<p>Charlie Kaufman's going to help bring the 'Chaos Walking' series to the screen.</p>

Charlie Kaufman's going to help bring the 'Chaos Walking' series to the screen.

Credit: Walker Books

Charlie Kaufman set to script 'Chaos Walking' adaptation for Lionsgate

Could the 'Being John Malkovich' writer be part of the next 'Hunger Games' style hit?

When you're kicking off a new franchise, calling Charlie Kaufman seems to be as outside-the-box as Hollywood thinking could possibly be.

However, if you're a studio looking for underlying material to support a new franchise, buying a young-adult series set in a dystopian future is pretty much as by-the-book as Hollywood thinking gets.

So when Lionsgate buys the "Chaos Walking" series of books by Patrick Ness, it makes perfect sense.  I'm sure as soon as they're done with "The Hunger Games," they're going to want another series to be ready and waiting.  Now it looks like they've hired Kaufman to adapt at least the first book in the series, "The Knife Of Never Letting Go."  While Kaufman doesn't immediately leap to mind as the sort of guy who writes big studio mainstream films, this might actually turn out to be a very canny fit of filmmaker and material.

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<p>You think you're surprised, Mr. Bond? Me, too, because I&nbsp;used to rank 'Thunderball' among the series' early highlights, but I really don't think it holds up.</p>

You think you're surprised, Mr. Bond? Me, too, because I used to rank 'Thunderball' among the series' early highlights, but I really don't think it holds up.

Credit: MGM/UA Home Video

James Bond Declassified: File #4 - 'Thunderball' is the first series stumble

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The most legally controversial film in the series was also its first big misstep

JAMES BOND 007 DECLASSIFIED
File #4: "Thunderball"

This series will trace the cinema history of James Bond, while also examining Ian Fleming's original novels as source material and examining how faithful (or not) the films have been to his work.

Directed by Terence Young
Screenplay by Richard Maibaum and John Hopkins and Jack Whittingham
Story by Kevin McClory and Jack Whittingham and Ian Fleming
Produced by Kevin McClory and Stanley Sopel

CHARACTERS / CAST

James Bond / Sean Connery
Domino Derval / Claudine Auger
Largo / Adolfo Celi
Fiona / Luciana Paluzzi
Felix Leiter / Rik Van Nutter
Count Lippe / Guy Doleman
Patricia / Molly Peters
Paula / Martine Beswick
"M" / Bernard Lee
"Q" / Desmond Llewelyn
Moneypenny / Lois Maxwell
Foreign Secretary / Roland Culver
Francois Derval/Angelo Palazzi / Paul Stassino
Pinder / Earl Cameron

CREDITS SEQUENCE

Starting with that monogrammed "JB" on the side of a casket is a nice touch.

Bond's at the funeral of a man he wanted to kill, and he's upset he missed his opportunity.  He watches the family drive away.  But… wait… turns out the dude is posing as his own widow, and James follows him to the family home, then beats the ever-lovin' snot out of him.  It's a vicious fight, ending with Bond strangling the guy to death with a fireplace poker.  Bond makes his escape via jetpack in one of the great practical gags from the film series, and, using a car that appears to have been through Q branch, sprays down the guards chasing him, which leads into the underwater opening credit sequence, complete with Tom Jones theme song.

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<p>Sorry, Zac Efron, but Oscar is the cutest movie star in any of this weekend's new releases</p>

Sorry, Zac Efron, but Oscar is the cutest movie star in any of this weekend's new releases

Credit: Walt Disney Company

The Weekend Watch: 'Chimpanzee,' 'Marley,' and the French thriller 'Sleepless Night'

It's a weird week of theatrical releases as the summer prepares to kick off

You've got a lot of options for what to watch and how, and we want to help you plan your weekend with a new column where we'll highlight three things you can see in theaters, three things you'll find streaming, and three titles new to home video.  Appropriately enough, we call this The Weekend Watch.

It's the calm before the storm.

Right around the corner now, summer gets started.  There's something happening every weekend from now until September.  This is it.  For me, the summer started about a week ago when I saw "The Avengers," and I'm hoping to be able to write about that soon.  I'm going to be writing up this summer's movies as they start screening, and I'm also planning to write about the Alamo Drafthouse "Summer Of 1982" films all summer long.  Add that to the ongoing "James Bond Declassified" series, and you're going to have quite the reading list here this season.

So what's opening this weekend, when all the studios are just getting ready, revving up, preparing to unleash the things they've got planned for us?  What's streaming?  What should you be finding on Blu-ray or DVD?

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<p>Jason Schwartzman takes marriage very seriously in an exclusive clip from Wes Anderson's upcoming 'Moonrise Kingdom'</p>

Jason Schwartzman takes marriage very seriously in an exclusive clip from Wes Anderson's upcoming 'Moonrise Kingdom'

Credit: Focus Features

Watch: Exclusive 'Moonrise Kingdom' clip has Jason Schwartzman talking marriage

Wes Anderson's new film looks like fun and familiar territory

Yep.  That sure does look like a Wes Anderson movie.

The entire line-up for Cannes that's been announced so far has me damn near giddy, and as soon as they announced that the opening night film was going to be Wes Anderson's "Moonrise Kingdom," I made sure to book my travel so I'd be there for the kickoff.

I read about half this script, then stopped.  Not because it was bad, but because of the exact opposite.  I was having so much fun with it that I decided I'd rather just see it play out than read it and ruin it for myself.  The worlds that Wes Anderson creates in his films are so specific and visual and all-encompassing that it's impossible to really "read" one of his films ahead of time.  You have to see how the actors choose to inhabit the characters, and you have to see the details that he packs his frame with, and you have to hear the soundtracks he puts together.

I don't get it when people complain about the heightened reality that Anderson creates in his movies.  It seems to me that if you don't like directors with a strong signature style, you just should skip their films, not complain that they are so specific.  Anderson's absolutely got a signature that you can see as soon as something begins, and ever since "Bottle Rocket," he has been refining that style a little bit more with every movie.

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<p>Jennifer Lawrence is set to return as Katniss Everdeen in 'Catching Fire,' and now it looks like Francis Lawrence will be calling the shots on the film.</p>

Jennifer Lawrence is set to return as Katniss Everdeen in 'Catching Fire,' and now it looks like Francis Lawrence will be calling the shots on the film.

Credit: Lionsgate

Francis Lawrence reportedly offered director's chair for 'Hunger Games' sequel

Can he make the November 2013 deadline?

Francis Lawrence has emerged as the favorite to replace Gary Ross as the director of "Catching Fire," the highly-anticipated sequel to "The Hunger Games," and according to a report just published in The Hollywood Reporter, he'll get his official offer to helm the movie this afternoon.

This has been a lightning-fast process, primarily because Lionsgate can't afford to waste any time.  They have a specific timetable they have to meet if they plan to have Jennifer Lawrence done with shooting in time for her to make the jump to the sequel to "X-Men: First Class" that she is also committed to, and it sounds like Lionsgate ended up meeting with Lawrence and with Bennett Miller today.

As with the "Twilight" films, it seems like the studio is casting a wide net for what they're looking for in a director on this series, and none of the picks are what I would call typical action directors.  While Lawrence made "Constantine" and "I Am Legend," his most recent film was "Water For Elephants," and in conversation with him, he's always seemed like a guy who had a pretty broad range of interests in terms of what he'd like to make.

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<p>Daniel Craig takes aim on an end-of-the-year release for the 50th anniversary James Bond film 'Skyfall'</p>

Daniel Craig takes aim on an end-of-the-year release for the 50th anniversary James Bond film 'Skyfall'

Credit: Sony/EON

Bond Bits: '007 Legends,' new 'Skyfall' video and Fleming goes e-book

Short version: it's a great time to be a James Bond fan

I'm going to have the next "James Bond Declassified" for you tomorrow, covering "Thunderball," and in the meantime, I thought there were enough bits and pieces of James Bond news bouncing around out there that it was worth rounding them up in one place.

First and foremost, have you been reading Greg Ellwood's reports from the set of "Skyfall"?  He just went to London, and it sounds like it was a great trip to Pinewood to see what Daniel Craig and crew are up to.  If you'd like to get as close as possible to a set visit without leaving your house, there's a new video blog up featuring Sam Mendes and the Shanghai setting for some of the new film.

This seems to be the most active any James Bond film campaign has ever been in terms of offering up looks at the making of the film while they're still working.  It's even unusual for a big film to allow people to write about a set visit a week after they were there.  Normally those things are held for months.  It signals a sort of confidence on the part of EON and Sony that the public is hungry for the return of Daniel Craig, and I think it's also due in part to this being the 50th anniversary of the arrival of the first Bond film, "Dr. No."

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<p>Anything&nbsp;I write about this photo is going to get me in trouble with my wife.&nbsp; Suffice it to say, I&nbsp;await 'Sin City:&nbsp;A Dame To Kill For' eagerly.</p>

Anything I write about this photo is going to get me in trouble with my wife.  Suffice it to say, I await 'Sin City: A Dame To Kill For' eagerly.

Credit: Dimension/Troublemaker

Robert Rodriguez confirms Rourke and Rosario returning for 'Sin City 2'

Good thing, since we can't imagine Marv without the Mick

I guess some of this feels inevitable, but if a decade-plus of covering this industry has taught me anything, it is that common sense rarely rules the day.  Just because Robert Rodriguez is finally making a sequel to "Sin City," we shouldn't just assume that he's going to have the same cast back… should we?

When Rodriguez spoke with MTV News this week, he said that Mickey Rourke has agreed to return as Marv, the role that helped kickstart his successful comeback.  That's good news, because if anyone on this planet looks like they stepped out of a comic book, it's Mickey Freakin' Rourke.  And it sounds like Rosario Dawson is also coming back to play Gail, one of the most visually striking characters the already-visually-striking Dawson has ever played.

In 2007, there were rumors that Angelina Jolie was set to star in the film, but it sounds like Rodriguez threw some cold water on those rumors.  The process never really got that far, and right now, Jolie's not involved at all.

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<p>Seriously... it's like the Cannes Festival wants to reward us with traffic this morning.&nbsp; Pattinson and Stewart in the same festival?&nbsp; It's like Christmas.</p>

Seriously... it's like the Cannes Festival wants to reward us with traffic this morning.  Pattinson and Stewart in the same festival?  It's like Christmas.

Credit: Alfama Films

3D, Kidman, Cotillard and more in closer look at the first wave of titles for Cannes Fest

It's time to start getting excited... but about what, exactly?

The press conference to announce the first batch of titles that will play this year's Cannes Film Festival began around 2:30 AM PST, but the line-up more than made up for the half-hour delay from the promised start time.

Thierry Fremaux, director of the festival, took the stage to announce the first 50 or so titles, and it's an exciting event on paper.  The potential here is almost intoxicating, even without some of the much-speculated-about titles.  I'm going to be at the festival for the second time this year, and I have a feeling I'm going to do much better this year in terms of how much I see and how I prioritize the films I'm going to attend.

For example, I am fairly sure I'll be seeing the 1984 film "Once Upon A Time In America," and I'm dying to see if the 269-minute cut of the film finally resolves the issues that keep it from being one of my favorite Sergio Leone films.  And I'm going to see the restoration of Roman Polanski's "Tess," just as sure as I'm going to see the Laurent Bouzereau documentary "Roman Polanski: A Film Memoir."

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<p>Mark Ruffalo puts on his best Brando to get a laugh out of co-star Scarlett Johansson during an interview about their new film 'The Avengers'</p>

Mark Ruffalo puts on his best Brando to get a laugh out of co-star Scarlett Johansson during an interview about their new film 'The Avengers'

Credit: HitFix

Watch: 'Avengers' stars Mark Ruffalo and Scarlett Johansson share a laugh

The Hulk and the Black Widow go head to head to discuss their new film

In 1994, I had my first play produced as part of a one-act theater festival here in Los Angeles at the Met Theater.  The festival was cast by Risa Bramon Garcia, who was one of the biggest casting agents in the business at the time, and one of the other plays that was produced as part of the festival was "Betrayal By Everyone," by Kenneth Lonergan.  That was eventually expanded into "This Is Our Youth," and the play put both Lonergan and Mark Ruffalo on the map.

During the festival, I made time to see the play that Ruffalo was in several times, and he earned a nickname among the people working on the fest:  Baby Brando.  There was a crazy intensity to his work that had people talking about him, and it didn't surprise me at all to see him continue to work with Lonergan in the years that followed.

When we sat down to talk about his work in "The Avengers" the other day, he was paired with the lovely Scarlett Johansson, and when I brought up the Act One festival, he was excited to talk about that time.  The nickname, though, was news to him, and Johansson took visible pleasure in being able to use that as ammunition in the teasing that seems to be a constant between the cast members of this film.  He did a Brando impression for her even as she started busting his chops about his work in the "thea-tah," and by the time we rolled tape, they were both laughing and kidding around.

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<p>That's the same look I had on my face the first time I rode Disney's Mr. Toad's Wild Ride attraction.</p>

That's the same look I had on my face the first time I rode Disney's Mr. Toad's Wild Ride attraction.

Credit: Walt Disney

Disney develops new film based on 'Mr Toad's Wild Ride'

Anyone want to lay bets on whether the film ends in Hell or not?

On Allen's fourth birthday in March, we took him to Disneyland.  This was his third trip, and we're still adding new rides each time we go, figuring out what he and Toshi like the most,  and there are rides we still haven't been on.  This past time was their first experience with Mr. Toad's Wild Ride, and it was a big hit with them.

They don't know the film "Wind In The Willows" at all, though, and I've noticed that as a big part of the Disneyland experience for kids.  They don't actually know many of the films that inspired the various attractions, but they enjoy the rides anyway.  As my friend who joined us at the park pointed out, it's surprising they haven't taken Mr. Toad's Wild Ride out or changed it, since the ride quite literally ends with you going to Hell.

When Disney says that they're planning to develop a film based on the ride, though, I must admit I'm a little confused.  Does that mean they're going to do a new adaptation of "Wind In The Willows" using these same character designs?  Or are they going to throw out the story completely, take these characters, and build something totally different?  That's kind of a weird idea, considering the ride was adapted from a film that was adapted from a book.  It's like Disney is playing a pop culture game of telephone, and getting further from the original idea each time out.

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