Jason Bateman is about as good a spokesman as any movie can have, and when he's finally making the jump to be a director as well as an actor, he's got plenty of reason to turn on the charm.
When I was at the Four Seasons recently, I was in the first group of people talking to him in the morning, and I was sitting outside the room where we were going to speak along with four other people. When he came walking up, he stopped and looked down at all of us, smiling. "Hey, how about we just do this out here, press conference style? Right now. Let's go."
Bateman and I are pretty much the same age, and I feel like I've been watching him on TV my whole life. I have strong memories of him on "Little House In The Prairie" and, in particular, "Silver Spoons," where he perfected the art of being smug. There was something so gleefully rotten about Derek, the kid he played, that it sort of set him as a certain type right away. Bateman never really got roles as likable as the roles given to Michael J. Fox, but it felt like he got the scripts that Fox passed on, a tendency that reached its apex when he starred in "Teen Wolf Too."