Bobby Moynihan and Adam Levine
Credit: NBC
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Live from New York, it’s Saturday Night! Also live from New York? Me! I’m here working on some upcoming projects, but I’m still reporting for duty (albeit with frigid fingers) here in the City That Never Sleeps. On deck tonight: host Adam “Moves Like Jagger” Levine and musical guest Kendrick Lamar. Levine was a semi-controversial choice as host in some circles, but if Bruno Mars taught us anything this year, it’s that someone used to performing in front of live audiences often is a great choice to host “SNL”. Levine’s musical persona is fairly cocky, so let’s see how much he pokes fun at himself tonight. My expectations aren’t terrifically on that front, but who knows? (My expectations for at least two of the three other coaches from “The Voice” to appear tonight? Exponentially higher.)
Since I’m not at home, we’ll forgo the liveblog in favor of a running diary posted once the episode ends. But as always, I’ll be offering up grades for each segment that will be used against me in a court of law at a date to be named later.
Obama and Martin Luther Jr.: Obama is visited by the ghost of MLK, who is more interested in Beyonce’s performance and Michelle’s bangs at the inauguration rather than the state of the “dream” he once professed. Now, the idea of the two having a serious discussion about national politics, even in the context of this supernatural setting, would be unfair to the show. But what about the show’s historical precedents for cutting social satire? Here was a chance to have two of American history’s most famous citizens discuss matters that resonate in today’s culture. This sketch was amiable enough, but lacked any bite that would have made an admittedly incredible concept an equally memorable sketch. [Grade: B-]
Monologue: What happens when you don’t trust the host to deliver the monologue? Add in guest stars! So let’s bring back Andy Samberg, who himself doesn’t seem to know why he’s there. But let’s get “The Voice” chair gag out of the way now, I suppose. Samberg wants to coach Levine in the ways of comedy. (“I starred in over one hundred digital shorts and over three live sketches!) Other judges include Cameron Diaz (wearing a Christina Aguilera-esque tiny hat to boot) and Jerry Seinfeld. Now, this bevy of guests is great, but my GOD this bodes poorly for the rest of the show. If Levine disappears this much during the show, why have him host in the first place? Oh right: to take his shirt off. I forgot. [Grade: A-]
Rosetta Stone Thai: Ah, I miss Will Forte. He would have taken this up a notch. Still, Taran Killam’s creepiness almost makes up for his absence in this, an ode to learning a foreign language for the sole purpose of obtaining prostitutes in a foreign land. At four minutes, this would have been death. At ninety seconds, it didn’t overstay its welcome. Nothing memorable, but solid enough. [Grade: B]
Circle Work: “It’s a show where we sit in a circle and work it out!” This is a talk show in which a gay couple helps solve problems of straight people. Two things I enjoy right away: Levine’s energy as co-host Todd Anthony, and AN EARLY NASIM PEDRAD SIGHTING! “SNL” has seemingly forgot about her over the past two months. Unfortunately, once the guests roll out, the concept of the sketch is singular and fairly unfunny: every “problem” leads to the diagnosis that the man in the relationship is gay. Levine and Kenan Thompson have good energy, but lines like, “You’re as gay as a gay goose in a gay goose parade!” just fall dead on arrival. (Thompson spelling out the entire sentence, however? Fantastic.) Having Jason Sudeikis’ character realize he’s gay served to justify the constant inquiry, but didn’t provide enough payoff in the end. Still, I give this points for commitment if not writing. [Grade: B]
The Sopranos Diaries: Oh man. Now this is more like it. Having just completed a rewatch of “The Sopranos”, this is right in my wheelhouse. It doesn’t hurt that every impression is eerily accurate. Bobby Monyihan’s Tony Soprano is especially incredible. It’s so good that I can’t believe “SNL” hasn’t broken it out before. (Feel free to correct me if I’m wrong here.) Throw in a Bada Bing table in the cafeteria, Levine as a rather svelte Big Pussy, and enough 80’s gear to choke a theme party, and you had possibly the funniest sketch in this early 2013 run. Certain sketches get the highest grade here because they transcend the show’s normal genres. This one gets high marks for flawless execution within established parameters. [Grade: A]
Fire Department Fundraiser: Oh good. More gay humor. Awesome. This time it’s Hader playing Bryce, a gay firefighter angry that Levine’s coworker is talking to Bryce’s ex-“girlfriend”. (They dated for two weeks nine years ago, but he threw hot tea in her face when she leaned in to kiss him.) The sum total of this sketch’s comedic outlook? PEOPLE SHOUTING = FUNNY. Newsflash: it’s not. But hey, what do I know? The crowd is eating up this overarching. It doesn’t help that not even Levine seems to want to be in this sketch. Cecily Strong gets roped into the proceedings to introduce a “Don’t Trust The B—In Apartment 23” joke, which allows her to witness a 45-second routine involving Hader wrestling with a stuffed dog. Man, what a letdown after “The Soprano Diaries”. Horrid. [Grade: D]
Yolo: Well, The Lonely Island Era is back. I guess that explains Samberg’s presence in the monologue. What starts off as an ode to the ubiquitous phrase turns into an ode of being a shut-in afraid of everything. (Sample lyric: “Stay away from kids/Cuz their hair is filled with mad lice!”) It’s slow-going at the outset, with Danny Mcbride’s cameo more weird than amusing. Still, Kendrick Lamar’s verse about fiscal responsibility, coupled with the increasingly paranoid tableaus depicted, give the proceedings steam near the end. I probably would have preferred that “Lazy Sunday 2” be the last Digital Short we ever saw from this crew, but the idea of occasionally installments throughout the next few seasons isn’t exactly the worst thing that could happen either. As special events, these might even have new life. Who knows? [Grade: B]
Speaking of Lamar, he takes the stage to perform “Swimming Pools (Drank)”. This song has one sinister bass line that unfortunately gets swallowed up in the larger arrangement. That’s too bad, since the more minimal aspects of the track are compelling, especially when he spits flows so fast that they make Snow’s “Informer” seem delivered in a slow drawl. It’s not enough to do undo the song as a whole, which depicts swimming pools full of liquor. Non-honest question Is this song about
Adam Levine’s vacation home?
[Grade: B+]
Weekend Update: Wow, huge week for Pedrad overall, with her returning to the stage as Arianna Huffington. She comes on to ostensibly talk about Hillary Clinton’s position in the current political landscape, but spends most of the time talking about the fact that European men will find anyone sexy. Funnier topics: the only women that other women like (Oprah and whomever Oprah likes) and a breakdown of the show “Wives With Knives”. (“It happens enough that there’s an entire show about it!”) Afterwards, Ray Lewis appears to talk about his upcoming final game in this year’s Super Bowl. Lewis has strange thoughts about the skating rink in front of 30 Rockefeller Plaza, assuming it was the work of God. Thompson had the crowd in the palm of his hand, to the point where they start laughing at the mere thought of what Lewis might do should he win the Super Bowl. I’m not quite on board with their opinion, but they again, they thought Gay Fireman Bryce was hysterical. So, let’s just take this reaction with a silo of salt. [Grade: B-]
Maroon 5 Versus Train: “Oh, hello TRAIN!” Earlier I worried that Levine would be afraid to mock his musical stylings. But this sketch puts that worry to rest. Levine’s line readings are painful to the point of actually causing me physical distress (PLEASE TURN THE CUECARDS FASTER), but he’s willing to “dance fight” with Patrick Monahan, Jason Mraz, and John Mayer. (“John Mayer! They say he’s legally insane!”) Still, it’s distressing to see someone with as much charisma as Levine to shrink in this atmosphere. Or maybe it’s just a testament to how damn hard it is to do what the core cast does each week with seeming ease. Points to Levine for mocking himself. It’s just too bad it happened in such a lame sketch. [Grade: C]
Catfish: Levine’s Nev helps out a girl who is in a ten-year relationship with “Ace Applebees”, who has six-pack abs and the head of Brian Williams. (Why not deal with Manti Te’o here? Are we already past that?) There’s exactly one funny thing here: “Is this reaction positive or negative? I can’t tell!” That’s a perfect description of that staple of reality TV bumpers. The best example of how bad this sketch is? You can clearly see the cue cards reflected in the window outside of Ace’s house. Let’s just all collectively pretend this never happened, OK? [Grade: D]
Kendrick Lamar returns to the stage to perform “Poetic Justice”. This is a much smoother R&B jam than the more disturbing “Swimming Pools (Drank)”, musically speaking. But boy oh boy, stick to rapping and stay away from singing, Lamar. Those choruses are pretty painful. I know Drake sings the hook on the original record. Why not hire someone to sing this on tour when Drake’s not around? Everything else is fine, if rather banal. It’s nothing we haven’t heard before, with nothing new brought to the table to make it stand out. [Grade: B-]
Janet And Adam Levine: We’ve seen Moynihan’s Janet before, and she’s back again to seduce Levine (once again playing himself). Once again, Levine is battling the cue cards something fierce. I wish they had stuck them inside the Danny Glover-decorated Murphy bed. Janet is a fierce comic creation, but the back-and-forth is so stilted that it’s hard for the sketch to generate much in the way of momentum. Maybe a monologue from Janet to a roofied Levine would have been better. [Grade: B-]
Biden Bash: “Hey, guys? We have 45 extra seconds to fill. Quick, grab that Biden sketch that we all agreed to burn after dress rehearsal. We didn’t burn it, right? Oh thank God. Also, God forgive us.” [Grade: D+]
Best Sketch: “The Sopranos Diaries”
Worst Sketch: “Catfish” (yes, that was worse than “Fire Department Fundraiser”)
Happiest Surprise: After a season in which it seemed like “SNL” forgot Nasim Pedrad existed, she got some major face time tonight.
Weirdest Surprise: The return of The Digital Short. Again: I haven’t completely decided if this a good or a bad thing in the long haul. Clearly both The Lonely Island and the show mutually benefit from this relationship. But with such a good run of preproduced material in the fall (“Sad Mouse”, “Lincoln”, “The Standoff”), why go back to the previous era? Let’s see what else the current regime can do first.
What did you think about tonight’s show? Did Levine exceed expectations or underperform? What did you think about the return of the Digital Short? Sound off below!
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January 27, 2013 at 2:36AM EST Reply to CommentCueCard reading was abysmal.
The audience's reactions were almost exactly opposite of mine.
As usual, all the skits were about 40% too long. If you can only come up with 3 good jokes, hit us with them and move on. What, make-up takes too long? Use more of the cast!!
buckbeat Yeah, rather than letting scenes play out and hope they are good I know the first note they hit is going to be repeated for the entire sketch so I just wait until it is over.
January 30, 2013 at 8:07PM ESTI think that is why things like Key & Peele (or many other sketch comdies before it) are so successful...without being taped live they can afford to spend 30 seconds or 5 minutes on an idea without wearing it out.
svetlana
January 27, 2013 at 2:52AM EST Reply to CommentI'm actually surprised that Adam was so boring. He wasn't horrible but just off. I actually thought the train/maroon 5 sketch was really funny because it was so odd. The catfish sketch was in no way the worst sketch of the night in my opinion. Certain parts of it were dead on.like people always coming out of side doors(who has side doors??) and the fact that none of the people on that show know how to Google. Circle work and the firefighters sketches were completely awful and not funny at all.
Steve Lepore
January 27, 2013 at 3:39AM EST Reply to CommentThe Catfish sketch was really good. I thought it worked with Levine's energy (or lack thereof) best. And I thought it was a really accurate send-up of the show.
svetlana You're absolutely right. It's obvious the reviewer has never watched catfish because that sketch hit on everything that makes it such a stupid show. I only watched a few episodes out of morbid curiosity and even I knew SNL got it right.
January 27, 2013 at 7:35AM ESTskip serpico
January 27, 2013 at 4:17AM EST Reply to CommentThis episode was cursed by cuecards. Whether it was Levine's overt reading of them or them showing up in reflections, it was distracting.
But at least we have proof Adam Levine can read.
Lee Harvey
January 27, 2013 at 5:06AM EST Reply to CommentLike Ryan, I'm happy to see Nasim Pedrad is still alive. This was one of those episodes that seemed pleasant enough while watching it, but tomorrow you won't remember a thing about it.
So, off next week, then Bieber? Good gawd.
Lawrence I personally felt the branding of digital shorts was one of the biggest problems of SNL in the last five years. It created an ownership by lonely island that felt uncomfortable for an ensemble show. I wish they would stick to occasional preproduced, not dependent on them.
January 27, 2013 at 6:23AM ESTKarol
January 27, 2013 at 6:45AM EST Reply to CommentI'm pretty sure Kendrick sings the hook in "Poetic Justice" on the record, Drake just drops a verse. And it didn't sound too different performed live.
Damien the author has obviously never heard of Kendrick prior to yesterday ha
January 27, 2013 at 9:52AM ESTJbagels Yeah, especially since he used a Snow reference. It also seems like he doesn't realize Swimming Pools is meant as a critique of alcoholism, not promoting it. Ugh.
January 27, 2013 at 11:33AM ESTChauncey Quindale Thank you guys for already saying all that stuff lol. This article really doesn't portray Kendrick correctly.
January 27, 2013 at 6:46PM ESTrdt
January 27, 2013 at 9:04AM EST Reply to CommentIt was kind of cringe inducing through most of it. I found myself kind of feeling bad for Adam. You kind of had a feeling it was going to be like that because of all the cameos, in the last few years they try to load it up with guests to make up for a weak host. Worst part of the night was the end when you can CLEARLY hear Jerry Seinfeld "jokingly" say 'Don't screw this up Adam'. And as the rolling credits start you can see Cameron Diaz kind of consoling him. It's probably a joke but it was still a dick move on Seinfeld's part for saying that.
Ann Onnymus
January 27, 2013 at 9:42AM EST Reply to CommentDude, Levine sucked ASS on SNL... Stay in your lane Levine - singing and bein g a pretty boy. Acting ain't for you.
galab Levine did suck, but did anyone actually expect that he would do good tonight?
January 27, 2013 at 10:00AM ESTtraino
January 27, 2013 at 9:59AM EST Reply to CommentHe was much better than jennifer lawrence, she was terrible and sucked last week.
jason blake you are a complete moron. be truthful. Jennifer had one of the best episodes of the season.
January 27, 2013 at 11:22AM ESTLatesh0w
January 27, 2013 at 10:03AM EST Reply to CommentMeh episode overall, yolo was great, Rosetta Stone and Soproanos where the only times I "lol"ed.
Call me Ishamael you SOB
Trevor
January 27, 2013 at 10:22AM EST Reply to Commentyou saying kendrick lamar's music is in hte least bit 'banal' is like me saying your life isn't unfulfilled as you write recaps and reviews of a show that hasn't been good in decades. holy shit
Haynie
January 27, 2013 at 12:18PM EST Reply to CommentI think the Bryce sketch would have hit better if it hadn't directly followed Circle Work. My first thought, and probably most other people's, was "gay again?" I've noticed a lot of issues lately with sketch placement that seem to work against the flow of SNL. They need to do a better job of identifying redundancies.
For example, just swap out the "Maroon 5 vs. Train" sketch with the Bryce sketch and I think both would have seen improved reactions.
January 27, 2013 at 12:20PM ESTdan
January 27, 2013 at 2:44PM EST Reply to CommentWow, I can't believe the negativity, the comments AND the article. I usually feel like Charlie Brown, coming back week after week. Gotta say I LOVED this episode. I thought it had some great, great sketches. Soprano's, obviously. Kenan was terrific all episode. Adam was not nearly as bad as you all make him out to be, and I can't stand Maroon 5.
Old King Clancy
January 27, 2013 at 5:56PM EST Reply to CommentThat fire department sketch was screechier than Russell Brand in a bat cave. I hadn't heard Kendrick Lamar before and was very impressed by "Swimming Pools."
Talk about pulling punches, no Ray Lewis murder jokes?
Serious question: Was the Digital Short, which was a bit thin, dubbed over The Joy Formidable's "Whirring?" They might want some royalties.
Danny Porcaro
January 28, 2013 at 1:13PM EST Reply to CommentI can't disagree more with the writer. The fire department sketch was the most I've laughed in YEARS from an SNL sketch. Bill Hader was terrific.
And as a fan of the show Catfish, they really nailed everything about it.