From the moment it sputters to low-fi life, "Mood Indigo" is unmistakably the work of Michel Gondry, a sweet and sad little song of longing with the most visually inventive approach to emotion in any film this year. It is a strange surreal world that Gondry has created, one with no rules other than if someone in love starts coughing, that's not a good sign for them making it through to the end of the film.
Gondry is a romantic, no doubt about it, and he's also a guy who rejects the idea of living a "normal" life, meaning his lead character is a man-child who drifts through his days, his whole mind focused on whimsy and the ridiculous. The worst thing in the world in this film is the notion of getting trapped into doing a "normal" job. Gondry seems to view that as death. Sure, he's working from a novel by Boris Vian, but Gondry and co-writer Luc Bossi have crafted this as a film that plunges you into an interior landscape from the very start, a movie in which they hand-craft a reality to tell the story of Colin (Romain Duris) and Chloe (Audrey Tautou), lovers who have to grapple with sorrow when she develops a rare ailment.