<p>Desmond Hume once again finds himself central to the Island's mysteries in this week's amazing episode of the final season of 'Lost'</p>

Desmond Hume once again finds himself central to the Island's mysteries in this week's amazing episode of the final season of 'Lost'

Credit: ABC

Recap: 'Lost' 6.11 - 'Happily Ever After' suggests a not-so-happy future for Desmond

Have Damon and Carlton finally shown their hand?

Tonight was a pivotal moment in the final season of "Lost," which should come as little surprise since tonight was the return of Desmond Hume to active duty.

"The Constant" is a dividing point for many fans.  The ones who hate the time travel and the alternate timelines and the donkey wheel... well, "The Constant" is pretty much enemy number one for them.  And I can see how if you don't like the way the "Lost" writers play with those ideas, the last few seasons must feel like a major letdown after getting invested in a story that was laid out, for all its mysteries, in a fairly simple and linear manner.  One story on the Island, one story in flashbacks.  People trying to survive, and the things that haunt them from their past.  There was a shape to it that was fairly comfortable.

And then the show exploded.  Literally.  Timelines fractured.  Structure caved in on itself.  And it became a very different show.  The characters are all still there, and we are definitely still dealing with story threads that were introduced five or six seasons ago, but so much more has happened since those early seasons that we're starting to realize now that we're not watching the show we initially thought we were watching.  And that can be a disconcerting thing for a viewer, no doubt about it.

This season in particular has been an upset for some people thanks to the flash sideways storyline that's been the subject of much debate since the season premiere.  I've read reactions calling the alternate timeline "confusing," "pointless," and "a train wreck."  I've also read reactions from people who have been engaged by the puzzle presented to them by the show this year, at least a half-dozen different interpretations of what they're watching.  I've certainly speculated about the nature of what we're seeing openly here in these recaps, and my theories have evolved over the course of the season.  I've used a shorthand while describing the separate storylines, referring to one as TIMELINE A and one as TIMELINE B, although I'm fairly sure it's not as simple as a rift in time or space.

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<p>&nbsp;Morena Baccarin of 'V'</p>

 Morena Baccarin of 'V'

Credit: ABC

Recap: 'V' - 'Pound of Flesh'

Anna looks for infiltrators, as the rebels look to infiltrate and send a message

There were times in tonight's episode of "V" when I thought, "Finally! A show I might enjoy watching from week to week!" There were times in tonight's episode of "V" when I questioned just why I volunteered to cover this show week-to-week. And there were a few times in between. It's kind of a "best of 'V,' worst of 'V'" scenario, really. You have a pretty fun plot about the resistance infiltrating the main "V" ship right next to a plot where Erica brings Tyler to hang out with his dad, a plot that seems like it might make Tyler worth caring about before just making him as boring as he always is. (Honestly, if the show had just seen fit to let him stay with Krycek up in the north woods for all time, I doubt too many people would have cared. Instead, Lisa's going to hang out with him.) And, worst of all, the episode just ladled on the portent.

[Full recap of Tuesday (April 6) night's "V" after the break...]

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<p>&nbsp;Casey James of 'American Idol'</p>

 Casey James of 'American Idol'

Credit: FOX

Recap: 'American Idol' - Lennon & McCartney for the Top 9

'Idol' performances feature a didgeridoo and a bagpipe player, plus a little singing

In what may well have been an "American Idol" first (it probably wasn't, but I don't want to do research), Tuesday (April 6) night's show introduced the theme -- the music of Lennon and McCartney -- and then went straight to commercial without a single performance.

That's what you have to do when you're trying to find a way to fit nine performances into two full hours of telecast.

Click through for a full recap of Tuesday's filler-filled episode...

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<p>&nbsp;Anil Kapoor of '24'</p>

 Anil Kapoor of '24'

Credit: FOX

Recap: '24' Day 8 - '6 a.m. to 8 a.m.'

With the bomb set to go off, Hassan makes a desperate move to save NYC as well as the peace accord.

It’s not often you get the silent clock to end an episode of “24.” If you count the 2-hour telepic “Redemption,” tonight marked only the 10th time that device has been employed. Teri Bauer, President David Palmer, and a few notable others have all received this treatment over the course of the show. While you can argue on whether or not the character that inspired this latest iteration deserved it, I think the silence was as much for the implications of said death as much as the character itself. But we’ll get to all that in good time. Say, the end of the recap. How’s that sound? 

Since FOX aired two hours back-to-back tonight, I’ll try and keep things to their usual length, so I’ll break things up hour-by-hour, give you the blow-by-blow, and see what this double dose of Dana gave us. 

[Full recap of Monday's double-dose of "24" after the break...]

Hour 1: 6 am – 7 am 

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<p>&nbsp;Zachary Levi and Brandon Routh of 'Chuck'</p>

 Zachary Levi and Brandon Routh of 'Chuck'

Credit: NBC

Recap: 'Chuck' - 'Chuck vs. the Other Guy'

Everything comes together in what was originally the 'Chuck' season finale

Last spring, when "Chuck" had no reasonable assurance of a future on NBC, Chris Fedak and Allison Adler wrote a season finale that turned the show upside down. "Chuck vs. the Ring" was a great episode and a terrific season finale, but had it been a series finale? Oh, there would have been grumbling.

Last winter, with no reasonable assurance of any more than 13 episodes for the show's third season, Fedak wrote "Chuck vs. the Other Guy," with some expectation that it would be the season finale and some strong possibility it might be the series finale.
With Monday's (April 5) episode, "Chuck" delivered a near-perfect finale. Leaving aside your feelings on the mechanics which got us to Monday's episode, the 44 minutes that aired on NBC wrapped up the 13-episode semi-season perfectly, delivering both laughs aplenty, but also action, romance and drama. You can look at nearly everything that happened in "Chuck vs. the Other Guy" and see how it flowed organically from the things that happened since the premiere. It wrapped up most major arcs, but also set the ball gently rolling for plenty of adventures to come. But it wasn't a cliffhanger finale or a "gamechanger" finale or any of the things we've come to expect from bubble shows looking to force a network hand.
"Chuck vs. the Other Guy" would probably have served as the kind of series finale most shows only dream about. It didn't complete the journey that the main characters were going on, but it set them down, however temporarily, at a pausing point along that road. If "Chuck" didn't come back, after seeing "Other Guy," you'd have felt as if the mission instigated in the pilot had been fairly executed (with one exception) and that the characters were going to go forth in their adventures on their own.
Of course, a funny thing happened on the way to "Chuck vs. the Other Guy" being either a series or a season finale. That funny thing was NBC's utter disaster of a fall, which somehow added six episodes to the third season. But "Chuck vs. the Other Guy" is such a satisfying ending that it'll be plenty tempting to call the next six episodes the start Season Four ("Look Ma, 'Chuck' got a Fourth Season... kinda!") or the launch of a bridging micro-season (like the "Saved by the Bell" beach season). 
[Let's talk a little more about "Chuck vs. the Other Guy" (with spoilers, of course), after the break...]
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Maya Luz and Anthony Williams on Project Runway Season 7

Sometimes you're in, sometimes you're out and sometimes you're just back in again. Maya and Anthony can absolutely speak to that.

Credit: Lifetime

How 'Project Runway' jumped the shark right before Bryant Park

Relive the episode that finally got the series back on track since it left Bravo

It seems that “Project Runway” is the five-year-old brat of reality television. You miss one little episode, and suddenly it’s running willy-nilly through the kitchen, turning on all the stove burners and grabbing that new Costco-sized container of peanut butter just so it can smear the goo through its long, luxurious Heidi Klum tresses before rolling around in the dog crap in the backyard.  

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<p>&nbsp;The Cousins on 'Breaking Bad'</p>

 The Cousins on 'Breaking Bad'

Credit: AMC

Recap: 'Breaking Bad' - 'I.F.T.'

Walt pushes things with Skyler, while Hank's having issues

"I.F.T." opens with a flashback. In and of itself, this isn't particularly remarkable. TV does flashbacks all the time, mostly to fill in story points that won't come up in the organic sweep of what's happening. But "Breaking Bad" doesn't really do flashbacks all that often. There have been a few back to when Walt was a floppy-haired chemist working on a potentially Nobel Prize-winning research project, and there have been some other timeline switches heading into the future of the show's timeline (particularly in season two), but this series, for the most part, doesn't engage in jumping back into its own history, particularly to events that occurred within the timeline of the series proper, all that often. So on that level, tonight's opening scene - separated from the rest of the episode in typical "Breaking Bad" fashion - is remarkable. Creator Vince Gilligan and episode author George Mastras want us to see this moment for some reason.

[Full recap of Sunday's (April 4) "Breaking Bad" after the break...]

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<p>&nbsp;Jet and Cord of 'The Amazing Race'</p>

 Jet and Cord of 'The Amazing Race'

Credit: CBS

Recap: 'The Amazing Race - 'You're Like Jason Bourne, Right?'

The teams head to Malaysia, where one pair faces a Speed Bump

A lot was made going into this week’s episode of “The Amazing Race” about the handicap facing cowboys Jet and Cord, who face a Speed Bump in this week’s trip to Malaysia, but I didn’t really see the concern. My problem, I think, is that the entire race seems to be facing some sort of handicap: Steve and Allie are without their luggage, and if we’re being completely honest some of the other teams aren’t exactly operating with a full toolbox in terms of strategy or general intelligence. Last week’s episode saw the teams living up to our expectation from the premiere that this may be one of the most mistake-prone casts of all time, and so the idea that Jet and Cord’s Speed Bump is a huge disadvantage just doesn’t fly. 

And if you have any doubt of that, I’m pretty sure that this leg more or less sealed the deal. 

Spoilers for this week’s snake-infested episode of “The Amazing Race” after the jump… 

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<p>Ian Somerhalder and Melinda Clarke of 'The Vampire Diaries'</p>

Ian Somerhalder and Melinda Clarke of 'The Vampire Diaries'

Credit: The CW

Recap: 'The Vampire Diaries' - 'There Goes the Neighborhood'

The new vamps in town cause problems, while Elena and Stefan go on a double-date

This week in Mystic Falls, everyone's all about technology -- cell phones, texting, chat rooms. Can double dates, out of control MILFs, and Jeremy's Internet research cause half as much drama as the army of old-new bloodsuckers congregating in Pearl's Vampire Halfway House in the woods, learning how to -- gasp! -- text message?

[Full recap of Thursday's (April 1) "The Vampire Diaries," titled "There Goes the Neighborhood," after the break…]

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<p>John Noble of 'Fringe'</p>

John Noble of 'Fringe'

Credit: FOX

Recap: 'Fringe' Returns - 'Peter'

In the wake of Olivia's discovery of Peter's true nature, Walter reveals how he came to this universe.

 If any recently launched genre show learned the true lesson of “Lost” (“It’s the characters, stupid!”), it’s “Fringe.” While its individual episodes can be hit or miss, it has at its core the type of unorthodox family that’s necessary to hold an audience’s interest even if The Pattern doesn’t. Tonight, in “Peter,” we saw the start of The Pattern, itself derived from an easily understood starting point: a father’s grief over a lost child. In fact, the mythology of “Fringe” was summed up nicely tonight by Carla, Walter’s assistant in 1985:  “For the sake of one life, you will destroy the world.” Much more eloquent than my previous version: “Two worlds. One door. WHO YA GOT?”

[Full recap of Thursday's (April 1) "Fringe" after the break...]

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