<p>Yep, there they are, right where we left them at the end of 'Toy Story 3'</p>

Yep, there they are, right where we left them at the end of 'Toy Story 3'

Credit: Pixar

That 'Toy Story 4' rumor is completely false

And here's why you shouldn't believe what you're reading

It seems like each week now, we get some new lesson in just how fast information, both true and false, can spread online.  The moment someone breaks a story like El Mayimbe's Harrison Ford scoop last week, it is everywhere.  And while there's been no official confirmation of that story yet, most online organizations picked the story up because they trusted the origin of the information.

But what about when people suddenly create headlines around something that comes from a totally untrustworthy and untested source?  Why do things that have no immediate credibility suddenly become worldwide trending topics on Twitter?  Is is just a case of people wanting a rumor to be true so much that they don't care about reality?  As Wilco once sang, "All my lies are only wishes," and it sounds today like a lot of people wish there was a "Toy Story 4" arriving in theaters in 2015.

The problem is, it's not.

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<p>Sarah Polley listens as her father records his version of the story of her life in 'Stories We Tell,' a remarkable new film.</p>

Sarah Polley listens as her father records his version of the story of her life in 'Stories We Tell,' a remarkable new film.

Credit: Roadside Attractions

Review: Sarah Polley's 'Stories We Tell' emerges as an early favorite for 2013

HitFix
A+
Readers
A+
A devastatingly personal documentary is one of this year's best films

This past weekend, I sat down with Michelle Williams to talk about her role in Sam Raimi's "Oz The Great and Powerful," and we'll have that interview for you soon here at HitFix.  Before we started, though, I mentioned to her that I just saw Sarah Polley's latest film, a personal documentary called "Stories We Tell," and that it completely changed the way I thought about Polley's previous film, "Take This Waltz."  Williams lit up and we chatted about both films until they told me they needed to roll tape, and it's obvious that she is very fond of Polley as a filmmaker and just as impressed by her work as I am.

When I saw "Take This Waltz" at the Toronto Film Festival, it pretty much flattened me emotionally.  I put it on my top ten for 2011, and I have seen the film three or four times since then, loving it just a little bit more each time.  Polley has a strong, fascinating perspective, and it's not just because she's a woman.  Yes, there are things about her work that are distinctly feminine, but she's also just got this huge curiosity about the really painful parts of life and the way those painful parts relate to the joy we feel.  If you've seen "Waltz," you know it's about a married couple who come to a parting of the ways, and it's not anything the guy does.  It's because the wife is simply open to life in a way that leaves her unguarded. She falls in love. She doesn't mean to do it, but she's wired to do it.  She can't help but do it.  She falls in love because that's the sort of person she is.  That's what is important to her.  She is so full of a certain kind of vitality and energy and when she finds someone who connects to it, she can't resist.  And why should she?  It's her nature.

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<p>Michael Caine is forced to make some tough moral choices in pursuit of his wife in the adventure film 'Ashanti,' available now on Blu-ray.</p>

Michael Caine is forced to make some tough moral choices in pursuit of his wife in the adventure film 'Ashanti,' available now on Blu-ray.

Credit: Severin Films

My Blu-ray Shelf: Michael Caine tries to rescue his wife from slavers in 'Ashanti'

HitFix
B-
Readers
n/a
An adventure film set in the world of human trafficking is less sleazy than expected

Severin Films normally handles things that fall closer to the sleazy end of the scale, and that's not a judgment of their overall identity, just an observation.  You looking for the absolute best master ever of a particular European softcore title from the '70s?  If anyone's put it on home video, it's probably Severin.

I can understand why they probably wanted to put out "Ashanti" as one of their latest releases.  The film has a certain reputation, and I've never seen it before, in part because of that reputation.  Finally having seen it, though, it's far less exploitative than I expected it to be, and instead, it's pretty much a straightforward adventure film using human trafficking as the backdrop.

While he's in Africa with his wife, Dr. Anansa Linderby (Beverly Johnson), Dr. David Liderby (Michael Caine) is horrified by her disappearance.  She's taken by the slaver Suleiman (Peter Ustinov), and for the rest of the film, Caine does his best to catch up with Ustinov before she can be sold into a life of bondage.  I was worried at the start of the film that it was going to be rapey and disturbing, but the film avoids that sort of thing entirely.  Instead, it's all about the chase and the various allies that Caine is forced to call on in his quest to find his wife.

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<p>This is as close to a 'meet cute' as you're going to get in William Dear's 'Timerider,' which arrives on Blu-ray in March.</p>

This is as close to a 'meet cute' as you're going to get in William Dear's 'Timerider,' which arrives on Blu-ray in March.

Credit: Shout! Factory

My Blu-ray Shelf: 'Timerider' stands up as charming science-fiction Western

HitFix
B
Readers
n/a
How many would-be franchises did Fred Ward star in, anyway?

I need to get better about sharing thoughts on the mountain on home video that ends up on my shelves here at the house, and it doesn't need to be long-winded or overly-complicated.  It's amazing how often I forget that.  I also want to start including links out to Amazon (you'll find one at the very bottom of this piece) from these DVD and Blu-ray pieces so, if you choose to, you can support the ongoing efforts of Film Nerd 2.0 as I continue to add titles to the library to share with the boys in the months and years ahead.

For example, this morning's movie is one of those films that I know I've seen the cover of about a thousand times over the years.  "Timerider" has been a home video mainstay since not long after its 1982 theatrical release, and for some reason, I've always put it off as one of those "that looks fun on some rainy afternoon" movies.  Finally arriving on Blu-ray seems like a good enough excuse to finally watch it, and my first observation is that this is probably as good a print of this particular title as you are every likely to see.

I had no idea this was co-written and directed by William Dear, who was also responsible for the late-'80s Amblin' film "Harry and the Hendersons," or that producer Michael Nesmith was also a co-writer.  The film is a somewhat goofy adventure film about a motorcycle racer who accidentally rides into the middle of a test of a time machine.  He ends up in the Old West, where he squares off against a gang of bloodthirsty bandits made up of Peter Coyote, Tracey Walter, and, as unlikely as it sounds, Richard Masur.

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<p>Kevin Costner appears not only in 'JFK' by Oliver Stone, but in the JFK-themed film 'Thirteen Days'</p>

Kevin Costner appears not only in 'JFK' by Oliver Stone, but in the JFK-themed film 'Thirteen Days'

Credit: Warner Bros

From JFK To Jed Bartlet: A closer look at how Hollywood has treated the US Presidency on film

Which President, real or fictional, has been your movie favorite?

So it's President's Day.  As with any holiday, you should celebrate with a movie, obviously, but which one?

If you're going to the theater today, then "Lincoln" probably remains your best bet.  After all, not only does it manage to actually raise the 16th U.S. President from the dead via medium/movie star Daniel Day Lewis, but it also does a fantastic job of showing how the power of the Presidency can be used.  There are so many movies about U.S. Presidents that trying to pick from, and so many different types of films, that picking one to enjoy today can be as brutal as your average election season.

Oliver Stone has made a career out of exploring the uses and abuses of power in America, and he may be the only working filmmaker who has made three different films named after U.S. Presidents.  Of the three, I think "JFK" is the best of the bunch, even though it's not really about the President.  There are few films that have ever done a better job of exploring the elusive nature of truth in the media age or that have dramatized the way we can disappear down a rabbit hole in search of answers where there are none to be found.  It is a film about obsession and the way power is brokered in the post-Eisenhower era, and it is nothing less than dizzying to witness.  Stone has never been more technically exciting to watch than he was at this point in his career, and "JFK" is one of the most amazing theatrical experiences he has ever signed his name to.  I'm quite fond of "Nixon" as well, but that may be because I have been fascinated by Nixon for as long as I've been aware of him. 

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<p>It's so weird... at first glance, I thought this was a photo of me, but then I realized my hair isn't that long.</p>

It's so weird... at first glance, I thought this was a photo of me, but then I realized my hair isn't that long.

Credit: Lionsgate

Jason Momoa may be Marvel's Drax The Destroyer for 'Guardians Of The Galaxy'

This cast just keeps getting weirder, and we wouldn't have it any other way

It looks like we're going to end up hearing the rest of the key casting for James Gunn's "Guardians Of The Galaxy" in the next few weeks.  Gunn just relocated to London, where he'll be through most of this year, and they're looking to kick off the shoot in April.

That means they're doing everything they can right now to build that ensemble just right, and if they end up hiring Jason Momoa as Drax The Destroyer, that sounds like a nice step in the right direction.

Drax, who did not originate in the "Guardians" series, is directly tied to to Thanos, the character introduced in the very end of "The Avengers," and I'm guessing they'll try to maintain some of that in the film.  Drax began life as a human character, Arthur Douglas, and it is only after Thanos kills his family and leaves him brutally wounded that Douglas managed to transfer his soul into a new body.  That's Drax, and in his earliest incarnations, he was a powerful figure with super strength, the ability to fly, and magic power lasers he shoots from his hands.

With those powers, he had only one job: find and kill Thanos.

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<p>When you see what James McAvoy's looking at, you'll understand his incredulity.</p>

When you see what James McAvoy's looking at, you'll understand his incredulity.

Credit: Fox Searchlight

Danny Boyle's 'Trance' has a red-band trailer that will blow your mind

A crime movie and a head game in one? Count us in.

Danny Boyle is a trickster spirit.

That's the only explanation for the way he's been able to morph from one filmmaker into another, covering a wide range of subject matter and tone, and it looks like he's pushing into some strange new territory with his new film "Trance," which just got a new red-band trailer today.  I'm not sure when the first trailer came out, but I somehow missed it completely.

After seeing the red-band trailer today?  I'm in.  Let's see it now.

He's working with his longtime screenwriting collaborator John Hodge again, and it looks like a mystery thriller with a crazy psychological component.  James McAvoy plays an auctioneer who works with big-ticket art items.  One painting in particular goes missing, and people are convinced the answer to what happened is locked inside McAvoy's head.  He says he doesn't remember, and he agrees to allow a hypnotherapist (Rosario Dawson) to try to help him unlock the secret.

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<p>No one accepts an award as well as Peter Dinklage, seen here linked in by satellite to this year's Scream Awards live from the set of 'Game Of Thrones'</p>

No one accepts an award as well as Peter Dinklage, seen here linked in by satellite to this year's Scream Awards live from the set of 'Game Of Thrones'

Credit: AP Photo/Chris Pizzello/Invision

Bryan Singer confirms Peter Dinklage will be joining 'X-Men: Days Of Future Past'

Plus new details emerge about what sounds like a super-sequel

It feels to me like Bryan Singer is desperately trying to put together a version of "X-Men: Days Of Future Past" that will erase any lingering bad feelings about what has happened to the "X-Men" franchise since he jumped ship to run off and make "Superman Returns."

If that's true, then hiring Peter Dinklage to play a key role in the film is a major step in the right direction.

Right now, there's no word on who he's playing, but that's the great thing about a guy like Dinklage.  No matter who you've hired him to play, you know you're going to get something interesting out of him.  It's been really exciting watching him blow up as a nerd icon in the last few years thanks to "Game Of Thrones," because he's one of those guys who has been highly respected by film fans for years, even if there are times where he's felt like a well-kept secret.

Now what I'm most curious about is how Singer's going to juggle what sounds like a positively massive cast of characters.  He's had fun announcing new additions to the cast on Twitter, and he seems positively giddy about returning to the franchise he kickstarted.  Our own Dan Fienberg was in London over the weekend to discuss "Jack The Giant Killer" with Singer and his cast, and he talked to the director and Nicholas Hoult about the sequel, and we'll have that up for you soon.

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<p>Bruce Willis, Jai Courtney, and Sebastian Koch co-star in the limp 'A Good Day To Die Hard'</p>

Bruce Willis, Jai Courtney, and Sebastian Koch co-star in the limp 'A Good Day To Die Hard'

Credit: 20th Century Fox

Review: Bruce Willis may save Russia, but there's no saving the 'Die Hard' series after this

HitFix
C-
Readers
C
A huge misstep in a franchise that was already wearing thin is the last straw

I'll keep this brief.

Even taken at face value as a stand-alone film, unconnected to a franchise, "A Good Day To Die Hard" just plain doesn't work.  Reverse-engineered to try to duplicate some of the key pleasures of the original film, now 25 years old, the film breaks the cardinal rule of action movies: it's boring. Worse than boring. It's one of those films where every time they explain more exposition, I found myself more and more disconnected. The basic idea here is that John McClane has to get closer to his estranged son, and he flies to Russia to help him when he learns that John Jr. (Jai Courtney) is in prison.  Mayhem happens, and male bonding follows in its wake.  Those bare bones could work, but first, I'd have to care about John Jr. as a character, and since the script never seems to figure out who this guy is, there's nothing to him onscreen. Courtney seems to carry himself well enough, but there's almost nothing here for him to actually play.

Bruce Willis isn't on autopilot here.  I think he's genuinely still interested in playing McClane and making him human-scale and playing the ridiculousness of the situation with a wry observational wit, and all of that is fine.  But what made the first "Die Hard" great, and what's been missing in almost all of the sequels, was the sense that there was a game being played here that McClane doesn't fully grasp at first.  The really wonderful thing about the first film wasn't just the "trapped in an office building" conceit, but the way the film slowly unpacked its surprises.  Every supporting character had a purpose, played some part, fit into the larger overall picture.

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<p>There is no way I'm not going to feel like a monster when I sit in a theater to see this.</p>

There is no way I'm not going to feel like a monster when I sit in a theater to see this.

Credit: A24 Distribution

'The East' gets set for closing night in last round of SXSW 2013 announcements

Plus Danny Boyle, Joss Whedon, Harmony Korine and more sign up for Q&As

I don't know how they do it.

I am impressed each year by each of the festivals I attend because of the sheer scale of the enterprise.  Sundance is this crazy sprint in the snow where way too many people descend on a fairly tiny little ski town to mainline movies.  Cannes is this decadent sun-soaked beach party.  Toronto is very no-nonsense and stripped down, films and films and more films.  And Fantastic Fest is… god, how can you describe Fantastic Fest?  It's like a time machine full of midget humanoid rabbits that enter a battle of the bands against a six-headed mutant that shoots saw blades out of its lady parts.  But with a lot of booze and barbecue.

SXSW, though, has to be one of the most complex assemblages of moving parts that I have ever witnessed.  In addition to the crazy crazy crazy of the film festival, there's the crazy crazy crazy of the music festival, and the Interactive side of things has blown up and now the comedy side of things also appears to be blowing up, and it's so much energy and so many interests all jammed into one big elaborate thing now.  The last batch of titles and the full schedule were released today, and it's looking like it's going to be a sensation year for them.

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