there.

 


"The Lords Of Salem" opens in theaters April 19, 2013.

 

Drew-mcweeny-sm
Drew McWeeny
Film Editor
A respected critic and commentator for fifteen years, Drew McWeeny helped create the online film community as "Moriarty" at Ain't It Cool News, and now proudly leads two budding Film Nerds in their ongoing movie education.

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  • Default-avatar

    FranklynStreet

    Though I'm not much of a fan of his work, I can respect him in the way I respect Tyler Perry-- as a shrewd businessman who's found a way to keep going despite what anyone may say. Obviously, he's not had the insane kind of success that Perry has, and he seems a bit beaten down by the toll its taken on him. But still, he's persevered and keeps making the films he wants to make on the budget he can, unlike most people who just give up at a certain point.

    March 12, 2013 at 7:27PM EST Reply to Comment
  • Default-avatar

    Roy Munson

    Does everyone know what a one-sheet is except for me?

    March 12, 2013 at 9:45PM EST Reply to Comment
    • Default-avatar

      blue_flames http://bit.ly/13S6ioP ;)

      March 12, 2013 at 9:55PM EST
    • Default-avatar

      CinemaPsycho It's a poster.

      March 13, 2013 at 2:21AM EST
    • Default-avatar

      Roy Munson Just say poster, then.

      I've been a movie buff my whole life. Never heard of a one-sheet before

      Cheers

      March 13, 2013 at 4:45PM EST
  • Default-avatar

    Cash Bailey

    Interesting that Drew will hate on Neveldine and Taylor at any opportunity, but he kisses Rob Zombie's ass.

    Neveldine and Taylor's movies are crass and often juvenile, but they're also mostly entertaining.

    Every one of Zombie's movies, on the other had, is ugly, vile and completely without entertainment value. He wallows in vulgarity and adolescent nihilism as if it was edgy and shocking. It's not.

    March 13, 2013 at 12:30AM EST Reply to Comment
    • All_purpose_icon_talkback_profile

      drew Interesting phrasing, but wrong.

      I hated Zombie's "Halloween" films and couldn't have been any more emphatic about it. Reviewed both. Liked neither.

      I liked "Lords Of Salem." http://www.hitfix.com/motion-captured/review-rob-zombies-lords-of-salem-surprises-and-scares-at-midnight

      Gave it a B-.

      We may define "kisses someone's ass" differently.

      Or did you want me to slap him in the middle of a panel I was asked to moderate? Would that give me street cred with you?

      Neveldine and Taylor are worthless. I say that having given each film a chance. By my count, Zombie's made two solid films. That's two more than them.

      Deal with it or don't. But this kind of comparison is totally ridiculous, and so is your juvenile comment.

      March 13, 2013 at 12:50AM EST
    • Default-avatar

      Cash Bailey I suppose the other 'solid' film he's made is THE DEVIL'S REJECTS?

      That's the one everybody pulls out of their ass when they try and justify his career as a film-maker. But that movie is probably the ugliest, most repugnant of them all.

      Oh well, I guess he can fool enough people to be able to keep working.

      March 13, 2013 at 1:04AM EST
    • All_purpose_icon_talkback_profile

      drew Yes, because it's impossible that anyone just disagrees with you. They're being "fooled."

      You don't want a conversation. You're a scold. What's the point in that?

      March 13, 2013 at 1:09AM EST
    • Default-avatar

      CinemaPsycho Cash, people have different tastes. Some people like things that you don't. Drew said in the article that he didn't love all of Zombie's films.

      If you don't like Zombie's films, STOP SEEING THEM. THAT'S ALL YOU HAVE TO DO. You don't have to hate everyone who has different tastes than you do. Just don't go. You don't like his work. That's fine. Don't go. It's that simple. No one's putting a gun to your head.

      Take a deep breath... and realize that it's not all about you, man.

      March 13, 2013 at 2:26AM EST

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