CANNES - David Michod's "Animal Kingdom" was a venal little crime drama with strong, unsparing character work, and it garnered him international attention, with Jacki Weaver eventually landing an Academy Award nomination for playing a mother who was only slightly less terrifying than the Alien Queen. Little wonder he was able to attract some big names to his new film, "The Rover," which is making its premiere as part of this year's Cannes Film Festival.
It's been programmed as part of the Midnights section here at Cannes, but I would imagine any audience coming off of a long day of screenings who tries to actually sit through this at the tail end of their day is going to find themselves struggling. Glacially paced and intentionally minimalistic, "The Rover" tells the story of how a man living in Australia ten years after "the collapse" hunts down the men who took his car. That's it. That's the entire narrative arc of the film, and while there are other characters and certain events that serve as digressions, it all eventually comes down to a man pursuing some other men because they took his car and he wants it back, and while there are some very strong performances in the film, the movie is inert, dramatically speaking, and covers such familiar ground that I can't really recommend it.