<p>Rooney Mara catches a potentially very uncomfortable nap in the new Platinum Dunes remake of 'A Nightmare On Elm Street'</p>

Rooney Mara catches a potentially very uncomfortable nap in the new Platinum Dunes remake of 'A Nightmare On Elm Street'

Credit: Warner Bros.

The M/C Review: 'A Nightmare On Elm Street' is dead on arrival

A whole lot of slick can't hide the hollow center of this remake

I found this film deeply upsetting, but not in the ways the producers or the director intended.

"A Nightmare On Elm Street" has always been a franchise I've found deeply uncomfortable.  I saw the first film theatrically.  I was 14 at the time.  I thought it was effective and inventive and stood out from the typical slasher fare that was being released by that point in the '80s.  I still think it's one of the best things Wes Craven ever did.  Beyond that first film, though, I find the franchise loathsome.  Freddy Krueger is an uncommonly grotesque creation even in the world of movie killers, and if there's any flaw with the original Craven film, it's the way he sidesteps the nature of Freddy's real-world crimes.  He was described as a "child killer" in the first film, and the idea of molestation was carefully avoided by Craven entirely.  By softening the point in the first film, it made the character more palatable, and by the time there were Halloween costumes for kids based on the Krueger design, it was obvious that no one really understood the monster they were watching or releasing.  The way they quickly turned him from a figure of fear into a bad stand-up comic with claws rendered pretty much every one of the sequels a gutless mess.  I listened to someone at a press day recently explain which ones are the "good" sequels and which ones are the "bad" sequels, but I've never been able to get behind that idea.  I think the entire notion of spinning him into a recurrent character robbed him of all effectiveness and led to incredibly mean-spirited and wrongly-silly films.

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<p>Arnold Schwarzenegger's early action hit 'Commando' is getting the remake overhaul by 20th Century Fox</p>

Arnold Schwarzenegger's early action hit 'Commando' is getting the remake overhaul by 20th Century Fox

Credit: 20th Century Fox

A 'Commando' reboot? Our karaoke culture is officially out of control

One more pointless remake is announced, and an editorial is the result

Enough.  Please.  Mercy.  I beg you.

I don't think "Commando" is sacred ground, some untouchable masterpiece that no filmmaker will ever equal.  Actually, it's the contrary that's true.  I don't think "Commando" is fertile ground, worth anyone's time to remake.  David Ayer may not be my favorite working writer/director, but I think he's got more to offer audiences than yet another regurgitation of the '80s that no one is asking for.  Sure, Ayer served in the Navy, and he comes from a military family, so he certainly seems qualified to write the main character in the film.  And he's not afraid of remakes... heck, this guy's got nerve enough to have attached himself to a modern-day remake of "The Wild Bunch," so obviously he's not afraid to get in there and mix it up.

But "Commando"?  A military guy with a ton of training has to chase down his kidnapped daughter and kill a bunch of dudes.  That's it.  That's all there is to the original.  It's a bunch of cheesy one-liners, Vernon Wells chomping scenery, some good action, and a ridiculous body count.  It's not a movie with a strong narrative spine or a particularly clever hook that would justify a remake.  It's very much a product of its time, a perfect vehicle for an Arnold Schwarzenegger, and little else.

The thing is, coming on the heels of some of the films I've seen in the last week, this is another case of karaoke culture out of control, and it's at the point now where I swing between trying to accept that this is the way things are at the moment and an almost irrational degree of anger at the idea that this is the way things are at the moment.  I love movies.  I have spent my life totally immersed in movies.  I work incredibly hard not to be cynical and overly negative, and I hate judging things before they even really get going.  The truth is, though, that any adult who depends on cinema to feed them in all the various appetites that a film freak cultivates is starving these days.  It is harder than ever before to track down truly original voices, even though I would argue there are more films to see and more ways to see them.  The cowardice that runs most Hollywood decision making is just breathtaking, and it reveals just how sad the current power structure really is.

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<p>Ang Lee, seen here on the set of his Oscar-nominated film 'Brokeback Mountain,' is hoping to direct a bigscreen version of the acclaimed novel 'Life Of Pi'</p>

Ang Lee, seen here on the set of his Oscar-nominated film 'Brokeback Mountain,' is hoping to direct a bigscreen version of the acclaimed novel 'Life Of Pi'

Credit: Focus Features

Why is Ang Lee so determined to make 'Life Of Pi' as a film?

Is there really going to be a big-budget 3D film of the new age fable?

Ang Lee is close to getting the go-ahead to finally bring the bestelling novel Life Of Pi to the bigscreen, and current plans are for the film to be a 3-D FX heavy affair.  The proposed budget of $70 million doesn't sound like much, relatively speaking for the studio system, but I'm willing to bet they lose all $70 million if they're really betting on this as a box-office hit.

I love Ang Lee.  I've been a supporter of his even when I haven't loved the end results.  As most people were arguing over "LA Confidential" or "Titanic" as the best film of 1997, I personally felt like "The Ice Storm" dusted both of them.  Even if I don't play the Oscar game, I can understand why "Brokeback Mountain" was such a key player in the race the year it was released.I was a vocal advocate for his much maligned "Hulk," and I still defend it, convinced it's a film that aims high and almost pulls it all off.  When I wrote my list of the "50 Best Films Of The Decade" in December, I gave the top spot to "Crouching Tiger, Hidden Dragon."  And I still think people just plain missed out when it comes to "Lust, Caution" and "Ride With The Devil," although there's at least a Criterion release of the latter film available now.

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<p>Has Marvel Studios been able to build a better 'Iron Man' for their second time out?</p>

Has Marvel Studios been able to build a better 'Iron Man' for their second time out?

Credit: Marvel Studios

The M/C Review: 'Iron Man 2' whips the summer movie formula

With the element of surprise gone, how do you convince the audience they care about Iron Man?

Let's call this one the victory lap.

"Iron Man" was no guaranteed hit before the weekend it opened.  There were people predicting failure for that film even after it opened, even after it started to turn into a word-of-mouth-must-see, not just a box-office success but a genuinely loved pop culture moment.  The first movie's got its weak points, but it also has a ridiculous energy to it, and I unabashedly loved it when I reviewed it for Ain't It Cool.

"Iron Man 2" is, in every possible way, issue two of a comic book.  It doesn't have to spend time setting up the origin of the character, and it doesn't feel the need to resolve every single story thread introduced in this one film.  There's a sense that everyone's settling into this series and thinking big.  It is just as confident as the first film, and incredibly aggressive in the way it handles story and characterization.  The pre-title sequence picks up mere seconds after the ending of the first film, and introduces Ivan Vanko (Mickey Rourke), an embittered Russian with family ties that make Tony Stark a perfect target for his rage.  By the time the main title appears onscreen, everything's already in motion, and then we're right into the Stark Expo, where Tony Stark (Robert Downey Jr.) takes the stage.

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<p>Albert Brooks (seen here with Bruno Kirby) is the writer, director, and star of one of the great comedies ever made about the way relationships work (and don't), &quot;Modern Romance&quot; </p>

Albert Brooks (seen here with Bruno Kirby) is the writer, director, and star of one of the great comedies ever made about the way relationships work (and don't), "Modern Romance"

Credit: SPHE

The Basics: 'Modern Romance' turns the rom-com formula inside out

The series returns with a look at the most significant film in the Albert Brooks filmography

It's been a while since we've done one of these, but that's because Will Goss got caught trying to smuggle 7.3 metric tons of Gourdough's gourmet doughnuts out of Austin, TX.  Internally.  And the AMA needed to study him to see how he kept his heart from exploding.

Now that the study is complete (answer:  he deep-fried it), Goss is ready for his latest installment of "The Basics."  Last time we did this, he watched "Manhattan," and I didn't mean to move on to a neurotic romantic comedy from a writer/director as a follow-up, but when Goss told me he'd just rented a stack of movies recently and he listed off the titles, I couldn't resist one of the ones he was about to watch.  "Modern Romance!" I wrote to him.  "Please! Make it 'Modern Romance'!"

Why?  Well, it's hard for viewers with no long-term memory to understand why Albert Brooks is significant to film comedy.  An "In-Laws" remake?  "The Muse"?  "Looking For Comedy in The Muslim World"?  It's been a while since he's done something worth serious consideration, but man... when he did...

I have trouble reconciling the Brooks of those later films with the guy who made some of my favorite comedies of the '70s and '80s.  There was a time when I thought he was making truly lacerating films about the ways in which we were failing ourselves as a culture.  "Real Life" managed to burn reality TV to the ground before there ever was such a thing, and it retains every bit of its bite thirty years later.  "Lost In America" demolished the whole obsession that the baby boomers had with '60s culture and the "freedom" they supposedly gave up when they "sold out," and I think the reason the film didn't do better is because it was a bitter pill to swallow.  Even in his later "Defending Your Life," he managed to score powerful points about what we call courage in life and how we all compromise ourselves, little by little, day after day, all wrapped up in what looks like a high-concept comedy about Heaven.  Brilliant.

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<p>There's a whole lot of suit-on-suit action ahead with the release of four new clips from 'Iron Man 2,' which hits theaters next Friday.</p>

There's a whole lot of suit-on-suit action ahead with the release of four new clips from 'Iron Man 2,' which hits theaters next Friday.

Credit: Marvel Studios

Four new 'Iron Man 2' clips highlight the Black Widow, Whiplash, and the suitcase suit

See Mickey Rourke in action and Sam Rockwell crank up the sleaze

There is only a little over a week until "Iron Man 2" hits theaters, and I'm excited for people to finally lay eyes on what Jon Favreau and Robert Downey Jr. and all of their collaborators have put together for issue two of this big-screen comic series.

I've already heard some complaints from fellow journalists who saw it last week when I did, many of them upset that this film doesn't have the same "wow" for them as the first one. I think they forget how everyone was skeptical about the need for an "Iron Man" movie in the first place, making the first one a huge mainstream surprise.  That's something you can never duplicate with a second film, so it seems like the wrong thing to get hung up on, in my opinion.

If "Iron Man" was the surprise out of nowhere for most people, then "Iron Man 2" is the victory lap that they absolutely deserve to take, and today, there are four new clips available that give you a good look at the tone and attitude and, yes, scope of what Marvel Studios is about to unleash.

There's been a fair amount of speculation about how Scarlett Johansson's character would end up interacting with Tony Stark in the film, and how she ties in to SHIELD and the larger "Avengers" plan that Marvel's building bit by bit right now.  Without spoiling the fun, let's take a look at her introduction in the film.

By the way... next time I upgrade my home computer, I want whatever system it is that Stark's using when he Googles "Natalie Rushman" after being introduced to her:

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<p>Brad Pitt, seen here on location, stars in the new Terrence Malick film 'The Tree&nbsp;of Life,' will hopefully be released at some point this year.</p>

Brad Pitt, seen here on location, stars in the new Terrence Malick film 'The Tree of Life,' will hopefully be released at some point this year.

The Morning Read: Trumball talks Malick's 'Tree Of Life' at TCM Fest in Hollywood

Plus 'Hobo' gets a blog, Ebert publishes 'Bambi,' and Gizmodo gets busted

Welcome to the Morning Read.

I'd like to start this morning by welcoming Alan Sepinwall to the HitFix team.  We are slowly but surely cultivating a great crew of people to write about entertainment culture of all sorts, and adding a guy as sharp and widely read as Alan can only be a good thing.  I hope you guys check out his blog and his reportage for the site in the days ahead, and that you agree with us that he's a great fit for the site.

If I disappear completely and only make occasional public appearances dressed head-to-toe in cowboy gear, you can blame "Red Dead Redemption," the open-world Western game from the same people who created the "Grand Theft Auto" games.  The more I read about this game, the more I'm convinced this is going to be one of those immersive gaming worlds that I'm able to play for months.  If I ever manage to get my 70-year-old father to try a videogame, this would be the one that did it.

Douglas Trumball spent some time this weekend at the Turner Classic Movies festival in Hollywood talking about his work on the new Terrence Malick films, among other things.  After reading this and the rumors of a recent Austin screening, I think it sounds like we're in for something special with "The Tree Of Life," even among the ranks of the other Malick films.  Brad Pitt may get people into the theater, but it's Malick that will make the experience a one of a kind.

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<p>Ridley Scott is returning to the series where he first cut his teeth with a pair of &quot;Alien&quot;&nbsp;prequels that are in development and may start shooting soon.</p>

Ridley Scott is returning to the series where he first cut his teeth with a pair of "Alien" prequels that are in development and may start shooting soon.

Credit: 20th Century Fox

Ridley Scott talks about the 'Alien' prequels and shooting in 3D

Will we see a 3D 'Blade Runner' post conversion in theaters soon?

Earlier today, Ridley Scott and Russell Crowe sat for an eight-person roundtable during the Los Angeles press day for "Robin Hood," and before the press conference began, the famed director sat and chatted about his recovery from recent knee surgery and how glad he is to not be shooting while he's still on the mend.  Crowe was running a few minutes behind him, so talk turned to what Scott might be up to next, with many of us guessing that we knew for sure what his next film would be.

He didn't even make us ask.  He just shrugged.  "Alien.  Yeah.  We're doing that now.  We've got a fourth draft, which is pretty good."

We asked him if he was going to considering shooting it in 3D, since most event movies at least have that conversation now.  "Of course," he replied.  "It will be in 3D."  Can't really ask for a more direct confirmation than that.  He talked about how the cameras he'll be using are already "moved beyond" what James Cameron used on his monster hit "Avatar," and how it will be easier for him as a result.  "It took them four years [on "Avatar"], but now we can do it in two."

One of the rumors we heard at the end of last year was that Scott considered retrofitting "Robin Hood" into 3D before releasing it.  "I could have squeezed it in under the hammer," he said, but decided against it.  I asked him if it made more sense to compose the images in 3D originally.  "It's not a big deal," he answered, surprising me.  "People always agonize over whether something's 1.85 or 2.35, and I don't really give a sh*t."  Even so, I asked him if shooting 3D makes sense with an "Alien" movie, since they're so dark, traditionally, and with 3D, you need as much light as possible on something to shoot it and give it a real sense of depth.  "You'll have to grade it later," he conceded.  "You'll have to grit your teeth and light it not the way you'd like it, and then later, regrade it.  Repaint it, basically.  When you think about it, 'Avatar' is almost completely an animated movie."

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<p>The idea of the original 1977 'Star Wars' making it to Blu-ray intact is just one of the things discussed on this week's 'Motion/Captured Podcast'</p>

The idea of the original 1977 'Star Wars' making it to Blu-ray intact is just one of the things discussed on this week's 'Motion/Captured Podcast'

Credit: Lucasfilm Ltd.

Listen: The Motion/Captured Podcast #3

Special guest Scott Swan discusses 'Star Wars' on Blu-ray, 'The Losers,' and plays a new weekly game

Third time's a charm, I think.

Or at least, technically speaking, I think this is the best-recorded of any of the podcasts so far.  I almost have it down to just "record/compile/publish" in terms of workflow, which is what I envision for these.  I'm not sure about doing a live streaming podcast... I don't think that's as important to me.  The point is providing something that is hopefully worth your attention and not just "nerd talk radio," as a friend recently put it.

Having Scott Swan as my co-host again is just plain easy.  I have no other friend who I've known as long and still talk to regularly.  Scott's been my friend for well over half of my life at this point, and for over twenty years.  That means I can talk to him casually about pretty much anything, and there's a comfort level there that I am not going to have with anyone else.  While I'm still figuring this out technically, I want someone around who isn't going to be adding any stress on my end in terms of getting things right.  I'd hate to be embarrassed in front of most of my peers, but Scott's well aware of what an idiot I am, so I'm beyond embarrassment with him at this point.

There's a game that we've been playing for a long time, my friends and I, and we almost used it on an AICN TV Show at one point.  It's a simple game of "What If?" that you play with two classic film titles... or really any two film titles you choose... and we'll explain the rules and play a few rounds this week, as we will with every guest from now on.

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The Green Hornet

Sony promises we'll get more than just a logo for "The Green Hornet" very, very soon.

Credit: Sony Pictures

Exclusive: 'Green Hornet' adds 3-D to the mix, and Seth Rogen explains why

It will be a battle between Seth Rogen vs. Joss Whedon for genre fans' dollars

UPDATE (6:00 PST) -- You'll find Seth Rogen's exclusive comments on the move to 3D in the article below, added after the initial publication.

The cynicism of most film "fans" is positively breathtaking these days.  More and more often, I feel like a freak for not being instantly knee-jerk snarky and dismissive.

Case in point:  "The Green Hornet."  The news just broke that Sony is moving the film from December 22nd, 2010 to January 14, 2011.  The reasoning behind the move is that Sony Imageworks is building out the film's various Kato-vision fight sequences in 3D, something they're doing from scratch.  Keep in mind, this film is still nine months away from release, so this is absolutely not the same situation that recently played out with Warner's "Clash Of The Titans," which was totally finished when the studio made their choice to release it in 3D, requiring a major last-minute post-production process.

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