<p>Simon Pegg is the ringleader of a potentially catastrophic pub crawl in Edgar Wright's new comedy 'The World's End'</p>

Simon Pegg is the ringleader of a potentially catastrophic pub crawl in Edgar Wright's new comedy 'The World's End'

Credit: Universal Pictures

Teaser trailer for 'The World's End' promises Wright, Pegg and Frost in fine form

The end of the Cornetto Trilogy should be a blast

My manager was the one who first turned me on to "Spaced." This was in the days way before there was a "Shaun of the Dead," and while music rights kept anyone from picking the show up for US distribution, Edgar Wright was being discussed by agents and producers and development execs all over town. My manager passed off some tapes to me, and my friends and I watched pretty much every single episode in a weekend, then again over the following week.

He put me in touch with Edgar, and we chatted back and forth in the ensuing years. When he was starting work on "Shaun," he reached out to me to put something about extras casting up on Ain't It Cool, and as a result, several of our Talkbackers ended up playing zombies in the film. When Edgar first finished the film, he brought it to the US and I flew to Austin so he could show it to us at one of the Alamo theaters after everyone went home for the night. There was no US release date yet, and most of the people who came to the theater at Harry's invitation that night had no idea who Edgar was.

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<p>One of the most iconic images in all of fantasy film was just one of the many amazing things created by Ray Harryhausen during his long and amazing career</p>

One of the most iconic images in all of fantasy film was just one of the many amazing things created by Ray Harryhausen during his long and amazing career

Credit: Sony Pictures Home Entertainment

Stop-motion animation legend Ray Harryhausen remembered

One of the greatest film artists ever is gone at the age of 92

When I was working at Dave's Video, back in 1991, I got to know people from a wide array of crafts in the film industry, and I loved meeting the wizards behind some of the most magical moments in movie history.

Jim Danforth and his wife Karen were two of our regular customers, and you seriously couldn't ask for nicer people. Jim began his work in the industry working for Art Clokey, who created "Gumby," and when Ray Harryhausen worked on "Clash of the Titans," Danforth worked with him.

One particular afternoon, Jim and Karen came into the store, and they had an older English gentleman with them. They walked around the store browsing for a while, and at one point, I helped their friend find a couple of discs. After a while, they came up to the counter, and he set down the stack of movies he'd picked out. He handed over his credit card, and I glanced at the name.

"Ray Harryhausen."

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<p>There's plenty of room for invention with a 'Dungeons and Dragons' movie, and it'll be interesting to see what David Leslie Johson makes of it.</p>

There's plenty of room for invention with a 'Dungeons and Dragons' movie, and it'll be interesting to see what David Leslie Johson makes of it.

Credit: Wizards Of The Coast

Warner Bros wants to play 'Dungeons & Dragons' with David Leslie Johnson

What does this mean for their 'World Of Warcraft' movie?

This news makes me happy for a lot of reasons.

First, I'm a firm believer that the right imagination can make something great of the overall "Dungeons & Dragons" property, and I think David Leslie Johson is a wicked smart guy and a fun writer. They're using a script of his called "Chainmail" that they bought last year and they're turning that into the foundation for the "D&D" film. Roy Lee and Courtney Solomon are producing for Warner, which is interesting. Solomon directed the terrible New Line "Dungeons & Dragons" movie back in 2000, and it's interesting to see how far genre fare has come since that release.

At the time, it made sense to try to sneak a much lower-budget fantasy movie in before "Lord Of The Rings" got off the ground to try to make some quick money off of a potential audience. If you're going to take a run at this kind of IP today, you have to take it seriously. There is way too much competition for that dollar, and at this point, if you half-ass it, the audience is going to see you coming. The reasons for each of these major franchises connecting or failing may be different in the small details, but in the broad sense, it's very simple. Either people connect, or they don't. If they do, they will become your best friends, carrying the word to everyone they deal with, actively finding ways to prolong their interaction with the property. And if they don't, then it's over. Done. They'll just move on to find something that does.

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<p>Henry Cavill's a new Superman with his very own theme</p>

Henry Cavill's a new Superman with his very own theme

Credit: Warner Bros.

Full-length preview 'Man Of Steel' track gives a dazzling tease of Hans Zimmer's work

Will fandom be able to let go of the Williams original?

No matter how many times the topic comes up, there are still people who seem upset about the absence of the John Williams "Superman" theme from the upcoming Zack Snyder film "Man Of Steel."

That's a testament to the emotional connection that people have with film music, some of which is conscious, some of which is involuntary. There are things that we connect with at various points in our lives that have a nearly chemical reaction on us when we encounter them later, and you can rail about it or struggle with it or try to ignore it, but that's the truth of it. Most of the time, our love of certain pieces of art goes deeper than we can explain, and I suspect that for a generation of people, that 1978 "Superman" is a deeply felt piece of childhood. It certainly was for me.

And let's put that in perspective. Today, if you're a regular moviegoer, you're used to powerful sonic experiences as a routine thing. Even a basic surround set-up these days can be impressive, but in 1978, Dolby surround was brand new, and not everyone knew what to do with it yet.

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<p>Doc Savage was rocking a Fortress Of Solitude before someone else ever went up, up, and away. Awkwaaaaard.</p>

Doc Savage was rocking a Fortress Of Solitude before someone else ever went up, up, and away. Awkwaaaaard.

Credit: Bantam Books

Shane Black's 'Doc Savage' becomes official and may be his next movie

Every baby step towards this becoming a reality is big news for us

I never expected to actually see a studio announcing "Doc Savage".

Sure, we've reported on the various blips and bloops about this one over the course of the development so far, and just over a week ago, we mentioned this as a very real possibility for Black to return to as his next film.

Now it appears to be official. Sony sent out the press release a little while ago announcing a formal deal with Shane to write and direct what I'm sure they all hope will be the first of many "Doc Savage" movies. This is a thrilling moment on a lot of levels. First, Shane Black has never been more white-hot than he is right now. Even the release of "Lethal Weapon" can't compare to this based on what a commercial juggernaut "Iron Man 3" has become. I'm sure everyone expected it to be a hit, but it's a sensation. The money it's earning is sort of amazing. Marvel defies all expectations each time out.

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<p>Isla Fisher, Jesse Eisenberg, Woody Harrelson, and Dave Franco play four magicians who take on the 1% in the upcoming heist thriller 'Now You See Me'</p>

Isla Fisher, Jesse Eisenberg, Woody Harrelson, and Dave Franco play four magicians who take on the 1% in the upcoming heist thriller 'Now You See Me'

Credit: Summit Entertainment

Summit kicks off the Diamond Heist Challenge to tease the release of 'Now You See Me'

Check out our exclusive piece of the puzzle now

I'm still not entirely sure I understand the "Diamond Heist Challenge," but then again, I find myself baffled by a lot of the real-world tech games that fans love to play, so that's nothing new.

What I do know is this: Summit is try to come up with fun ways to get you thinking about "Now You See Me," their upcoming thriller by Louis Leterrier about a supergroup of magicians who decide to push the filthy rich by staging a bold series of heists. It's one of those trailers where I realized halfway through it that I'm not supposed to worry about what is or isn't real. They're not trying to make a movie that is about the real art of stage magic, but instead, they're making a souped-up Robin Hood riff with a lot of visual razzle dazzle.

Here is the official description that Summit sent over to explain what the "Diamond Heist Challenge" is:

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<p>He gets hiiiiiiiigh with a little help from the Renn.</p>

He gets hiiiiiiiigh with a little help from the Renn.

Credit: Paramount Pictures

Tom Cruise accepts 'Mission Impossible 5,' but will Chris McQuarrie join him?

Or will 'Ice Station Zebra' cause this creative combination to self-destruct?

I have a feeling every day is a big day for Tom Cruise.

Still, announcing a fifth film in any star-driven franchise is an uncommon thing, and especially coming off of what was, both commercially and critically, one of the strongest entries in the entire series. Tom Cruise has managed to reinvent the franchise film after film, and each time, it's been something different and something fresh. That's almost impossible to pull off, so I guess the title is appropriate.

Skydance, the financing partner headed up by David Ellison, has become Paramount's version of Legendary Pictures, and they're attached to co-produce this with Cruise, who is ultimately calling the shots on the series. Word so far has been that Christopher McQuarrie will be writing and directing, especially since his collaboration with Cruise on "Valkyrie" and "Jack Reacher" went so well, and that makes sense. Deadline repeated the rumor in today's reporting about the deal.

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<p>Nick Frost and Simon Pegg are together again and HOLY&nbsp;CRAP&nbsp;THAT DUDE'S&nbsp;EYES&nbsp;ARE&nbsp;GLOWING!</p>

Nick Frost and Simon Pegg are together again and HOLY CRAP THAT DUDE'S EYES ARE GLOWING!

Credit: Universal Pictures

New teaser poster for Pegg and Frost in 'World's End' finally reveals... something?

This might be the last moment we have questions as the campaign kicks in

Okay, there's Simon Pegg. And next to him, that's Nick Frost. Good. Great. That's exactly what I want. And there's Edgar Wright's name, and a meteor in the sky, and… people… lots of people… with glowing blue eyes.

I now know about 100% more about "The World's End" than I did five minutes ago, and Tuesday, when the trailer for the film arrives online, I suspect we're in for a glut of new information and a much better sense of what we're getting from the film.

Evidently, Edgar screened the trailer the other night for people at the CapeTown Film Festival in Los Angeles, and swore everyone there to secrecy. It's been pretty successful, all things considered, too, because I haven't seen anyone overtly giving anything away. I'm very excited that we're this close to the release. It's a long ride that these three guys have been on from the first time I saw their work to now, and they've all had such great success in that time that it feels like a real treat to see them come back together on their terms to make this film, which feels like a big deal, and round out something that started as such a off-the-radar personal little independent thing.

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<p>Carey Mulligan and Leonardo DiCaprio never really seem to have any chemistry in 'The Great&nbsp;Gatsby,' Baz Luhrmann's disappointing take on the Fitzgerald classic.</p>

Carey Mulligan and Leonardo DiCaprio never really seem to have any chemistry in 'The Great Gatsby,' Baz Luhrmann's disappointing take on the Fitzgerald classic.

Credit: Warner Bros.

Review: Luhrmann's 'Great Gatsby' is okay and nothing more

HitFix
C
Readers
C
It's exactly the film you think it is, for better and for worse

Baz Luhrmann has made a career out of pushing stylistic boundaries past what seems like good taste or common sense would endure, and when it has paid off, the results are intoxicating. Unfortunately, when it doesn't work, it makes the artifice that much more distancing and it makes the excess feel excessive. Lurhmann is not the first filmmaker to succumb to the siren song of the book's beautiful prose, nor will he be the last, but his attempt highlights much of what makes this a work that best exists in its original form.

F. Scott Fitzgerald's book was written at the time that the novel takes place, and it is fascinating as a snapshot of a particular time in America's development, the roaring '20s at their loudest, raucous and wild and untamed. Jay Gatsby is a very knowing look at a new type of American, the self-made millionaire, compensating for some hole in their personality while amassing a huge fortune, rich but empty. His quest to win the heart of Daisy Buchanan is one of the great Quixotic romantic plays in all of literature, and the language in Fitzgerald's book sells it all. Dizzyingly well-written, emotional and evocative, it is a feast of language, a clear-eyed piece of pop mythology that positively disemboweled the world in which Fitzgerald worked and played. Working with co-writer Craig Pearce, Luhrmann has adapted "Gatsby" in a way that makes sense considering Luhrmann's voice, but it's such a foregone conclusion that it feels to me like it never comes to life. It's as if every bit of creativity dried up the moment the deal was signed. Yes, this is exactly what I would expect a Baz Luhrmann "Gatsby" would look like, but is that enough?

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<p>Ultimately, it doesn't matter what Warner does with the 'Justice League' film since 'The Lego Movie' will put Superman and Batman onscreen together in spring of 2014.</p>

Ultimately, it doesn't matter what Warner does with the 'Justice League' film since 'The Lego Movie' will put Superman and Batman onscreen together in spring of 2014.

Credit: Warner Bros.

Chris Miller and Phil Lord want you to enter the 'Lego Movie' contest

You could see your work in the finished film

I am honestly surprised by just how omnipresent LEGO is in the daily play lives of my kids.

When I was young, LEGO was a make-your-own sort of thing. Sure, there were plenty of playsets, but they were still general things like "space" or "construction" or whatever. These days, LEGO is a licensing powerhouse, working with dozens of partners on videogames and toys and even movies.

Chris Miller and Phil Lord only have two credits so far as directors for feature films, but when "Cloudy With A Chance Of Meatballs" and "21 Jump Street" are the two films you've made, that's a pretty strong one-two punch. What those two films have in common is the way they took unlikely premises and spun them into very effective and sincere piece of entertainment. These are guys you can trust to take the difficult and figure it out, so maybe they're the perfect fit for Warner's upcoming gamble, "The LEGO Movie."

Right now, they're reaching out to you, the eventual audience for "The Lego Movie," and they're offering you a chance to have an impact on the film you'll eventually see in theaters. They're in the home stretch, and they want to make sure that anyone that might be interested has a chance to enter.

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