Inside Movies & DVD with Drew McWeeny

Watch: Joaquin Phoenix insists 'I'm Still Here' in Casey Affleck's new doc

Lawsuits may be rushing release date

Poster for I'M STILL HERE

Poster for I'M STILL HERE

Credit: Magnolia Pictures

It seems that the old saying: "there's no such thing as bad publicity" is constantly tested in Hollywood. Magnolia Pictures today released the official trailer for "I'M STILL HERE" (all-caps on purpose, btw) the Casey Affleck directed documentary about the "tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix."

The film, Affleck's first, follows Phoenix as he announces his retirement from acting in the fall of 2008 (whom many thought was a hoax) and follows him as he pursues a hip hop career. The jury is still out on if this is a "Borat" type mockumentary or something more earnest, or somehow both. If there is any "funny business" it's certainly not alluded to in the press materials.

Magnolia picked up the film on July 14, a little over a month ago, and plans on releasing it one short month from now on September 10th.

Why the rush? You may ask.

Oliver Platt will be The Man In Black in 'X-Men: First Class'

Still no Cyclops cast in X-Men Prequel

Sam Rockwell and Oliver Platt at the Gotham Awards

Sam Rockwell and Oliver Platt at the Gotham Awards

Credit: AP Photo/Evan Agostini

Matthew Vaughn appears to be casting the superhero prequel "X-Men: First Class" in record time. It's being reported by Deadline that Oliver Platt will be joining the ensemble as a non-mutant, somewhat government-agent-sounding "The Man In Black.

The film centers around Charles Xavier and Magneto's early friendly relationship, and perhaps the creation of the first incarnation of the superhero group The X-Men. Originally published in 1963 by Marvel Comics, "The X-Men" were created by Stan Lee and Jack Kirby, it is yet unknown how closely the film will follow the early story lines of the comics, but we do know that certain characters will be in it from the casting news.

George Lucas Announces Star Wars Saga will Finally Come to Blu-Ray Next Year

And Jon Stewart Gets His Own Action Figure

George Lucas in Orlando

George Lucas and Star Wars gets the Disney Treatment in Orlando at Celebration V

Credit: AP Photo/Disney, Todd Anderson

In the never ending quest to get movie fans to completely re-buy their entire home-video collections, (some of us for the third time), it has been announced that all six live action Star Wars films will at long last be released on Blu-Ray in one massive box set, due for release in the fall of 2011.

This news was given to thousands of fans at the "Star Wars Celebration V" convention in Orlando, Florida by George Lucas himself, in rollicking presentation moderated by Jon Stewart.

In what was the main event for convention, Stewart asked Lucas questions submitted by the fan community online, and one the most frequently asked questions involved the series' release on the HD format. With a sly smile, Lucas said "I wish I could say it was coming out this year" paused dramatically "But it's not, it's coming out next year" as the crowd went wild.

Watch: James Cameron says he could make 10 more 'Avatar' trips to Pandora

Plus he discusses the rules of world-building in the sequels

<p>James Cameron discusses his re-release of 'Avatar' with nine new minutes of footage on Aug. 27th.</p>

James Cameron discusses his re-release of 'Avatar' with nine new minutes of footage on Aug. 27th.

Credit: 20th Century Fox

It's probably better that I didn't know ahead of time that I was going to sit down with James Cameron this week to talk about "Avatar."

Surprisingly, I've never interviewed James Cameron.  I've sat down with his longtime producer Jon Landau before, and I attended one press conference around the time "Titanic" hit home video, but the entire time I was at Ain't It Cool, Harry had Big Jim on lockdown.  It was very clear that only one Ain't It Cooler was allowed near the man, and that was Grande Rojo.

As it was, I had about a day's advance notice, and it worked out well that way.  I didn't have time to overthink things, and since I had the same six minutes as everyone else, it really wasn't the time to do the grand epic interview that I'm sure I could do with the man.  Instead, we were there to speak quickly about about the upcoming theatrical re-release of "Avatar," with nine new minutes of footage included, and also to talk about the future of the series.

As I sat down, I had my Moleskine open on my lap, and Cameron pointed at it.  "Why do you get a cheat sheet?  I don't need notes."

"I just want to make sure I get to everything..."

"You won't," he said, smiling.

"... and don't forget anything."

Watch: Michael Cera and Jason Schwartzman do battle in 'Scott Pilgrim Vs. The World'

Plus learn the terrible truth about Schwartzman's deadly X-wing ninja style

<p>Scott Pilgrim and Gideon Graves have their final battle at the Chaos Theater in Edgar Wright's film version of 'Scott Pilgrim Vs. The World'</p>

Scott Pilgrim and Gideon Graves have their final battle at the Chaos Theater in Edgar Wright's film version of 'Scott Pilgrim Vs. The World'

Credit: Universal Pictures

Here on HitFix, as in the new film "Scott Pilgrim Vs. The World," it all comes down to this:  Michael Cera vs. Jason Schwartzman.

Actually, they seem like they really enjoyed each other as collaborators, so this interview is pretty much the opposite of antagonism.  But it's fitting that my long day of on-camera interviews for the film wrapped up with these two.  This was still before Michael and I boosted that golf cart, but just by a half-hour or so.  When Schwartzman saw the "Star Wars" t-shirt I was wearing, it inspired a story from his childhood that made an excellent way into the conversation.

I've got one more interview for you, and it'll run Saturday morning so that you have a chance to see the film before you read it.  It's the one-hour sit-down I did with Edgar Wright, and it's an all-print piece, well worth the read.  In the meantime, I hope you understand that I've thrown this much effort and energy at the movie this week because I sincerely want to see it do well, and I'm worried that it won't.  There are times where I consider this platform to be a place where box-office shouldn't be discussed at all, but the truth is that when a film like "Scott Pilgrim" underperforms, it's harder for the next guy with a radical vision to get his film made, and if there were more films that tried as hard and reached as deep as "Scott Pilgrim," then Hollywood would be a better place.

The Basics: 'Used Cars' may be the most American comedy of the '80s

The series returns, and we reach out to you to participate

<p>Deborah Harmon and Kurt Russell star in 'Used Cars,' the raunchy Robert Zemeckis/Bob Gale comedy that is this week's entry in 'The Basics'</p>

Deborah Harmon and Kurt Russell star in 'Used Cars,' the raunchy Robert Zemeckis/Bob Gale comedy that is this week's entry in 'The Basics'

Credit: SPHE

TODAY'S EDITION OF "THE BASICS" is dedicated to Edgar Wright on the eve of "Scott Pilgrim Vs. The World" Vs. The World, one film nerd's way of raising a toast to another film nerd who just made something that other film nerds are going to spend years being all film nerdy about.  Edgar is a man of taste and distinction.  I know this because I know he is a fan of the film we're going to discuss today. 

And if there's one thing I've learned in my 40 years of being a big ol' film nerd.... when you meet a fan of "Used Cars," that is someone you should befriend immediately.

First, though, we're going to shake up "The Basics" a bit because Will Goss has good ideas, and because you the readership have good ideas as well, and if you've got ways to improve something here, then I'm absolutely going to listen.

The entire point is for you guys to play along.  Look at how great a community Alan Sepinwall has built on the television side of HitFix.  I love that during the summer, they rewatch shows together, and Alan's just going to get to keep basking in all the great television shows that he loves. 

The point of this series should be to all share a vocabulary.  We want you to watch the movies on this list, and the movies on the Motion/Captured Must-See List (which will be getting an overhaul and which will sort of be part of this same series), and more than that, we want you to weigh in. 

Watch: Reese Witherspoon, Paul Rudd, Owen Wilson and Jack Nicholson in 'How Do You Know'

Can James L. Brooks strike gold with this ensemble?

<p>Paul Rudd is one of the stars of 'How Do You Know,' a new romantic comedy from James L. Brooks also starring Reese Witherspoon, Jack Nicholson, and Owen Wilson.</p>

Paul Rudd is one of the stars of 'How Do You Know,' a new romantic comedy from James L. Brooks also starring Reese Witherspoon, Jack Nicholson, and Owen Wilson.

Credit: Sony Pictures

I remember when "Broadcast News" was released in theaters and there was still a palpable excitement around the notion of a new film by James L. Brooks, and it made sense.  He was, after all, a TV giant who had made the successful jump to films with the Oscar-winning "Terms Of Endearment," and suddenly he was seen as important, as a significant mainstream Hollywood voice.

Cut to today, where we're on the other side of films like "I'll Do Anything" and "Spanglish," and Brooks's star seems considerably tarnished.  Even so, I remain curious about anything he does precisely because of the moments he's crushed it completely, like every single word spoken by Albert Brooks in "Broadcast News" or the great rolling misanthropy of Nicholson in "As Good As It Gets."  Brooks is a guy whose sensibility hasn't evolved at all over the years, which isn't a bad thing.  He is the same filmmaker now he was when he began, with the same concerns, and his characters all still sound the same.

What has changed is the entire culture of film, and I'm curious to see if there's still a place for what Brooks does.  When I interviewed Rob Reiner recently, he complained that studios simply won't make mid-price films aimed at grown-ups anymore, and those movies are the bread and butter for guys like Reiner or Brooks, films that star big movie stars but that aren't particularly high-concept.  He's always been most interested with setting characters up on these deteriorating downward spirals, then throwing them together to see what happens.

Watch: Alison Pill and Mark Webber join a band with 'Scott Pilgrim'

Meet the other two-thirds of Sex Bob-omb

<p>Mark Webber and Alison Pill are two-thirds of the band Sex Bob-omb in 'Scott Pilgrim Vs. The World'</p>

Mark Webber and Alison Pill are two-thirds of the band Sex Bob-omb in 'Scott Pilgrim Vs. The World'

Credit: Universal Pictures

One of the real pleasures of "Scott Pilgrim Vs. The World" is the way the huge ensemble cast is packed with surprises, people who I may not have been terribly familiar with before this film.  In every case, I find that now that I've seen them in these roles, I have a huge affection for them.

Alison Pill's best known role before this for me was probably in "Milk," but I know people really loved her on the second season of "In Treatment," which I haven't seen yet.  Each time I've seen "Pilgrim" so far, I find myself really drawn to her portrayal of Kim Pine.  Like many of the cast members, she's got this entire movie going on in the background of the main movie, and that rich inner life is what really distinguishes this from much of what I've seen this year.  These aren't just types used to fill out the film... they're each such interesting and hilarious people.  What I really love about Pill's portrayal of Pine is how her sullen irritation with Scott is played as a joke in much of the film, but she never loses sight of the genuine pain that fuels the character, and she makes it more than just a one-note character.

Mark Webber is a guy who I've never really noticed before, and I feel like an ass saying that.  He's made 30 films already, but sometimes it takes a movie like "Scott Pilgrim" and a role like Stephen "The Talent" Stills to make an actor stand out.  He's great, perfectly embodying the insecurity and the arrogance that so often collide in the front men of unknown bands.  He steals moment after moment that he's onscreen, and I hope this is a launching pad to much bigger things for him.

Who are Andrew Gurland and Huck Botko and what is 'The Virginity Hit'?

Why this mockumentary has a chance at being something special

<p>The shot-on-handheld-video look of 'The Virginity Hit' is meant to help sell the 'reality' of the piece.</p>

The shot-on-handheld-video look of 'The Virginity Hit' is meant to help sell the 'reality' of the piece.

Credit: Sony Pictures

Huck Botko and Andrew Gurland are very dangerous men. I’ve known this for quite a while, but the two new films they're part of reinforce this idea quite persuasively, as they reach out to a wider audience than they've ever had before.

Before the era of "Jackass" and "Punk'd" and Bam Margera doing whatever the f he wants to and Tom Green fellating cow udders, Botko and Gurland were making short films that are still hard to believe when you see them.  Botko’s “Dessertumentary” series blew my mind, one of the most openly hostile comic exercises I’ve ever seen.  Basically, he had a ton of unresolved aggression towards his family and decided to work it out on film.  In the film "Fruit Cake," he bakes a fruit cake for his family, but he has an assortment of homeless people spit in the batter before he cooks it.  In subsequent films like "Baked Alaska," "Cheesecake," and "Graham Cracker Cream Pie," he continues to make desserts filled with vile substances including his own semen... desserts that he ends each film by serving to his family members so he can film them while they’re eating.  The short films are both hilarious and terrifying, unchecked comic hostility on display.

Right around the same time, Gurland made a feature documentary called "Frat House," a controversial feature he co-directed with Todd ("The Hangover", "Old School") Phillips.  It’s ferociously entertaining, and it made quite a stir at the 1998 Sundance Festival, partly because of it’s harrowing and wickedly funny look at college fraternity hazing rituals, and partly because of accusations that the film was more fiction than fact.

The M/C Review: 'Eat Pray Love' offers up a solid meal

Did Ryan Murphy shape a successful movie from the bestselling memoir?

<p>Julia Roberts and Richard Jenkins star in the globe-trotting new adaptation of the best-selling book 'Eat Pray Love'</p>

Julia Roberts and Richard Jenkins star in the globe-trotting new adaptation of the best-selling book 'Eat Pray Love'

Credit: Sony Pictures

It's a fascinating weekend at the box-office in terms of what is available to viewers, and whatever ends up on top, it feels to me like everyone can find something they'll enjoy if they hit a theater.

I'm on the record already about how much I love "Scott Pilgrim Vs. The World," and in a perfect world, it would outgross "Avatar" by Monday.  I wish I could be equally enthusiastic about "The Expendables," but the more I think about it, the more disappointed I am by the total lack of ambition of the film, which ultimately just feels like every other crappy direct-to-video Avi Lerner movie with a few more famous faces than normal.

Of the three major releases this weekend, "Eat Pray Love" is probably the least likely fit for my blog, and I've been sent letters in the past from readers outraged over what they see as my bias against "chick flicks."  It's somewhat amazing to me that so many smart women will defend a genre that frequently treats them like morons beneath contempt, but I guess I understand the protectiveness.  I may think a lot of what gets released in the superhero/comic book genre is junk, but when I read Jeffrey Wells with one of his stupid bitter "I hate fanboy movies" rants, I get defensive on behalf of the good films in the genre that make it worthwhile, conveniently forgetting all the crap that comes along with that.  I think it's the same way with women who feel like they are under-served by Hollywood... they'll defend anything that even remotely looks like what they want, hoping they'll get some good films that justify that defense along with the 900 shitty "Kate Hudson needs a dude" movies that get released each year.

Lately, there's been a lot of talk about the Bechdel Test, a way of judging films on a quota system that sounds like a way to balance a shocking injustice at first, but which seems to me to value rigid rules over the simple expression of a point-of-view by an artist.  To pass the test, there must be at least two female characters in your film with actual names, they must talk to each other at some point, and it must be about something other than a man.  I certainly see the value in looking at your film through that filter, but I don't think every film has to pass that test.  I just think it's key that not every film fail that test.  More importantly, though, is that a film, whether it fails that test or not, treats its audience with respect and offers up something akin to actual human behavior during its running time, and that is the test that most Hollywood "romantic comedies" or "chick flicks" fail utterly.

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