When I visited the Vancouver set for Zack Snyder's "Sucker Punch," producer Deb Snyder spent an hour of the tour explaining the film's plot to us, using storyboards, production art, and the sets themselves.
And I still couldn't tell you what the film will be about.
What was obvious during that set visit just became obvious to about 6500 people on Saturday morning when Warner Bros. premiered the first footage from the film during their panel. Whatever "Sucker Punch" turns out to be, it is absolutely a Zack Snyder film. This is the first time he's not working from existing source material, and as a result, every fetish and fascination of his seems to be front and center here.
The film deals with a girl named Baby Doll, played by Emily Browning, who lives with her abusive father and her younger sister. When her father snaps one night and murders her sister in front of her, Baby Doll sees it happen. Her father decides to send her to an insane asylum so they will lobotomize her, erasing all memory of his crime. Baby Doll is introduced to the other girls in the asylum, who have all found ways to survive their imprisonment, and as she starts the countdown to her lobotomy, she attempts to rally the other girls to escape. The thing is, the way Snyder defines escape in this movie is a tricky thing, and "Sucker Punch" may well turn out to give "Inception" a run for the money in terms of the way it plays with levels of reality and fantasy.