It's been strange watching the production of "X-Men: First Class" from a distance.
Ever since I met Matthew Vaughn at a lunch with Guy Ritchie and Harry Knowles, he's been incredibly approachable and easy to talk to about his films, and I spent a fair amount of time watching him work on "Stardust" and "Kick-Ass." I shouldn't be surprised, though, because this time, he's not working for himself, and he didn't self-finance the film through his own Marv Productions. He was working for 20th Century Fox, and on a superhero film, pretty much the opposite of every professional situation he's had so far.
I've certainly had plenty of tough things to say about Fox and Fox management over the years, and I was concerned during production that part of the reason for the cone of silence was that Matthew was having a terrible experience. Based on the final film and our chat today, I'd say he was just busying running as fast as he could to make his release date, staying focused because there was no time to get this one wrong.
When we spoke, he was in bed with tonsillitis, but he sounded just as sharp and energetic as usual. As we started our conversation, I told him how pleased I was with the end result. Vaughn says, "Yeah, well, we were up against it on this movie, but somehow, I think the Movie Gods shone on us."
We talked about how rich the world established by this film is, and I asked him about his choice to use Sebastien Shaw as the main villain in this one. The filmmaker reveals, "He was the villain… no, the character, that I was most afraid of. I kept thinking, 'Are we going to pull Shaw off?' And the comic book version made me nervous, and I would argue with Lauren [Shuler-Donner] about it, and she'd say, 'He must have the ponytail and the cravat.' And I would argue, 'He is going to look like an Austin Powers villain, Lauren. We cannot do that. I have to make the movie work, and Kevin Bacon with a ponytail and a cravat dressed as an 18th-century fop will look ridiculous.'"