One of the most joyous sequences in American film is the opening of Woody Allen's "Manhattan." As Allen's character Isaac speaks in voice-over, Gershwin's remarkable "Rhapsody In Blue" plays.
"Chapter One. He adored New York City. He idolized it all out of proportion. No, make that… he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Mm. No. Let me start this over."
Don't bother, Woody. You got it right the first time, and to provide that black-and-white counterpoint to the soaring sounds of Gershwin, cinematographer Gordon Willis shot some of the greatest images of New York City ever burned onto celluloid. Black-and-white felt like a perfect form of expression for Willis, who was referred to by many filmmakers as "The Prince Of Darkness," and "Manhattan" is not just Woody Allen's best looking film… it may be one of the best looking films of all time.