<p>Rick Linklater is willing to wait if it means he'll get a great film out of it.</p>

Rick Linklater is willing to wait if it means he'll get a great film out of it.

Credit: HitFix

Richard Linklater on 'Before Midnight' and the relationship between narrative and time

How long until they discuss another film in this series?

I wouldn't say that Rick Linklater and I are friends, because that implies more familiarity than there actually is, but I would say that after spending over a decade going to film events in Austin, we're friendly. There's that moment of recognition when we run into each other, and that certainly made for a nice shortcut when I showed up at the Four Seasons on Tuesday to talk to him about his latest film, "Before Midnight."

The film opens today in limited release in NY, LA, and Austin, and then goes wider on June 14th. It is absolutely one of the best films you're going to see this year, and I think it enriches an already wonderful series by adding the perspective that only comes with time.

Time seems to be something that interests Linklater, and the impact it has on narrative in his work is something that seems to me to be worth closer inspection. The nine years between each of the films in the "Before" series have to pass, because the films only work if there is real life experience that each of the performers can bring to the table when they get back together to start writing each film. The kids we see in "Before Sunrise" have very little in common with the adults who star in "Before Midnight," but because there's that film in the middle between the two, it's possible for us as an audience to see how they've gotten from one point to the other.

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<p>There's a chance Quicksilver will be joining this line-up, but first it looks like Marvel and 20th Century Fox may push their relationship to the breaking point in the process.</p>

There's a chance Quicksilver will be joining this line-up, but first it looks like Marvel and 20th Century Fox may push their relationship to the breaking point in the process.

Credit: Marvel Studios

Why are Fox and Marvel having a showdown over 'X-Men' and 'The Avengers 2'?

They can both use the same character, but will it be worth it?

Ever since the record-annihilating opening weekend of "The Avengers" last year, I've been hearing speculation and questions about whether or not other studios who have the rights to certain Marvel characters would end up trying to strike a deal with Disney and Marvel Studios to include those characters in some sort of cross-over situation that would allow them to appear in a future "Avengers" film.

At the moment, I would not bet on that happening with 20th Century Fox.

This is not a situation where the two different companies are working together to try and create a sense of a larger shared world. In fact, if either of them could get the other to back off, they would. The thing is, Bryan Singer has designed a sequence that he feels only works with Quicksilver, and Joss Whedon feels that there is a pressing reason for Quicksilver to show up in "The Avengers 2," and so what we're going to see is a legally-negotiated stand-off in which we'll get two totally different versions of one character. While they may act like things are amicable in public, HitFix sources say otherwise.

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<p>Michael Cera and Alia Shawkat seem genuinely happy to be awkward around each other once again in the new season of 'Arrested Development'</p>

Michael Cera and Alia Shawkat seem genuinely happy to be awkward around each other once again in the new season of 'Arrested Development'

Credit: HitFix

Michael Cera and Alia Shawkat talk about returning to the roles of loving cousins for 'Arrested Development'

Our conversation was an afternoon delight

When I first heard about "Arrested Development," the synopsis I read included a description of the relationship between George Michael Bluth (Michael Cera) and Maeby Funke (Alia Shawkat), and my first thought was that it sounded incredibly tasteless and silly.

Now, of course, I'd say the opposite. I think the way the relationship between the two of them has been handled over the course of the show speaks to the way Mitchell Hurwitz and his amazing writing staff handle even the most difficult material. George Michael and Maeby are better people than any of the adults in their families. Maeby is a giant con artist, but is it any wonder? She would rather create one fantasy world after another than deal with the reality of Lindsay and Tobias, who can barely function as individuals, much less as a couple.

When I met Michael Cera for the first time, "Arrested Development" was already in his past, and while many of the cast members have been hounded by questions about the possibility of a return of the show, Cera has always somewhat avoided the issue, building a body of work for himself that stands separate from the show. When you're a young actor and you're known for one thing, I can see why you would want to show that you're able to play a range of things and you aren't just that one role. I thought the most interesting thing about his return to the series was the idea that he was part of the writer's room this time, giving him say in the fate of the Bluths.

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<p>Jordana Brewster holds the family together in 'Furious Six'</p>

Jordana Brewster holds the family together in 'Furious Six'

Credit: HitFix

Jordana Brewster talks about holding the family together in 'Furious Six'

One of the emotional lynchpins of the series discusses the newest film

I enjoyed the latest chapter in the "Fast and the Furious" series quite a bit, and part of what's finally won me over wholeheartedly is just how earnestly they handle all of the family stuff in the film.

Jordana Brewster plays Mia, the sister of Dominic Toretto, who is now married to Brian O'Conner, and it's because of her that the two guys, enemies in the first film, are now brothers in crime. She isn't involved in every major action sequence in the film, but she does play a crucial role, and towards the end of the movie, she gets a chance to get back into the thick of things.

Brewster looks like a 21st century Ali McGraw, and she is the necessary link between the characters. The clip you see at the start of this interview is an important moment in the movie, and it speaks to the way Justin Lin and Chris Morgan have approached these characters. Mia may have asked Brian to give up the life of crime, but she also knows that they are all stronger as a team.

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<p>Justin Bartha and Heather Graham must be feeling good about the conclusion of the 'Hangover' trilogy</p>

Justin Bartha and Heather Graham must be feeling good about the conclusion of the 'Hangover' trilogy

Credit: HitFix

Justin Bartha and Heather Graham talk about their fates in 'The Hangover Part III'

Two of the supporting characters from the trilogy weigh in on saying goodbye

Not every interview is easy.

In general, I try to treat interviews as real conversations. It's all an illusion, of course. Most real conversations are not arranged weeks earlier by a team of publicists and don't take place in a brightly lit area surrounded by strangers and cameras that you have to pretend aren't actually there, and they don't take place one after another until people begin to blur together.

At a press event, though, that's exactly what happens, and so it becomes hard to make it feel natural. When you are dealing with cast members like Justin Bartha and Heather Graham for a film like "The Hangover Part III," it's exponentially harder. That's not a reflection on either of them, though. It's more a matter of the roles they play in this particular film.

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<p>Eddie Marsan, Nick Frost, Simon Pegg, and Paddy Considine are unprepared for what they see in the men's room in Edgar Wright's new genre-bending comedy 'The World's End'</p>

Eddie Marsan, Nick Frost, Simon Pegg, and Paddy Considine are unprepared for what they see in the men's room in Edgar Wright's new genre-bending comedy 'The World's End'

Credit: Focus Features

New US trailer for Edgar Wright's 'World's End' goes heavy on the spoilers

Simon Pegg is still jumping fences

Today, Focus Features released the domestic trailer for "The World's End," the latest film by Edgar Wright, and it's far more revelatory than the UK version of the trailer. My guess is that in the UK, it's enough to sell the film on the names of Wright, Simon Pegg, and Nick Frost, but here in the US, the studio feels like they've got to sell the concept and give people enough information that they know what they're getting into before the film opens.

I get that the cast is far better known in the UK. After all, you've also got Paddy Considine, Martin Freeman, and Eddie Marsan, and while all of those guys are in plenty of films that play here, including last year's "The Hobbit," of course, they are simply better known at home. I may love Shane Meadows movies, but I am able to admit that they haven't exactly set the box-office ablaze in this country. So you've got a cast that is going to be amazing to watch, but that aren't the names you use to open the film here.

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<p>The Wolfpack got together for one last bit of raising hell at the press day for 'The Hangover Part III'</p>

The Wolfpack got together for one last bit of raising hell at the press day for 'The Hangover Part III'

Credit: HitFix

The Wolfpack gets together one last time to talk about working on 'The Hangover Part III'

As the series shifts focus and winds down, we talk to the main trio about returning one last time

When you go to Vegas to talk about "The Hangover Part III," of course part of your trip has to be a sit-down conversation with The Wolfpack.

Already, I am getting hammered with letters and comments from people who seem genuinely angry with me over my review for the film, and one guy suggested that I go easy on films where I interview the talent.

Let me explain once again the way this works. When I sit down with people to discuss their movie, that is their opportunity to tell me what movie they think they've made. When I write the review, that's my opportunity to explain what movie I think they've made. Sometimes those things line up, sometimes they don't, but one does not affect the other.

In this case, I had a couple of days after seeing it to think about my reaction, and while I'm not sure I'd describe the film as "hilarious," I am sure I'd describe it as "fascinating." This was never meant to be a trilogy. When Jon Lucas and Scott Moore sold their script for the first film, I'm sure they weren't already imagining the way the third film would play, and even when the first film came out, I doubt anyone was immediately saying, "Yes, this demands to be a trilogy."

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<p>Charlie Hunnam gets ready to connect with 'The Drift' in a scene from 'Pacific Rim'</p>

Charlie Hunnam gets ready to connect with 'The Drift' in a scene from 'Pacific Rim'

Credit: Warner Bros.

Guillermo Del Toro and the 'Pacific Rim' cast explain 'the Drift'

One of the film's biggest ideas is explained more clearly

One of the things I've heard a few people bring up several times when discussing Guillermo Del Toro's new film "Pacific Rim" is the idea that you need to pilots to make the Jaegers work. I've heard people who readily accepted the premise of giant monsters versus giant robots hesitate suddenly when it comes to the notion of a neural link between the pilots in these things.

There's a new featurette online today that explains a bit more about what they're calling "The Drift," which was one of the big ideas present from the very start when Travis Beacham first pitched the project. While it is definitely a big science-fiction idea, the reason it is part of "Pacific Rim" is part logic, and part emotional opportunity.

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<p>David Cross and Portia de Rossi would like to spend one week without someone asking them about the future of 'Arrested Development'. Fat chance!</p>

David Cross and Portia de Rossi would like to spend one week without someone asking them about the future of 'Arrested Development'. Fat chance!

Credit: HitFix

Portia de Rossi and David Cross get their Funke on again for the return of 'Arrested Development'

Let's see what sort of boners fall out of Tobias's mouth this time

The relationship between Lindsay Bluth Funke and her husband Tobias Funke is one of the strangest parts of "Arrested Development," and rewatching the series again right now, I'm struck once again by how gloriously dysfunctional they are.

I think the world of David Cross. "Mr. Show" is a tremendous showcase for his comedy brain, and I think he's a fascinating actor. His work as Tobias is endlessly interesting to me because of the way he finds reality in the person who is by far the broadest persona on the show. Tobias is such a buffoon at times that it would be easy to just play him as a cartoon, but Cross always plays something under that as well, something uncomfortable and genuine and sad, and it makes the funny stuff even funnier. His never-nude fixation, his inability to understand the parade of boners falling out of his mouth, and his painful desperation to become an actor all combine in a performance that I think offers Cross more meat than anything else he's ever done on film.

Portia de Rossi must be completely free of ego to have signed on to play Lindsay, who may be one of the worst people I've ever seen depicted on television. Horrifyingly self-absorbed, her relationship with her daughter Maeby has a few decent moments in the three seasons of the show, but for the most part, her behavior is basically criminal at all times.

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<p>Alan (Zach Galifianakis), Stu (Ed Helms) and Phil (Bradley&nbsp;Cooper) are forced to work with Chow (Ken&nbsp;Jeong)&nbsp;if they ever want their friend Doug (Justin Bartha)&nbsp;back in one piece.</p>

Alan (Zach Galifianakis), Stu (Ed Helms) and Phil (Bradley Cooper) are forced to work with Chow (Ken Jeong) if they ever want their friend Doug (Justin Bartha) back in one piece.

Credit: Warner Bros.

Review: 'The Hangover Part III' breaks new ground as it says good-bye

HitFix
B-
Readers
B
The final film in the trilogy changes the way we look at the series

When this movie begins in the middle of an over-the-top prison riot in Bangkok that leads to a crazy "Shawshank Redemption" joke, it's the first sign that "The Hangover Part III" is not just business as usual.

The first film, written by Jon Lucas & Scott Moore, featured a very clever hook, and when Craig Mazin, Scot Armstrong & Todd Phillips wrote the script for the second movie, they mirrored the structure of the first film closely. When I spoke with Phillips recently, it was obvious that he loved the reaction of people who were bothered by that, and at first, he and Mazin evidently flirted with the idea of making the third film yet another riff on the same structure. Thankfully, they tried something different this time, and while it may not recapture the exact same giddy thrill as the first film, this film manages to clarify what the overall story of the trilogy is in a way that I found satisfying and quite fitting.

The film opens with Alan (Zach Galafianakis) at his manic worst, driving along a freeway towing a trailer that holds a full-sized giraffe. His joyous song of "I love my life!" had me laughing right up to the moment he does something terrible, leading to a "Final Destination"-like incident that leads to a scene with his father Sid (Jeffrey Tambor) dropping dead in a moment that's played for both laughs and real sorrow, which seems to be something that interests Phillips this time around.

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