9:00 p.m. We begin the episode with a Top 12 montage set to The Everly Brothers' "All I Have To Do Is Dream." Presumably the joke is that the dream is about to become a nightmare for one contestant?
9:01 p.m. Close, but not quite. "One dream is on the line," bombastic text informs us. Uh-oh!
[Find out whose dream became a nightmare on Wednesday's (March 17) "American Idol" after the break..]
As an important part of the overall mythology in this final season of "Lost," episode 6.08 was well-constructed by writers Jim Galasso & Elizabeth Sarnoff, and it certainly laid out certain information in a way that sets a number of things into motion for the next few episodes. But there's still something about it as a stand-alone epsiode that seems disappointing. Slight, even, and when there are only eight episodes after this before the finale, then it's no time for "slight."
The featured player in this week's flash-sideways TIMELINE A segments is Sawyer, although he's not Sawyer in this version of reality. Instead, he's James Ford, Los Angeles cop with a dark secret and a partner named Miles. The notion of Ken Leung and Josh Holloway teamed up in a buddy cop show is just plain great, and I highly advise ABC to get busy on the spin-off right away, regardless of how the series ends. The introduction to undercover officer Sawyer is pretty canny, a spin on what we've learned about him over the years. He starts the episode in bed with a woman, and he starts to run a con on her. It's the familiar pigeon drop we've seen him do before, and the problem is that she recognizes the move as well. She draws a gun on him and tells him she knows he's a con artist since her husband is as well, and she knows the moves. He tells her that he's actually a cop, and that she's walked into a trap designed to catch her husband. It's a fun game for viewers for a few minutes, because as AlternaLocke observes later in the episode, "You're the best liar I've ever seen." James could be a cop. It could be a way to get out of trouble. It could be another layer of scam. For a few minutes, there are some rich possibilities in play.
New stage set-up. New announcer. New Top 12. This is "American Idol."
Tuesday (March 16) night is the music of the Rolling Stones and I can't wait to hear what Lilly Scott and Alex Lambert are going to sing!
Huh. Well, click through for a full recap of tonight's episode. [And also check out my interviews with the Top 12.]
You never know when your TV-watching habits are going to pay off, friends. Take “24,” for instance. At its heights a blockbuster action show worthy of extra-buttered popcorn; at it’s worst, well, full of redneck ex-boyfiends. But I never knew the show could teach me valuable life lessons as well. Just today, I found a half-foot of water in my basement and knew that I should calibrate my “DAMNIT” just slightly higher than when a suspect breaks a CTU perimeter and slightly lower than when a witness dies in Jack’s arms before (s)he can tell him the vital piece of intel that could end that day’s threat.
So thank you, “24.” I underestimated you. Onto the recap!
It is rare, these days, that you get what one could call a “thespian” taking over the reins of “Saturday Night Live.” Jude Law, after all, just recently wrapped up a stint playing Hamlet on Broadway, so at first glance you wouldn’t necessarily think that he would make an ideal host (at least based on the show’s recent track record, if not what would actually make a great host objectively speaking). However, then you remember that Jude Law is really quite funny (his last movie role, after all, was his nice supporting turn as Watson in Sherlock Holmes), and you also realize that he’s here promoting a film that no one has heard of and is getting dumped in March (“Repo Men”), which makes things much more comfortable. Sure, Jude Law is a really great actor, but he’s here on the same terms as every other “SNL” host, so it’s unlikely that the show is really going to become that much more classy or, well, good as a result of his presence.
A review of an “SNL” that managed to live up to, but not exceed in any way, those expectations after the jump…
With “The Imperfections of Memory,” “Caprica” featured three people searching elusive, out-of-reach goals. Joseph Adama spent the hour looking for his daughter’s avatar. Daniel Graystone sought to unlock the mystery of the MCP with his rival breathing down his neck. Amanda Graystone sought solace through drugs and alcohol. All got closer to their goals, but not without working through demons from their past.
Read on for my full take on another solid episode from the increasingly engrossing SyFy drama…