Di Caprio goes dark in the decadent second trailer for Luhrmann's 'Great Gatsby'
Will Warner's pricey Jazz Age gamble pay off?
Leonardo Di Caprio would like to share a drink with you... IN 3D!!!
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"The Great Gatsby" may well be the most artificial-looking film I've ever seen, even in this condensed two minute form.
That's not a criticism, necessarily, because it looks like that's exactly what Baz Luhrmann intended. They've had a difficult post-production process on this one, but part of that has been creating this incredibly stylized world that Luhrmann has chosen as the setting for his take on F. Scott Fitzgerald's most famous book. Luhrmann has never been the sort of guy to shy away from a heightened reality. That's why I loved his take on "Romeo + Juliet" and "Moulin Rouge." Those movies are patently fake, impressionistic from start to finish, and it looks like he's doing that again, but on a much larger scale than ever before.
The real challenge of "Gatsby" is that the book is all about inner landscapes and the feel of a time and place, and previous film versions that have focused just on the story have felt empty because they haven't found a way to create a visual language that manages to somehow suggest the gorgeous, emotional prose that is so much a part of the appeal of Fitzgerald's novel.
Using 3D to immerse the viewer in a Jazz Age that never was, a cranked up and decadent world of excess, is a smart way for Luhrmann to try something genuinely new in bringing "Gatsby" to life. Leonardo Di Caprio is pretty much the only guy his age who has the right iconic weight to play the part, and it looks like the supporting cast is equally well-chosen. Tobey Maguire is going to serve as the eyes and ears of the audience, and Carey Mulligan has the same sort of steely fragility that Fitzgerald's wife Zelda was said to embody, the same qualities that he wrote about in his creation of Daisy. And the rest of the cast, including Joel Edgerton and Isla Fisher, look perfect for the parts they're playing.
I certainly think it's possible for Luhrmann's style to overwhelm his subject, and this looks like a gamble to me. Warner Bros. has got to treat this like an event film now, and while I'm very excited to see it, I'm curious if a young audience can be convinced that something they have to read in 11th grade English is also something they have to see on the big screen. They make it look sexy and dangerous and wild in the trailer, and that alone may keep it from looking like homework.
Check it out:
That's a heck of a trailer, and if nothing else, they've got some beautiful imagery to use to sell it. Will it work as a film?
We'll find out when "The Great Gatsby" cuts loose in theaters May 10, 2013.
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Login or create a HitFix account Login Signupgoodhorse
December 20, 2012 at 1:35AM EST Reply to CommentI've gone from "couldn't care less" to "interested" based on this trailer!
Parker
December 20, 2012 at 3:31AM EST Reply to CommentAnd that's two more Oscars for Catherine Martin.
Matt
December 20, 2012 at 11:25AM EST Reply to CommentIt will tank.
Whether it's a good film or not is beside the point. It has a $125M+ budget BEFORE marketing costs. For a character driven drama based on a book that people were forced to read in school, with no bankable A-list talent.
DiCaprio is A list, but he's not a Depp, Pitt or Cruise level draw card that can open a movie despite its content.
Hollywood needs to reign in these money hose directors like Luhrmann. Boardwalk Empire pulls off an excellent 20's at a fraction of the budget. And though not exactly his genre, someone like Robert Rodriguez could put together an identical Gatsby film for less than 1/4 of the budget.
mmcb105 I think you are underestimating the international audiences on this one. Baz Luhrmann has never been hugely popular in the United States, but all of his foreign grosses have passed the $100 million mark.
December 20, 2012 at 12:07PM ESTIn addition, I think this movie will do marginally better business than Australia (which also had no "bankable" stars) in the U.S. just on title recognition alone. Provided that the foreign markets stay the same or better, that could mean a $250 million worlwide gross, which should more than cover the production/marketing costs.
Steve C The studios are actually way ahead of some Americans on this. It's possible that a film can tank in the U.S. and be profitable, regardless, because of International. America won't always be the center of the box office universe. Thank god.
December 21, 2012 at 1:13PM ESTaaron_roberts
December 20, 2012 at 12:15PM EST Reply to CommentMy goodness that looks...convoluted. No one can say Luhrmann doesn't have a style, but there is way too much going on visually in that trailer. Hope it works better as whole film.
Dave I
December 20, 2012 at 12:55PM EST Reply to CommentAs a huge fan of the book, I've gone from "interested" to "probably not for me." We'll see. For me, Gatsby was all about the character and the lies or at least embellishing of his past, the friendships, the tragic romance, mainly the characters and their relationships. Yes, Gatsby threw parties, however they never struck me as something that would look like Moulin Rouge, which was not my thing. Which may be my problem. Romeo+Juliet worked for me because there were a million takes on the play. I have never seen a really polished and accurate portrayal of The Great Gatsby. In fact, I am not sure one exists, I only read the book. So to go from the book to Gatsby done through the lens of Moulin Rouge is a bit shocking. The "artificial" look and loud/modernistic sort of vibe does not do it for me. However, the cast does, and the story is great so I will probably give it a shot. Overall though, to be honest, this is not what I was looking for in this particular story.
-Cheers
Megalodon
December 20, 2012 at 5:24PM EST Reply to CommentWow. Looks like... a ton of flash and zero substance. (What does "You can't repeat the past" "Of course you can" even mean?) Whereas I recall the book being... just zero substance.
Maybe that makes me one of those shallow idiots who just didn't "get it", but I generally prefer my character and emotion being revealed alongside an engaging plot. I read Gatsby in high school. I don't recall the plot in the slightest, and not a single character stuck in my memory. I would have to actually do research to know why this is supposed to be a classic. Clearly it didn't make its own impression, and in my opinion, that's never a good sign.
mmcb105 I think its kind of ridiculous that you are claiming that Gatsby has no substance. The amount of critical analysis available on the book easily negates that sentiment. Not liking something and that something not having substance are two totally different things. Honestly though, if you only read the book in high school then you should take another whack at it (assuming that you are removed from high school by at least 5 years). The maturity you have gained since might allow you to appreciate the book more.
December 20, 2012 at 5:58PM ESTSteve C We wait breathlessly Megalodon for you to do your research to determine if Gatsby's classic status is deserved. I mean, a high school student's attention span IS the standard by which all great pieces of literature should be judged, no?
December 21, 2012 at 1:22PM ESTMegalodon Well then I suppose my next question is why do they make teenagers read this in high school then, when they clearly don't have the maturity to understand it?
December 21, 2012 at 10:09PM ESTmridge1
December 21, 2012 at 12:30AM EST Reply to CommentThe beauty of the book is the writing, not really the narrative so I'm be interested to see what they've done with it. One thing's for sure, if it's a failure, it'll be spectacular one.
tossit
December 21, 2012 at 4:01PM EST Reply to CommentI'm 21 and a lot of people I know that don't even know that this is based on a book are incredibly pumped for this movie.
I didn't understand the appeal from the first trailer, this has me more interested though.
Samuel
December 22, 2012 at 7:04AM EST Reply to CommentThe choice of music for this trailer made me cringe. Hard.