It is not the fault of anyone involved with "Into The Woods" that in the time since the musical originally opened on stage, it has been rendered redundant. When it opened on Broadway in 1987, one of the things that made it stand out was just how much of a post-modern spin it put on the entire notion of happily ever after. In the decades since then, pop culture has turned into one giant "don't take any of this too seriously" wink, and fairy tales have been deconstructed so completely that it feels like this has been completely digested already.
Besides, part of me is almost convinced that Sondheim just doesn't work on film.
We're talking about a show that won the Tony for Best Score, Best Book and Best Actress, beating the 900-pound gorilla of the year, "The Phantom Of The Opera." Impressive, and it cleaned up at the Drama Desk Awards as well, where it actually took Outstanding Musical. Stephen Sondheim and James Lapine are long-time collaborators who seem to innately understand one another, and they both understand theater on an almost molecular level. When you see one of their productions, they are in total control.