Certain parts of "Sons of Anarchy" inevitably feel like a little boy's fantasy of what it means to be a grown-up man: a tough, cool guy who wins every fight, scores with any woman he wants and outsmarts every rival. But to the show's credit, "Sons" has always been equally interested in its female characters, routinely giving them the same level of badass cred as the guys. There's plenty of reasons to quibble with the way certain characters are (or aren't) developed, but when it comes to storytelling "Sons" rarely discriminates based on gender. Maybe that's one reason the character of Venus van Dam works so well.
We’re only three episodes into the thirty-ninth season of “Saturday Night Live." But that’s not stopping us from making ten observations about the current season as a whole. Who has shined? Who has faded into the background? What trends can we already detect?
Read on to find out about the current state of the show.
If I had to speculate about what helped make "Sons of Anarchy" such a big hit for FX, it wouldn't just be the extreme violence, the soapy twists, the provocative peek into outlaw culture or the availability on Netflix Instant. Those are all important factors, sure, but so is the strong sense of friendship and brotherhood at the core of SAMCRO. At one point or another, I think every fan of "Sons of Anarchy" has bonded with the characters because of their bonds with each other. And that's not something we've seen much of this season, at least until "Salvage."
I suppose sooner or later there needed to be a "Sleepy Hollow" episode dealing with Ichabod feeling out of place in the 21st Century, but I'm not sure it needed to be quite as clumsy or underwhelming as "John Doe." Not that the hour was any kind of severe misstep, more like a minor stumble as the still-promising show continues to find its voice and build its narrative foundation.
The thirty-ninth season of “Saturday Night Live” has seen a lot of changes in its cast from the past few seasons, but really not much change in terms of overall quality. You take the good, you take the bad, you take the Drunk Uncle, and there you have the facts of “SNL” in this decade. It doesn’t matter if you throw up a seemingly slam-dunk host like Tina Fey or a potential wild-card like Miley Cyrus: the core elements of the show are what they are, meaning that there’s little in the way that’s going to change until the new writing staff figures out how to work with the new cast in ways that honor the show’s history while forging its future.
Is Jax Teller actually the worst president in SAMCRO history or is he just an unfortunate victim of TV writers trapped in a twisted competition of "Look how far I can go!" absurdities?
Miley Cyrus is the host and musical guest for tonight’s episode of “Saturday Night Live”. And I’m here with a bold prediction: This will be terrible…unless it’s incredible…unless it’s pretty much as tepid as most episodes. Of this, we can be sure!
Everything that happens in this week's "Sons of Anarchy" could've been condensed into a pretty solid hour of TV. So why did "Wolfsangel" have to be yet another unnecessarily bloated 90 minute episode?