CANNES -- When John Boorman released "Hope and Glory" in 1987, I was already fascinated by stories of living through WWII, and I thought his film painted a remarkable, unsentimental portrait of what it was like to be a child during the Blitz. It was all about somehow being able to have a childhood while the world was burning down around him, and it had a spectacular sense of time and place.
Walking into "Queen and Country," his latest film, I had no idea it was a sequel. Written and directed by Boorman, this film takes place as Will, the little boy in the first film, is turning 19 and leaving home, conscripted into Army service as England is sending soldiers over to help fight the Korean War. There's actually a very short clip from "Hope And Glory" at the beginning, and then we dissolve to the island in the Thames where Will and his family still live. We see a Nazi in full uniform charge into the water, only to be shot and killed. Someone calls "cut!" and we realize we're watching them shoot a WWII era movie. The island is near Shepperton Studios, and Will watches, fascinated, as they "kill" the Nazi, again and again and again.