So far, one of my favorite strange digressions of Steven Spielberg's career has been his collaboration with Tony Kushner. I love it because it is so very unlikely, and because both of the films that have resulted from this creative conversation are so unlike the rest of Spielberg's work.
Kushner blew me away with "Angels In America" when it first opened on stage, and I think he's got a very specific, very beautiful voice as a writer. "Munich" is a film that I like more as I return to it, and I think Spielberg's sentimental streak has found a perfect antidote in the frank and observational voice of Kushner's words. While I'm not a fan of biopics in general, I was curious to see what these two would make of Abraham Lincoln as a subject. It's about a big a canvass as there is in terms of American characters. He has passed the point of icon and become a mythic figure at this point, and so making a film about him requires a point of view, a reason beneath the history, and Kushner and Spielberg found a pretty tremendous way into the film.