'Survivor' turns itself into a Sprint commercial as families come to visit
It takes two hours for Tyra Banks to crown the most predictable winner in 'ANTM' history
And we’re down to the Final Four-slash-Finale of "America's Next Top Model" Cycle 14! Krista doesn’t want to go back to being a store manager! Alexandra knows she has to step it up! Angelea is silly as sullen and bitter as ever! Nobody likes Raina! She’s just too happy!
Bring. On. The. Dreckitude.
[Full recap of Wednesday's (May 12) "ANTM" finale after the break...]
Busy Wednesday features an elimination plus Bon Jovi, Fantasia and Daughtry
9:00 p.m. ET. Wednesday (May 12) night's "American Idol" opens like an utterly half-hearted movie trailer homage/parody. There are tens of thousands of self-edited YouTube clips with a better understanding of movie trailer grammar than this. On with the show, y'all...
Full recap of Wednesday's show, plus results, after the break
A major piece of the show's mythology is exposed and fans debate what they've learned
Two weeks in a row now, "Lost" has started without a "previously on" montage. I'm guessing that's because if you tune in at this point, and you haven't been keeping up, there's probably no way you're going to figure things out in ninety seconds of clips.
I'm afraid to go read anyone else's recap on this episode. Just watching my Twitter feed go by, I can see already that people are having polarized responses to this big fat plate full of exposition, all served up at once, a mythology download that explains a big chunk of the show's mysteries all at once.
That's a scary prospect for a show like "Lost." The time to put up or shut up for this particular game, and this season has been a long slow fuse that is paying off now in ways that I never would have predicted as a from-the-start fan of the show. Part of me is glad that it's really not doing anything I thought it would be doing at this stage in the game, and part of me is wondering what, exactly, it is that they're actually doing. There's one regular episode left, then the giant finale event. And that's it. That's all the time they have to wrap up the on-Island conflict, the flash-Sideways structure of season six, and everything else that's brewing, and I don't envy them the position they've written themselves into.
I've spoken to people who have intensely disliked this season's contributions to the show's mythology, and until tonight, I would have completely disagreed with them. I'm actually not sure what to make of the decision to tell an entire episode of backstory at this point in the game. This episode feels like something that we maybe should have heard at some point in season five as a myth told by the original Others on the Island, and it could have been much more valuable if it had been dropped on us then, if the show had been building to this longer. As it is, much of this year's legwork feels like it's been piled onto the top of the show here in the home stretch. Too much of it feels like it's just now coming into play.
"So you like showtunes? It doesn't mean you're gay. It means you're awful"
This week on a very special "Glee," everyone's in search of their true selves. Kurt ditches his identity and goes butch to please his dad, Puck loses his mojo (and his mohawk) and tries to regain his popularity, and Rachel loses her voice, leading her to wonder who she'd be without those pitch-perfect pipes.
It all leads to standout performances by a few Gleeks beginning with Finn, who displays a shocking amount of confidence in his unabashed pursuit of Rachel AND manages to teach her a Very Important Lesson: Quit whining already -- at least you're not a paraplegic! On top of that, Finn leads off the episode with a number that we should have seen coming, singing "Jesse's Girl" with some righteous, Rachel Berry-loving passion.
But even Finn's best Rick Springfield was no match for the dueling attitudes of Santana and Mercedes, who give Brandy and Monica a run for their money. And then came the second coming of Kurt Hummel, who gets not one but two SOLO numbers this week including a show-stopper that would make Gypsy Rose Lee herself proud. Everything's coming up Kurt!
[Full recap of Tuesday's (May 11) "Glee" after the break…]
This episode just moved pieces into place, so let's talk about what could improve the show overall.
Tonight's episode of "V" concludes with a scene where one guy we don't care about cuts a deal with an alien we don't care about. And that deal is one we're pretty much just finding out is in the works. And we don't really care about the deal either, even though it's supposed to be setting up the big season finale next week, the episode that's supposed to make us want to see the show come back from the brink of cancellation. Now, theoretically, this is all interesting, since it should have some big implications for both sides of this war, but in actuality, it's really kind of pointless. Why should we care? "V" doesn't know. It just wants to do some things that it knows serialized dramas are supposed to do.
[Full recap of Tuesday's (May 11) "V" and things the show might want to try in the future, after the break...]
The final four are chosen â€“ and one couple gets the boot
Boo, hiss, it’s elimination Tuesday. It’s time for yet another celebrity to set aside his or her bedazzled spandex costumes and slink out the door. Elimination Tuesdays are generally just a bad scene. Sometimes there’s crying and it’s always uncomfortable and a little sad, like seeing your parents doing it on the sofa or breaking your ankle on the first day of a two week ski trip. Of course, if a reality dance show really bums you out, that’s depressing in and of itself, so let’s just move on, shall we?
[Full recap of Tuesday's (May 11) "Dancing with the Stars" results after the break...]
Crystal Bowersox shines in the solos, but Mike and Casey have a surprising duet
Tuesday (May 11) night's "American Idol" featured a troublesome theme (Songs from The Movies) and a troublesome mentor (Jamie Foxx). With the Finals only two weeks away, would anybody from the Top Four step up and make a case that they're deserving of becoming America's Next Top Model? Or whatever it is that they're here for?
Full recap of Tuesday's performances after the break...
One couple gets a perfect score, but another could be on the way out
Oh boy oh boy oh boy! It’s the week before the semi-finals! Which would be much more exciting if Nicole wasn’t walking away with the competition and ABC didn’t plump what should be a one hour show into a two hour epic like it’s one of those saline-injected roasted chickens at Costco.
This week, every couple must stumble through not one but two dances. Horrors! For the second routine, the dancers must hoof it Latin-style in either the style of the '50s, '60s, '80s, '90s or the future. Tom quickly points out that the '70s aren’t included, which just strikes me as weird. Is there not a single '70s song that has a Latin beat? Or are the producers just hating on hippies and groovy music? Of course, the fear is the costume designers will break out the halter tops and bell bottoms, and if we can avoid that, well, that’s really for the best.
Yay, it’s time for a filler segment! God forbid we actually get to the dancing right away or anything! This time, the pros must criticize their competition. Erin gets slammed for not trusting Maks enough. Evan’s total lack of chemistry with Anna is noted without anyone pointing out that Evan is simply chemistry deficient in general. Chad is encouraged to move his ass. Nicole is perfect. Duh. Niecy needs to work on her technique. Double duh. I have learned exactly nothing from this segment. Except that the pros are too smart to be honest. Anyway, it’s time to dance, so let’s get this show going!
[Full recap of Monday's (May 10) "Dancing with the Stars" after the break...]
After two zippy episodes, Chuck experiences bad dreams